Canon G7 X Mark II vs Panasonic FZ150

The Canon PowerShot G7 X Mark II and the Panasonic Lumix DMC-FZ150 are two digital cameras that were officially introduced, respectively, in February 2016 and August 2011. Both the G7X Mark II and the FZ150 are fixed lens compact cameras that are based on an one-inch (G7X Mark II) and a 1/2.3-inch (FZ150) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G7 X Mark II		Panasonic FZ150
Fixed lens compact camera		Fixed lens compact camera
24-100mm f/1.8-2.8		25-600mm f/2.8-5.2
20 MP – 1" sensor		12 MP – 1/2.3" sensor
1080/60p Video		1080/60p Video
ISO 125-12,800 (125 - 25,600)		ISO 100-3,200 (100 - 6,400)
No viewfinder, LCD framing		Electronic viewfinder (202k dots)
3.0" LCD – 1040k dots		3.0" LCD – 460k dots
Tilting touchscreen		Swivel screen (not touch-sensitive)
8 shutter flaps per second		12 shutter flaps per second
265 shots per battery charge		410 shots per battery charge
106 x 61 x 42 mm, 319 g		124 x 82 x 92 mm, 528 g

Check G7X Mark II offers at
ebay.com
Check FZ150 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon G7 X Mark II and the Panasonic FZ150 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is considerably larger (57 percent) than the Canon G7 X Mark II. Moreover, the FZ150 is substantially heavier (66 percent) than the G7X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the FZ150 are weather-sealed.

Concerning battery life, the G7X Mark II gets 265 shots out of its Canon NB-13L battery, while the FZ150 can take 410 images on a single charge of its Panasonic DMW-BMB9 power pack. The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	EUR 685	ebay.com
2.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	EUR 529	ebay.com
3.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	EUR 789	ebay.com
4.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	EUR 649	ebay.com
5.		Canon G7 X Mark III	105 mm	61 mm	41 mm	304 g	235	n	Jul 2019	EUR 779	amazon.com
6.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	EUR 749	ebay.com
7.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	EUR 529	ebay.com
8.		Canon SX410	104 mm	69 mm	85 mm	325 g	185	n	Feb 2015	EUR 279	ebay.com
9.		Canon SX420	104 mm	69 mm	85 mm	325 g	195	n	Jan 2016	EUR 299	ebay.com
10.		Canon SX430	104 mm	69 mm	85 mm	323 g	195	n	Jan 2017	EUR 299	ebay.com
11.		Canon SX710	113 mm	66 mm	35 mm	269 g	230	n	Jan 2015	EUR 299	ebay.com
12.		Canon SX720	110 mm	64 mm	36 mm	270 g	250	n	Feb 2016	EUR 329	ebay.com
13.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	EUR 399	ebay.com
14.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	EUR 529	ebay.com
15.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	EUR 599	ebay.com
16.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	EUR 529	ebay.com
17.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	EUR 529	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ150 was launched at a markedly lower price (by 29 percent) than the G7X Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Panasonic FZ150 a 1/2.3-inch sensor. The sensor area in the FZ150 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the G7X Mark II has a native 3:2 aspect ratio, while the one in the FZ150 offers a 4:3 aspect.

With 20MP, the G7X Mark II offers a higher resolution than the FZ150 (12MP), but the G7X Mark II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the G7X Mark II is a much more recent model (by 4 years and 5 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon G7 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.

