Fujifilm GFX 100S vs Leica M11
The Fujifilm GFX 100S and the Leica M11 (Typ 2416) are two digital cameras that were announced, respectively, in January 2021 and January 2022. The GFX 100S is a mirrorless interchangeable lens camera, while the M11 is a rangefinder-focusing mirrorless. The cameras are based on a medium format (GFX 100S) and a full frame (M11) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Leica provides 60.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Leica M11 (Typ 2416)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm GFX 100S and the Leica M11 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The M11 can be obtained in two different colors (black, silver), while the GFX 100S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M11 is notably smaller (29 percent) than the Fujifilm GFX 100S. Moreover, the M11 is markedly lighter (29 percent) than the GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100S gets 460 shots out of its Fujifilm NP-W235 battery, while the M11 can take 700 images on a single charge of its Leica BP-SCL7 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | US$ 5 999 | amazon.com | |
2. | Leica M11 | 139 mm | 80 mm | 39 mm | 640 g | 700 | Y | Jan 2022 | US$ 8 999 | amazon.com | |
3. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | US$ 5 999 | amazon.com | |
4. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | US$ 4 499 | ebay.com | |
5. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | US$ 6 499 | ebay.com | |
6. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | US$ 3 999 | amazon.com | |
7. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | US$ 9 999 | ebay.com | |
8. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | US$ 7 499 | amazon.com | |
9. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | US$ 5 749 | ebay.com | |
10. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | US$ 8 199 | amazon.com | |
11. | Leica M Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Sep 2012 | US$ 6 949 | ebay.com | |
12. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | US$ 6 599 | ebay.com | |
13. | Leica M10-P | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Aug 2018 | US$ 7 999 | ebay.com | |
14. | Leica M10-R | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jul 2020 | US$ 8 299 | ebay.com | |
15. | Leica Q3 | 130 mm | 80 mm | 93 mm | 743 g | 350 | Y | May 2023 | US$ 5 999 | amazon.com | |
16. | Leica SL2 | 146 mm | 107 mm | 42 mm | 953 g | 370 | Y | Nov 2019 | US$ 5 999 | amazon.com | |
17. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | US$ 6 499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GFX 100S was launched at a markedly lower price (by 33 percent) than the M11, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Leica M11 a full frame sensor. The sensor area in the M11 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the M11 offers a 3:2 aspect.
With 101.8MP, the GFX 100S offers a higher resolution than the M11 (60.3MP), but the GFX 100S has marginally smaller individual pixels (pixel pitch of 3.76μm versus 3.79μm for the M11). Moreover, the M11 is a somewhat more recent model (by 11 months) than the GFX 100S, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Leica M11 are 47.6 x 31.6 inches or 121 x 80.4 cm for good quality, 38.1 x 25.3 inches or 96.8 x 64.3 cm for very good quality, and 31.8 x 21.1 inches or 80.7 x 53.6 cm for excellent quality prints.
The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the M11, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica M11 (Typ 2416) are ISO 64 to ISO 50000 (no boost).
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
2. | Leica M11 | Full Frame | 60.3 | 9528 | 6328 | none | 26.3 | 14.8 | 3376 | 100 | |
3. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
4. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
5. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
6. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
7. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
8. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
9. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
10. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
11. | Leica M Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 24.0 | 13.3 | 1860 | 84 | |
12. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
13. | Leica M10-P | Full Frame | 23.8 | 5952 | 3992 | none | 25.1 | 14.1 | 2739 | 93 | |
14. | Leica M10-R | Full Frame | 40.9 | 7864 | 5200 | none | 25.3 | 14.3 | 2924 | 95 | |
15. | Leica Q3 | Full Frame | 60.3 | 9528 | 6328 | 8K/30p | 25.4 | 14.7 | 3216 | 96 | |
16. | Leica SL2 | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 25.3 | 14.3 | 2866 | 95 | |
17. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The GFX 100S indeed provides movie recording capabilities, while the M11 does not. The highest resolution format that the GFX 100S can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), while the M11 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 100S has a higher magnification than the one of the M11 (0.77x vs 0.73x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100S, the Leica M11, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
2. | Leica M11 | optical | n | 3.0 / 2333 | fixed | Y | 1/4000s | 4.5/s | n | n | |
3. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
5. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
6. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
7. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
8. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
9. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
10. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
11. | Leica M Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
12. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
13. | Leica M10-P | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 5.0/s | n | n | |
14. | Leica M10-R | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 4.5/s | n | n | |
15. | Leica Q3 | 5760 | n | 3.0 / 1840 | tilting | Y | 1/2000s | 15.0/s | n | Y | |
16. | Leica SL2 | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 10.0/s | n | Y | |
17. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the GFX 100S, but is missing on the M11 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S and the Leica M11 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100S and the M11 write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the M11 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Leica M11 (Typ 2416) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Leica M11 | Y | - / - | - | - | - | 3.2 | Y | - | Y | |
3. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
5. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
6. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
7. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
9. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
10. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - | |
11. | Leica M Typ 240 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
12. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
13. | Leica M10-P | Y | - / - | - | - | - | - | Y | - | - | |
14. | Leica M10-R | Y | - / - | - | - | - | - | Y | - | - | |
15. | Leica Q3 | Y | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
16. | Leica SL2 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the M11) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100S and the M11 are recent models that are part of the current product line-up. The GFX 100S replaced the earlier Fujifilm GFX 100, while the M11 followed on from the Leica M10. Further information on the features and operation of the GFX 100S and M11 can be found, respectively, in the Fujifilm GFX 100S Manual (free pdf) or the online Leica M11 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 100S or the Leica M11 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm GFX 100S:
- More detail: Offers more megapixels (101.8 vs 60.3MP) with a 27% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.73x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2021).
