Canon SX60 vs Panasonic FZ2500
The Canon PowerShot SX60 HS and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in September 2014 and September 2016. Both the SX60 and the FZ2500 are fixed lens compact cameras that are based on a 1/2.3-inch (SX60) and an one-inch (FZ2500) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX60||Panasonic FZ2500|
|Fixed lens compact camera||Fixed lens compact camera|
|21-1365mm f/3.4-6.5||24-480mm f/2.8-4.5|
|14.2 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200 (100-6400)||ISO 125-12800 (80-25600)|
|Electronic viewfinder (922k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|6.4 shutter flaps per second||12 shutter flaps per second|
|340 shots per battery charge||350 shots per battery charge|
|128 x 93 x 114 mm, 650 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX60 HS and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX60 and the Panasonic FZ2500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably larger (18 percent) than the Canon SX60. Moreover, the FZ2500 is substantially heavier (41 percent) than the SX60. In this context, it is worth noting that neither the SX60 nor the FZ2500 are weather-sealed.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SX60»||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Panasonic FZ2500«||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||-||Nikon P900|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ300« »||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX60 was launched at a markedly lower price (by 54 percent) than the FZ2500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX60 features a 1/2.3-inch sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the SX60 has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect.
With 20MP, the FZ2500 offers a higher resolution than the SX60 (14.2MP), but the FZ2500 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.40μm for the SX60) due to its larger sensor. Moreover, the FZ2500 is a much more recent model (by 2 years) than the SX60, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX60 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon SX60 are 23 x 15.4 inch or 58.5 x 39 cm for good quality, 18.4 x 12.3 inch or 46.8 x 31.2 cm for very good quality, and 15.4 x 10.2 inch or 39 x 26 cm for excellent quality prints.
The Canon PowerShot SX60 HS has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon SX60»||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Panasonic FZ2500«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Nikon P900« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Nikon P900|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic FZ300« »||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2500 provides a better video resolution than the SX60. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the FZ2500 offers a substantially higher resolution than the one in the SX60 (2360k vs 922k dots). The adjacent table lists some of the other core features of the Canon SX60 and Panasonic FZ2500 along with similar information for a selection of comparators.
|Canon SX60»||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Panasonic FZ2500«||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Nikon P900« »||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ300« »||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ300|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony HX400V« »||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the SX60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the SX60 and the FZ2500 have zoom lenses built in. The SX60 has a 21-1365mm f/3.4-6.5 optic and the FZ2500 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The FZ2500 offers the faster maximum aperture.
Concerning the storage of imaging data, both the SX60 and the FZ2500 write their files to SDXC cards. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX60 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX60 HS and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX60»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Panasonic FZ2500«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Nikon P900« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX60 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX60 was succeeded by the Canon SX70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon SX60 or the Panasonic FZ2500 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot SX60 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (128x93mm vs 138x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 265g or 29 percent) and hence easier to carry around.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2014).
Advantages of the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 14.2MP), which boosts linear resolution by 19%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 922k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 6.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.4).
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years of technical progress since the SX60 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (18 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX60 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX60 or the FZ2500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX60»||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Panasonic FZ2500«||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Canon SX70« »||-||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Nikon P900« »||-||77/100||4/5||4.5/5||4/5||Mar 2015||599||-||Nikon P900|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ300« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony HX400V« »||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 60D vs Panasonic FZ2500
- Canon G9 X vs Panasonic FZ2500
- Canon SX60 vs Fujifilm GFX 50S
- Canon SX60 vs Nikon D70s
- Canon SX60 vs Nikon P7800
- Canon SX60 vs Panasonic GF2
- Canon SX60 vs Sony A77 II
- Canon SX60 vs Sony A7S
- Nikon D3S vs Panasonic FZ2500
- Panasonic FZ2500 vs Panasonic GH5
- Panasonic FZ2500 vs Panasonic GX8
- Panasonic FZ2500 vs Panasonic TS7
Specifications: Canon SX60 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX60||Panasonic FZ2500|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||21-1365mm f/3.4-6.5||24-480mm f/2.8-4.5|
|Launch Date||September 2014||September 2016|
|Launch Price||USD 549||USD 1199|
|Sensor Specs||Canon SX60||Panasonic FZ2500|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||14.2 Megapixels||20 Megapixels|
|Image Resolution||4608 x 3072 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.40 μm||2.41 μm|
|Pixel Density||50.42 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||125-12800 ISO|
|ISO Boost||100-6400 ISO||80-25600 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||39||..|
|DXO Color Depth (bits)||19.2||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||127||..|
|Screen Specs||Canon SX60||Panasonic FZ2500|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||922k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX60||Panasonic FZ2500|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||6.4 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX60||Panasonic FZ2500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX60||Panasonic FZ2500|
|Battery Life (CIPA)||340 shots per charge||350 shots per charge|
128 x 93 x 114 mm
(5.0 x 3.7 x 4.5 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||650 g (22.9 oz)||915 g (32.3 oz)|
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