In terms of underlying technology, the G7X Mark II is build around a BSI-CMOS sensor, while the FZ150 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
2.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
3.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
4.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
5.		Canon G7 X Mark III	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
6.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
7.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
8.		Canon SX410	1/2.3	19.9	5152	3864	720/30p	20.2	11.6	720	47
9.		Canon SX420	1/2.3	19.9	5152	3864	720/25p	20.3	11.7	806	48
10.		Canon SX430	1/2.3	19.9	5152	3864	720/25p	20.5	11.9	900	49
11.		Canon SX710	1/2.3	20.2	5184	3888	1080/60p	20.2	11.6	712	47
12.		Canon SX720	1/2.3	20.2	5184	3888	1080/60p	20.3	11.8	817	48
13.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
14.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
15.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
16.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
17.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ150 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G7 X Mark II and Panasonic FZ150 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
2.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
3.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
4.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
5.		Canon G7 X Mark III	none	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
6.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
7.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
8.		Canon SX410	none	n	3.0 / 230	fixed	n	1/4000s	0.5/s	Y	Y
9.		Canon SX420	none	n	3.0 / 230	fixed	n	1/4000s	0.5/s	Y	Y
10.		Canon SX430	none	n	3.0 / 230	fixed	n	1/4000s	0.5/s	Y	Y
11.		Canon SX710	none	n	3.0 / 922	fixed	n	1/3200s	6.0/s	Y	Y
12.		Canon SX720	none	n	3.0 / 922	fixed	n	1/3200s	5.9/s	Y	Y
13.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
14.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
15.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
16.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
17.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X Mark II has a touchscreen, while the FZ150 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Canon G7 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Both the G7X Mark II and the FZ150 have zoom lenses built in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the FZ150 offers a 25-600mm f/2.8-5.2 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The G7X Mark II offers the faster maximum aperture.

Concerning the storage of imaging data, both the G7X Mark II and the FZ150 write their files to SDXC cards. The G7X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Canon G7 X Mark III	-	stereo / mono	Y	-	micro	3.1	Y	-	Y
6.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Canon SX410	-	stereo / mono	-	-	-	2.0	-	-	-
9.		Canon SX420	-	mono / mono	-	-	-	2.0	Y	Y	-
10.		Canon SX430	-	mono / mono	-	-	-	2.0	Y	Y	-
11.		Canon SX710	-	stereo / mono	-	-	micro	2.0	Y	Y	-
12.		Canon SX720	-	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
14.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
17.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the G7X Mark II offers wifi support, while the FZ150 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the G7X Mark II and the FZ150 have been discontinued, but can regularly be found used on ebay. The FZ150 was replaced by the Panasonic FZ200, while the G7X Mark II was followed by the Canon G7 X Mark III. Further information on the features and operation of the G7X Mark II and FZ150 can be found, respectively, in the Canon G7 X Mark II Manual (free pdf) or the online Panasonic FZ150 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon G7 X Mark II or the Panasonic FZ150 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Canon PowerShot G7 X Mark II:

• More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
• Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
• More compact: Is smaller (106x61mm vs 124x82mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 209g or 40 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 4 years and 5 months of technical progress since the FZ150 launch.

Arguments in favor of the Panasonic Lumix DMC-FZ150:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
• More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
• Longer lasting: Gets more shots (410 versus 265) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in August 2011).

If the count of relative strengths (bullet points above) is taken as a measure, the G7X Mark II is the clear winner of the match-up (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7X Mark II or the FZ150. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	EUR 685	ebay.com
2.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	EUR 529	ebay.com
3.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	EUR 789	ebay.com
4.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	EUR 649	ebay.com
5.		Canon G7 X Mark III	..	+ +	4/5	81/100	4/5	..	Jul 2019	EUR 779	amazon.com
6.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	EUR 749	ebay.com
7.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	EUR 529	ebay.com
8.		Canon SX410	..	o	..	..	..	..	Feb 2015	EUR 279	ebay.com
9.		Canon SX420	..	..	..	..	..	3/5	Jan 2016	EUR 299	ebay.com
10.		Canon SX430	..	..	..	..	3.5/5	3.5/5	Jan 2017	EUR 299	ebay.com
11.		Canon SX710	..	+	..	..	4/5	3.5/5	Jan 2015	EUR 299	ebay.com
12.		Canon SX720	..	+	..	..	4/5	4.5/5	Feb 2016	EUR 329	ebay.com
13.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	EUR 399	ebay.com
14.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	EUR 529	ebay.com
15.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	EUR 599	ebay.com
16.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	EUR 529	ebay.com
17.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	EUR 529	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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