Epson R-D1 vs Pentax K-70

The Epson R-D1 and the Pentax K-70 are two digital cameras that were revealed to the public, respectively, in March 2004 and June 2016. The R-D1 is a rangefinder-focusing mirrorless camera, while the K-70 is a DSLR. Both cameras are equipped with an APS-C sensor. The Epson has a resolution of 6 megapixels, whereas the Pentax provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Epson R-D1		Pentax K-70
Rangefinder camera		Digital single lens reflex
Leica M mount lenses		Pentax K mount lenses
6 MP – APS-C sensor		24 MP – APS-C sensor
no Video		1080/60i Video
ISO 200-1,600		ISO 100-102,400
Optical viewfinder		Optical viewfinder
2.0" LCD – 235k dots		3.0" LCD – 921k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
1 shutter flaps per second		6 shutter flaps per second
no shake reduction		In-body stabilization
not weather sealed		Weathersealed body
142 x 89 x 40 mm, 620 g		126 x 93 x 74 mm, 688 g

Check R-D1 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Epson R-D1 and the Pentax K-70. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The K-70 can be obtained in two different colors (black, silver), while the R-D1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably smaller (7 percent) than the Epson R-D1. However, the K-70 is markedly heavier (11 percent) than the R-D1. It is noteworthy in this context that the K-70 is splash and dust-proof, while the R-D1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Epson R-D1	142 mm	89 mm	40 mm	620 g	..	n	Mar 2004	2,999	ebay.com
2.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
3.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
4.		Leica CL	131 mm	78 mm	45 mm	403 g	220	n	Nov 2017	2,795	ebay.com
5.		Leica M9	139 mm	80 mm	37 mm	585 g	550	n	Sep 2009	7,999	ebay.com
6.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
7.		Leica X Vario	133 mm	73 mm	95 mm	680 g	450	n	Jun 2013	2,850	ebay.com
8.		Leica X-U Typ 113	140 mm	79 mm	88 mm	635 g	450	Y	Jan 2016	2,950	ebay.com
9.		Nikon D40	124 mm	94 mm	64 mm	522 g	470	n	Nov 2006	499	ebay.com
10.		Nikon D50	133 mm	102 mm	76 mm	620 g	400	n	Apr 2005	749	ebay.com
11.		Nikon D70	140 mm	111 mm	78 mm	679 g	400	n	Jan 2004	999	ebay.com
12.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	899	ebay.com
13.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
14.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	1,999	amazon.com
15.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
16.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
17.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-70 was launched at a markedly lower price (by 78 percent) than the R-D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-70 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a slightly smaller sensor, the K-70 offers a higher resolution of 24 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 7.85μm for the R-D1). However, it should be noted that the K-70 is much more recent (by 12 years and 3 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the K-70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.

The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the R-D1, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).

In terms of underlying technology, the R-D1 is build around a CCD sensor, while the K-70 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Epson R-D1	APS-C	6.0	3008	2000	none	21.1	10.4	564	55
2.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
3.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
4.		Leica CL	APS-C	24.1	6014	4014	4K/30p	24.0	13.3	1788	82
5.		Leica M9	Full Frame	18.1	5212	3472	none	22.5	11.7	884	69
6.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
7.		Leica X Vario	APS-C	16.1	4928	3272	1080/30p	23.4	12.7	1320	78
8.		Leica X-U Typ 113	APS-C	16.1	4928	3264	1080/30p	23.8	13.0	1614	80
9.		Nikon D40	APS-C	6.0	3008	2000	none	21.0	11.0	561	56
10.		Nikon D50	APS-C	6.0	3008	2000	none	20.9	10.8	560	55
11.		Nikon D70	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
12.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
13.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
14.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
15.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
16.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
17.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The K-70 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the K-70 can use is 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The R-D1 and the K-70 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Epson R-D1 and Pentax K-70 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Epson R-D1	optical	n	2.0 / 235	fixed	n	1/2000s	1.0/s	n	n
2.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
3.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
4.		Leica CL	2360	Y	3.0 / 1040	fixed	Y	1/8000s	10.0/s	n	n
5.		Leica M9	optical	n	2.5 / 230	fixed	n	1/4000s	2.0/s	n	n
6.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
7.		Leica X Vario	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
8.		Leica X-U Typ 113	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
9.		Nikon D40	optical	n	2.5 / 230	fixed	n	1/4000s	2.5/s	Y	n
10.		Nikon D50	optical	n	2.0 / 130	fixed	n	1/4000s	2.5/s	Y	n
11.		Nikon D70	optical	n	1.8 / 130	fixed	n	1/8000s	3.0/s	Y	n
12.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
13.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
14.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
15.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
16.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
17.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The K-70 has one, while the R-D1 does not. While the built-in flash of the K-70 is not very powerful, it can at times be useful as a fill-in light.

The Pentax K-70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R-D1 writes its imaging data to SDHC cards, while the K-70 uses SDXC cards. The K-70 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Epson R-D1	Y	- / -	-	-	-	-	-	-	-
2.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
4.		Leica CL	Y	stereo / mono	-	-	-	-	Y	-	-
5.		Leica M9	Y	- / -	-	-	-	2.0	-	-	-
6.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
7.		Leica X Vario	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Leica X-U Typ 113	Y	stereo / mono	-	-	-	2.0	-	-	-
9.		Nikon D40	Y	- / -	-	-	-	2.0	-	-	-
10.		Nikon D50	Y	- / -	-	-	-	2.0	-	-	-
11.		Nikon D70	Y	- / -	-	-	-	1.0	-	-	-
12.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
13.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
16.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
17.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the K-70 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.

Studio photographers will appreciate that the Epson R-D1 (unlike the K-70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R-D1 and the K-70 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Epson and Pentax. Further information on the features and operation of the R-D1 and K-70 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Pentax K-70 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Epson R-D1 or the Pentax K-70 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Epson R-D1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Less heavy: Is lighter (by 68g or 10 percent) and hence easier to carry around.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been available for much longer (launched in March 2004).

Reasons to prefer the Pentax K-70:

• More detail: Has more megapixels (24 vs 6MP), which boosts linear resolution by 100%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Broader imaging potential: Can capture not only stills but also 1080/60i video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (921k vs 235k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (6 vs 1 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
• More modern: Reflects 12 years and 3 months of technical progress since the R-D1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the K-70 is the clear winner of the contest (19 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R-D1 or the K-70 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Epson R-D1	..	..	..	..	..	..	Mar 2004	2,999	ebay.com
2.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
3.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
4.		Leica CL	..	..	4.2/5	..	..	4/5	Nov 2017	2,795	ebay.com
5.		Leica M9	..	..	..	..	4.5/5	..	Sep 2009	7,999	ebay.com
6.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
7.		Leica X Vario	3/5	..	..	..	4/5	4/5	Jun 2013	2,850	ebay.com
8.		Leica X-U Typ 113	3.5/5	..	..	..	..	3.5/5	Jan 2016	2,950	ebay.com
9.		Nikon D40	..	81/100	..	+ +	o	4.5/5	Nov 2006	499	ebay.com
10.		Nikon D50	..	78/100	..	+ +	4/5	4.5/5	Apr 2005	749	ebay.com
11.		Nikon D70	..	..	..	+ +	..	..	Jan 2004	999	ebay.com
12.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	899	ebay.com
13.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
14.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	1,999	amazon.com
15.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
16.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
17.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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