Canon G1 X Mark II vs Panasonic LX5
The Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-LX5 are two digital cameras that were officially introduced, respectively, in February 2014 and July 2010. Both the G1X Mark II and the LX5 are fixed lens compact cameras that are based on an 1.5-inch (G1X Mark II) and a 1/1.7-inch (LX5) sensor. The Canon has a resolution of 13 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X Mark II and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the G1X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is notably smaller (17 percent) than the Canon G1 X Mark II. Moreover, the LX5 is substantially lighter (51 percent) than the G1X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the LX5 are weather-sealed.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|Canon XC10||125 mm||102 mm||122 mm||1040 g||..||n||Apr 2015||2,499|
|Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX5 was launched at a markedly lower price (by 38 percent) than the G1X Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 82 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 4.4. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 13MP, the G1X Mark II offers a higher resolution than the LX5 (10MP), but the G1X Mark II nevertheless has larger individual pixels (pixel pitch of 4.49μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the G1X Mark II is a much more recent model (by 3 years and 6 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G1 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark II for good quality output (200 dots per inch) amounts to 20.8 x 15.6 inches or 52.8 x 39.6 cm, for very good quality (250 dpi) 16.6 x 12.5 inches or 42.3 x 31.7 cm, and for excellent quality (300 dpi) 13.9 x 10.4 inches or 35.2 x 26.4 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the G1X Mark II provides substantially higher image quality than the LX5, with an overall score that is 17 points higher. This advantage is based on 1.9 bits higher color depth, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G1X Mark II provides a higher video resolution than the LX5. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The G1X Mark II and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G1X Mark II and the DMW-LVF1 for the LX5 – are available as accessories. The table below summarizes some of the other core capabilities of the Canon G1 X Mark II and Panasonic LX5 in connection with corresponding information for a sample of similar cameras.
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark II has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G1X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX5 does not have a selfie-screen.
The Canon G1 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G1X Mark II and the LX5 have zoom lenses built in. The G1X Mark II has a 24-120mm f/2.0-3.9 optic and the LX5 offers a 24-90mm f/2.0-3.3 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the G1X Mark II and the LX5 write their files to SDXC cards. The G1X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
It is notable that the G1X Mark II offers wifi support, while the LX5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G1X Mark II and the LX5 have been discontinued, but can regularly be found used on eBay. The LX5 was replaced by the Panasonic LX7, while the G1X Mark II was followed by the Canon G1 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is the Canon G1 X Mark II better than the Panasonic LX5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon PowerShot G1 X Mark II:
- More detail: Offers more megapixels (13 vs 10MP) with a 14% higher linear resolution.
- Better image quality: Scores substantially higher (17 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.9 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.2 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 6 months of technical progress since the LX5 launch.
Advantages of the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More compact: Is smaller (110x65mm vs 116x74mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 282g or 51 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (400 versus 240) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark II is the clear winner of the match-up (16 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G1X Mark II or the LX5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X Mark II||+||77/100||4/5||4/5||4.5/5||Feb 2014||799|
|Panasonic LX5||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499|
|Canon 760D||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon XC10||..||80/100||..||..||..||Apr 2015||2,499|
|Canon SX60||+ +||75/100||4/5||..||4.5/5||Sep 2014||549|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Canon S120||+ +||..||4.5/5||o||4.5/5||Aug 2013||449|
|Canon G1 X||+||76/100||4/5||4/5||4.5/5||Jan 2012||799|
|Canon 500D||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799|
|Canon 450D||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Panasonic LX100||+ +||85/100||5/5||4/5||5/5||Sep 2014||899|
|Panasonic FZ200||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic LX7||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499|
|Panasonic FZ150||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499|
|Panasonic GF3||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon G1 X Mark II vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Panasonic LX5|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-120mm f/2.0-3.9||24-90mm f/2.0-3.3|
|Launch Date||February 2014||July 2010|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Canon G1 X Mark II||Panasonic LX5|
|Sensor Format||1.5" Sensor||1/1.7" Sensor|
|Sensor Size||18.7 x 14.0 mm||7.85 x 5.89 mm|
|Sensor Area||261.8 mm2||46.2365 mm2|
|Sensor Diagonal||23.4 mm||9.8 mm|
|Sensor Resolution||13 Megapixels||10 Megapixels|
|Image Resolution||4160 x 3120 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.49 μm||2.14 μm|
|Pixel Density||4.96 MP/cm2||21.59 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/60p Video|
|ISO Setting||100 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||DIGIC 6||Venus FHD|
|DXO Sensor Quality (score)||58||41|
|DXO Color Depth (bits)||21.5||19.6|
|DXO Dynamic Range (EV)||10.8||10.8|
|DXO Low Light (ISO)||581||132|
|Screen Specs||Canon G1 X Mark II||Panasonic LX5|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark II||Panasonic LX5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.2 shutter flaps/s||2.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark II||Panasonic LX5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G1 X Mark II||Panasonic LX5|
|Battery Life (CIPA)||240 shots per charge||400 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||553 g (19.5 oz)||271 g (9.6 oz)|
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