Fujifilm X10 vs Panasonic FZ150
The Fujifilm X10 and the Panasonic Lumix DMC-FZ150 are two digital cameras that were revealed to the public, respectively, in September 2011 and August 2011. Both the X10 and the FZ150 are fixed lens compact cameras that are based on a 2/3 (X10) and a 1/2.3-inch (FZ150) sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X10||Panasonic FZ150|
|Fixed lens compact camera||Fixed lens compact camera|
|28-112mm f/2.0-2.8||25-600mm f/2.8-5.2|
|12 MP, Two Thirds Sensor||12 MP, 1/2.3" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-3200 (100-12800)||ISO 100-3200 (100-6400)|
|Optical viewfinder||Electronic viewfinder (202k dots)|
|2.8" LCD, 460k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|10 shutter flaps per second||12 shutter flaps per second|
|270 shots per battery charge||410 shots per battery charge|
|117 x 70 x 57 mm, 350 g||124 x 82 x 92 mm, 528 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X10 and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X10 and the Panasonic FZ150. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X10 can be obtained in two different colors (black, silver), while the FZ150 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is notably larger (24 percent) than the Fujifilm X10. Moreover, the FZ150 is substantially heavier (51 percent) than the X10. In this context, it is worth noting that neither the X10 nor the FZ150 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X10»||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||Fujifilm X10|
|Panasonic FZ150«||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||Panasonic FZ150|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||Canon G15|
|Canon SX50« »||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||Canon SX50|
|Canon G12« »||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499||Canon G12|
|Fujifilm X30« »||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm X20« »||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||Fujifilm X20|
|Leica D-LUX 6« »||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699||Leica D-LUX 6|
|Panasonic FZ200« »||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ100« »||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||Panasonic FZ100|
|Panasonic G10« »||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||Panasonic G10|
|Panasonic GF2« »||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549||Panasonic GF2|
|Panasonic LX5« »||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ150 was launched at a somewhat lower price (by 17 percent) than the X10, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X10 features a 2/3 sensor and the Panasonic FZ150 a 1/2.3-inch sensor. The sensor area in the FZ150 is 52 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the X10 has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the X10 has a lower pixel density and larger individual pixels (with a pixel pitch of 2.20μm versus 1.53μm for the FZ150), which gives it a potential advantage in terms of light gathering capacity. The two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Fujifilm X10 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the X10 has a notably higher overall DXO score than the FZ150 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.1 bits higher color depth, 0.4 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Fujifilm X30||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X30|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..||Leica D-LUX 6|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ100||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Panasonic FZ100|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ150 provides a faster frame rate than the X10. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ150 has an electronic viewfinder (202k dots), while the X10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Fujifilm X10 and Panasonic FZ150 along with similar information for a selection of comparators.
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Fujifilm X30||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ100||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
Both the X10 and the FZ150 have zoom lenses built in. The X10 has a 28-112mm f/2.0-2.8 optic and the FZ150 offers a 25-600mm f/2.8-5.2 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The X10 offers the faster maximum aperture.
Concerning the storage of imaging data, both the X10 and the FZ150 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X10 and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Fujifilm X30||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ100||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
Both the X10 and the FZ150 have been discontinued, but can regularly be found used on eBay. The FZ150 was replaced by the Panasonic FZ200, while the X10 was followed by the Fujifilm X20. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what conclusions can be drawn? Is the Fujifilm X10 better than the Panasonic FZ150 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X10:
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (0.9 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (117x70mm vs 124x82mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 178g or 34 percent) and hence easier to carry around.
Advantages of the Panasonic Lumix DMC-FZ150:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (410 versus 270) out of a single battery charge.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ150 emerges as the winner of the match-up (10 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X10 and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X10 or the FZ150. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Fujifilm X10
- Canon 6D vs Panasonic FZ150
- Canon G12 vs Panasonic FZ150
- Canon S120 vs Fujifilm X10
- Canon T3 vs Fujifilm X10
- Fujifilm X-T100 vs Fujifilm X10
- Fujifilm X10 vs Nikon 1 J4
- Fujifilm X10 vs Nikon D3X
- Fujifilm X10 vs Olympus E-PL6
- Fujifilm X10 vs Panasonic LX100 II
- Hasselblad X1D II vs Panasonic FZ150
- Nikon 1 V3 vs Panasonic FZ150
Specifications: Fujifilm X10 vs Panasonic FZ150
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X10||Panasonic FZ150|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-112mm f/2.0-2.8||25-600mm f/2.8-5.2|
|Launch Date||September 2011||August 2011|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Fujifilm X10||Panasonic FZ150|
|Sensor Format||Two Thirds Sensor||1/2.3" Sensor|
|Sensor Size||8.8 x 6.6 mm||6.17 x 4.55 mm|
|Sensor Area||58.08 mm2||28.0735 mm2|
|Sensor Diagonal||11 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||12 Megapixels|
|Image Resolution||4000 x 3000 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.20 μm||1.53 μm|
|Pixel Density||20.66 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-3200 ISO||100-3200 ISO|
|ISO Boost||100-12800 ISO||100-6400 ISO|
|Image Processor||EXR Processor II||Venus FHD|
|DXO Sensor Quality (score)||50||40|
|DXO Color Depth (bits)||20.5||19.4|
|DXO Dynamic Range (EV)||11.3||10.9|
|DXO Low Light (ISO)||245||132|
|Screen Specs||Fujifilm X10||Panasonic FZ150|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Fujifilm X10||Panasonic FZ150|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Fujifilm X10||Panasonic FZ150|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X10||Panasonic FZ150|
|Battery Life (CIPA)||270 shots per charge||410 shots per charge|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||350 g (12.3 oz)||528 g (18.6 oz)|
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