Reasons to prefer the Leica M11 (Typ 2416):
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (139x80mm vs 150x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 260g or 29 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (700 versus 460) out of a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the match-up (14 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 100S and the M11 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | US$ 5 999 | amazon.com | |
2. | Leica M11 | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Jan 2022 | US$ 8 999 | amazon.com | |
3. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | US$ 5 999 | amazon.com | |
4. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | US$ 4 499 | ebay.com | |
5. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | US$ 6 499 | ebay.com | |
6. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | US$ 3 999 | amazon.com | |
7. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | US$ 9 999 | ebay.com | |
8. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | US$ 7 499 | amazon.com | |
9. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | US$ 5 749 | ebay.com | |
10. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | US$ 8 199 | amazon.com | |
11. | Leica M Typ 240 | 4/5 | .. | .. | .. | 4/5 | .. | Sep 2012 | US$ 6 949 | ebay.com | |
12. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | US$ 6 599 | ebay.com | |
13. | Leica M10-P | .. | .. | 3/5 | .. | .. | 4/5 | Aug 2018 | US$ 7 999 | ebay.com | |
14. | Leica M10-R | 4.5/5 | .. | 4/5 | .. | .. | 4/5 | Jul 2020 | US$ 8 299 | ebay.com | |
15. | Leica Q3 | 5/5 | .. | 4.5/5 | .. | .. | 4.5/5 | May 2023 | US$ 5 999 | amazon.com | |
16. | Leica SL2 | 4/5 | .. | 4.5/5 | .. | 4.5/5 | 4/5 | Nov 2019 | US$ 5 999 | amazon.com | |
17. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | US$ 6 499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 90D vs Fujifilm GFX 100S
- Canon R50 vs Leica M11
- Fujifilm GFX 100S vs Hasselblad X1D
- Fujifilm GFX 100S vs Leica V-LUX Typ 114
- Fujifilm GFX 100S vs Nikon D2X
- Fujifilm GFX 100S vs Panasonic GH5
- Fujifilm GFX 100S vs Panasonic TZ95
- Leica M11 vs Leica S Typ 006
- Leica M11 vs Leica SL2
- Leica M11 vs OM System OM-5
- Leica M11 vs Ricoh GR IIIx
- Leica M11 vs Sony HX95
Specifications: Fujifilm GFX 100S vs Leica M11
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 100S | Leica M11 |
---|---|---|
Camera Type | Mirrorless system camera | Rangefinder camera |
Camera Lens | Fujifilm G mount lenses | Leica M mount lenses |
Launch Date | January 2021 | January 2022 |
Launch Price | USD 5,999 | USD 8,999 |
Sensor Specs | Fujifilm GFX 100S | Leica M11 |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | Medium Format Sensor | Full Frame Sensor |
Sensor Size | 43.8 x 32.9 mm | 36.0 x 24.0 mm |
Sensor Area | 1441.02 mm2 | 864 mm2 |
Sensor Diagonal | 54.8 mm | 43.3 mm |
Crop Factor | 0.79x | 1.0x |
Sensor Resolution | 101.8 Megapixels | 60.3 Megapixels |
Image Resolution | 11648 x 8736 pixels | 9528 x 6328 pixels |
Pixel Pitch | 3.76 μm | 3.79 μm |
Pixel Density | 7.06 MP/cm2 | 6.98 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 100 - 12,800 ISO | 64 - 50,000 ISO |
ISO Boost | 50 - 102,400 ISO | no Enhancement |
Image Processor | X-Processor 4 | Maestro III |
DXO Sensor Quality (score) | .. | 100 |
DXO Color Depth (bits) | .. | 26.3 |
DXO Dynamic Range (EV) | .. | 14.8 |
DXO Low Light (ISO) | .. | 3376 |
Screen Specs | Fujifilm GFX 100S | Leica M11 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.77x | 0.73x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 2333k dots |
LCD Attachment | Fully flexible screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm GFX 100S | Leica M11 |
Focus System | On-Sensor Phase-detect | Manual Focus |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 4.5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | no handshake reduction |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-II |
Connectivity Specs | Fujifilm GFX 100S | Leica M11 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Fujifilm GFX 100S | Leica M11 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-W235 | Leica BP-SCL7 |
Battery Life (CIPA) | 460 shots per charge | 700 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
150 x 104 x 87 mm (5.9 x 4.1 x 3.4 in) |
139 x 80 x 39 mm (5.5 x 3.1 x 1.5 in) |
Camera Weight | 900 g (31.7 oz) | 640 g (22.6 oz) |
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