Canon SX530 vs Panasonic TZ200
The Canon PowerShot SX530 HS and the Panasonic Lumix DC-TZ200 (labelled Panasonic ZS200 in some countries) are two digital cameras that were officially introduced, respectively, in January 2015 and February 2018. Both the SX530 and the TZ200 are fixed lens compact cameras that are based on a 1/2.3-inch (SX530) and an one-inch (TZ200) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX530 HS and the Panasonic Lumix DC-TZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX530 and the Panasonic TZ200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TZ200 can be obtained in two different colors (black, silver), while the SX530 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ200 is notably smaller (27 percent) than the Canon SX530. Moreover, the TZ200 is markedly lighter (23 percent) than the SX530. In this context, it is worth noting that neither the SX530 nor the TZ200 are weather-sealed.
Concerning battery life, the SX530 gets 210 shots out of its NB-6LH battery, while the TZ200 can take 370 images on a single charge of its DMW-BLG10 power pack. The power pack in the TZ200 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429|
|2.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|3.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|4.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|6.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399|
|7.||Canon SX700||113 mm||66 mm||35 mm||269 g||250||n||Feb 2014||349|
|8.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|9.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|10.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299|
|11.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|12.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|13.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|14.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|15.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX530 was launched at a markedly lower price (by 46 percent) than the TZ200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX530 features a 1/2.3-inch sensor and the Panasonic TZ200 an one-inch sensor. The sensor area in the TZ200 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the SX530 has a native 4:3 aspect ratio, while the one in the TZ200 offers a 3:2 aspect.
With 20MP, the TZ200 offers a higher resolution than the SX530 (15.9MP), but the TZ200 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.33μm for the SX530) due to its larger sensor. Moreover, the TZ200 is a much more recent model (by 3 years and 1 month) than the SX530, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX530 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ200 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon SX530 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot SX530 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-TZ200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|11.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||23.1||12.8||1163||74|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the TZ200 provides a better video resolution than the SX530. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TZ200 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX530 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX530, the Panasonic TZ200, and comparable cameras.
|1.||Canon SX530||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|2.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|5.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|6.||Canon SX520||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|7.||Canon SX700||none||n||3.0 / 922||fixed||n||1/3200s||8.5/s||Y||Y|
|8.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|9.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|11.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0/s||Y||Y|
|12.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|13.||Panasonic LX15||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|14.||Panasonic TZ100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|15.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|17.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ200 has a touchscreen, while the SX530 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic TZ200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the SX530 and the TZ200 have zoom lenses built in. The SX530 has a 24-1200mm f/3.4-6.5 optic and the TZ200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The TZ200 offers the faster maximum aperture.
Concerning the storage of imaging data, both the SX530 and the TZ200 write their files to SDXC cards. The TZ200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX530 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX530 HS and Panasonic Lumix DC-TZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX530||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon SX520||-||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX700||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic LX15||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic TZ100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
The TZ200 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX530 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX530 was succeeded by the Canon SX540. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon SX530 better than the Panasonic TZ200 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot SX530 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2015).
Reasons to prefer the Panasonic Lumix DC-TZ200:
- More detail: Has more megapixels (20 vs 15.9MP), which boosts linear resolution by 14%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 461k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 1.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/3.3 vs f/3.4).
- More compact: Is smaller (111x65mm vs 120x82mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 102g or 23 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (370 versus 210) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 1 month of technical progress since the SX530 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the TZ200 is the clear winner of the contest (21 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX530 and the Panasonic TZ200 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SX530 or the TZ200 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX530||..||+ +||..||..||4/5||4/5||Jan 2015||429|
|2.||Panasonic TZ200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|3.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|4.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|5.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|6.||Canon SX520||..||+||..||..||3.5/5||3.5/5||Jul 2014||399|
|7.||Canon SX700||..||+ +||..||..||4/5||4/5||Feb 2014||349|
|8.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|9.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|10.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299|
|11.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|12.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|13.||Panasonic LX15||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|14.||Panasonic TZ100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|15.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SX510 vs Panasonic TZ200
- Canon SX530 vs Fujifilm X-A2
- Canon SX530 vs Leica X1
- Canon SX530 vs Nikon D90
- Canon SX530 vs Olympus E-30
- Canon SX530 vs Olympus TG-6
- Canon SX530 vs Panasonic G6
- Canon SX720 vs Panasonic TZ200
- Nikon D5500 vs Panasonic TZ200
- Nikon D610 vs Panasonic TZ200
- Olympus E-PL9 vs Panasonic TZ200
- Panasonic TZ200 vs Sony NEX-5
Specifications: Canon SX530 vs Panasonic TZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX530||Panasonic TZ200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-1200mm f/3.4-6.5||24-360mm f/3.3-6.4|
|Launch Date||January 2015||February 2018|
|Launch Price||USD 429||USD 799|
|Sensor Specs||Canon SX530||Panasonic TZ200|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||15.9 Megapixels||20 Megapixels|
|Image Resolution||4608 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.33 μm||2.41 μm|
|Pixel Density||56.73 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||DIGIC 4+||Venus|
|Screen Specs||Canon SX530||Panasonic TZ200|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||1240k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX530||Panasonic TZ200|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/2000s|
|Continuous Shooting||1.6 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX530||Panasonic TZ200|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX530||Panasonic TZ200|
|Battery Life (CIPA)||210 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
|Camera Weight||442 g (15.6 oz)||340 g (12.0 oz)|
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