Canon R vs Nikon Z7
The Canon EOS R and the Nikon Z7 are two digital cameras that were announced, respectively, in September 2018 and August 2018. Both the Canon R and the Z7 are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Canon has a resolution of 30.1 megapixels, whereas the Nikon provides 45.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon R||Nikon Z7|
|Mirrorless system camera||Mirrorless system camera|
|Canon RF mount lenses||Nikon Z mount lenses|
|30.1 MP, Full Frame Sensor||45.4 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-40000 (50-102400)||ISO 64-25600 (32-102400)|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (3690k dots)|
|3.2" LCD, 2100k dots||3.2" LCD, 2100k dots|
|Swivel touchscreen||Tilting touchscreen|
|8 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|370 shots per battery charge||330 shots per battery charge|
|139 x 98 x 84 mm, 660 g||134 x 101 x 67 mm, 675 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Nikon Z7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon R and the Nikon Z7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R and the Nikon Z7 are of equal size. However, the Z7 is slightly heavier (2 percent) than the Canon R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon R gets 370 shots out of its LP-E6N battery, while the Z7 can take 330 images on a single charge of its EN-EL15b power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon R»||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Nikon Z7«||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Canon RP« »||5.2 in||3.3 in||2.8 in||17.1 oz||250||n||Feb 2019||1,299||Canon RP|
|Canon 90D« »||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Canon R was launched at a markedly lower price (by 32 percent) than the Z7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the Z7 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Z7 offers a higher resolution of 45.4 megapixels, compared with 30.1 MP of the Canon R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.35μm versus 5.36μm for the Canon R). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the Z7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inch or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inch or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inch or 69.9 x 46.6 cm. The corresponding values for the Canon R are 33.6 x 22.4 inch or 85.3 x 56.9 cm for good quality, 26.9 x 17.9 inch or 68.3 x 45.5 cm for very good quality, and 22.4 x 14.9 inch or 56.9 x 37.9 cm for excellent quality prints.
The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z7 are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the Z7 has a markedly higher DXO score than the Canon R (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1.8 bits higher color depth, 1.1 EV in additional dynamic range, and 0 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon R»||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89||Canon R|
|Nikon Z7«||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Canon RP« »||Full Frame||26.2||6240||4160||4K/30p||-||-||-||-||Canon RP|
|Canon 90D« »||APS-C||32.3||6960||4640||4K/30p||-||-||-||-||Canon 90D|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The Canon R and the Z7 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The following table reports on some other key feature differences and similarities of the Canon R, the Nikon Z7, and comparable cameras.
|Canon R»||3690||Y||3.2||2100||swivel||Y||1/8000s||8.0||n||n||Canon R|
|Nikon Z7«||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Canon RP« »||2360||n||3.0||1040||swivel||Y||1/4000s||5.0||n||n||Canon RP|
|Canon 90D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||11||Y||n||Canon 90D|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One feature that differentiates the Z7 and the Canon R is in-body image stabilization (IBIS). The Z7 reduces the risk of handshake-induced blur with all attached lenses, while the Canon R has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The Canon R has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Canon R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Canon R writes its imaging data to SDXC cards, while the Z7 uses XQD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Nikon Z7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon R»||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Nikon Z7«||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Canon RP« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Canon RP|
|Canon 90D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the Z7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The Canon R lacks such a headphone port.
Both the Canon R and the Z7 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Nikon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Is the Canon R better than the Nikon Z7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Can take more shots (370 versus 330) on a single battery charge.
- More affordable: Was introduced into a lower priced category (32 percent cheaper at launch).
Reasons to prefer the Nikon Z7:
- More detail: Has more megapixels (45.4 vs 30.1MP), which boosts linear resolution by 23%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.76x).
- Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
If the number of relative strengths (bullet points above) is taken as a guide, the Z7 is the clear winner of the contest (10 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R and the Nikon Z7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Canon R or the Z7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon R»||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Nikon Z7«||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Canon RP« »||+||-||4.5/5||-||4/5||Feb 2019||1,299||Canon RP|
|Canon 90D« »||-||85/100||-||-||-||Aug 2019||1,199||Canon 90D|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Leica Q2« »||-||84/100||4.5/5||-||4/5||Mar 2019||4,995||Leica Q2|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon R vs Nikon Z7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R||Nikon Z7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Nikon Z mount lenses|
|Launch Date||September 2018||August 2018|
|Launch Price||USD 2299||USD 3399|
|Sensor Specs||Canon R||Nikon Z7|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 23.9 mm|
|Sensor Area||864 mm2||858.01 mm2|
|Sensor Diagonal||43.3 mm||43.1 mm|
|Sensor Resolution||30.1 Megapixels||45.4 Megapixels|
|Image Resolution||6720 x 4480 pixels||8256 x 5504 pixels|
|Pixel Pitch||5.36 μm||4.35 μm|
|Pixel Density||3.48 MP/cm2||5.30 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-40000 ISO||64-25600 ISO|
|ISO Boost||50-102400 ISO||32-102400 ISO|
|Image Processor||DIGIC 8||EXPEED 6|
|DXO Sensor Quality (score)||89||99|
|DXO Color Depth (bits)||24.5||26.3|
|DXO Dynamic Range (EV)||13.5||14.6|
|DXO Low Light (ISO)||2742||2668|
|Screen Specs||Canon R||Nikon Z7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.2 inch|
|LCD Resolution||2100k dots||2100k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon R||Nikon Z7|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||8 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||200 000 actuations|
|Electronic Shutter||YES||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||XQD cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon R||Nikon Z7|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R||Nikon Z7|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||USB charging|
139 x 98 x 84 mm
(5.5 x 3.9 x 3.3 in)
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
|Camera Weight||660 g (23.3 oz)||675 g (23.8 oz)|
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