Nikon D3X vs Panasonic LX5
The Nikon D3X and the Panasonic Lumix DMC-LX5 are two digital cameras that were officially introduced, respectively, in December 2008 and July 2010. The D3X is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on a full frame (D3X) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 24.4 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3X and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D3X and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the D3X is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (72 percent) than the Nikon D3X. It is worth mentioning in this context that the D3X is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the D3X is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D3X and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D3X gets 4400 shots out of its Nikon EN-EL4a battery, while the LX5 can take 400 images on a single charge of its Panasonic DMW-BCJ13 power pack. As can be seen in the images above, the D3X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3X | 160 mm | 157 mm | 88 mm | 1260 g | 4400 | Y | Dec 2008 | 7,999 | ebay.com | |
2. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
3. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
4. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
5. | Nikon D3 | 160 mm | 157 mm | 88 mm | 1300 g | 4300 | Y | Aug 2007 | 4,999 | ebay.com | |
6. | Nikon D3S | 160 mm | 157 mm | 88 mm | 1240 g | 4200 | Y | Oct 2009 | 5,199 | ebay.com | |
7. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | 5,999 | ebay.com | |
8. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
9. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
10. | Nikon D6 | 160 mm | 163 mm | 92 mm | 1270 g | 3580 | Y | Feb 2020 | 6,499 | amazon.com | |
11. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
12. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
13. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
14. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | 499 | ebay.com | |
15. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
16. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a lower price than the D3X, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D3X features a full frame sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.4. The sensor in the D3X has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24.4MP, the D3X offers a higher resolution than the LX5 (10MP), but the D3X nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.14μm for the LX5) due to its larger sensor. However, the LX5 is a somewhat more recent model (by 1 year and 7 months) than the D3X, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D3X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3X for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inches or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D3X has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the D3X is build around a CMOS sensor, while the LX5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D3X provides substantially higher image quality than the LX5, with an overall score that is 47 points higher. This advantage is based on 5.1 bits higher color depth, 2.9 EV in additional dynamic range, and 3.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3X | Full Frame | 24.4 | 6048 | 4032 | none | 24.7 | 13.7 | 1992 | 88 | |
2. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
3. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
4. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
5. | Nikon D3 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2290 | 81 | |
6. | Nikon D3S | Full Frame | 12.1 | 4256 | 2832 | 720/24p | 23.5 | 12.0 | 3253 | 82 | |
7. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
8. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
9. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
10. | Nikon D6 | Full Frame | 20.7 | 5568 | 3712 | 4K/30p | 25.3 | 14.3 | 2886 | 95 | |
11. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
12. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
13. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
14. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
15. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
16. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
17. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The LX5 indeed provides for movie recording, while the D3X does not. The highest resolution format that the LX5 can use is 720/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D3X has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Nikon D3X, the Panasonic LX5, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3X | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | n | |
2. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
3. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
5. | Nikon D3 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 11.0/s | n | n | |
6. | Nikon D3S | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
7. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
8. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
9. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
10. | Nikon D6 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
11. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
12. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
13. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
14. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
15. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
16. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
17. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D3X, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D3X has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D3X writes its imaging data to Compact Flash cards, while the LX5 uses SDXC cards. The D3X features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX5 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3X and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3X | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
4. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Nikon D3 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
6. | Nikon D3S | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
8. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
9. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
10. | Nikon D6 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
11. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
12. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
14. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Nikon D3X (unlike the LX5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D3X and the LX5 have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the D3X does not have a direct successor. Further information on the features and operation of the D3X and LX5 can be found, respectively, in the Nikon D3X Manual (free pdf) or the online Panasonic LX5 Manual.
Review summary
So how do things add up? Which of the two cameras – the Nikon D3X or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D3X:
- More detail: Offers more megapixels (24.4 vs 10MP) with a 59% higher linear resolution.
- Better image quality: Scores substantially higher (47 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (5.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.9 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (4400 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in December 2008).
Arguments in favor of the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 720/60p video.
- Ready to shoot: Comes with an integrated lens, while the D3X requires a separate lens.
- More compact: Is smaller (110x65mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D3X).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the D3X is the clear winner of the match-up (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3X and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D3X and the LX5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3X | .. | .. | .. | 86/100 | 4/5 | 5/5 | Dec 2008 | 7,999 | ebay.com | |
2. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
3. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
4. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
5. | Nikon D3 | .. | .. | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 4,999 | ebay.com | |
6. | Nikon D3S | 5/5 | .. | .. | 89/100 | 4.5/5 | 5/5 | Oct 2009 | 5,199 | ebay.com | |
7. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | 5,999 | ebay.com | |
8. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
9. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
10. | Nikon D6 | .. | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Feb 2020 | 6,499 | amazon.com | |
11. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
12. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
13. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
14. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | 499 | ebay.com | |
15. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
16. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Nikon D3X
- Canon 1D Mark III vs Nikon D3X
- Canon 6D vs Panasonic LX5
- Canon SX520 vs Nikon D3X
- Canon T6i vs Panasonic LX5
- Canon XC10 vs Nikon D3X
- Fujifilm X-E3 vs Panasonic LX5
- Fujifilm X-Pro1 vs Panasonic LX5
- Leica TL vs Nikon D3X
- Nikon D3X vs Olympus E-500
- Panasonic LX5 vs Sony A7 IV
- Panasonic LX5 vs Sony A7R IV
Specifications: Nikon D3X vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D3X | Panasonic LX5 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Nikon F mount lenses | 24-90mm f/2.0-3.3 |
Launch Date | December 2008 | July 2010 |
Launch Price | USD 7,999 | USD 499 |
Sensor Specs | Nikon D3X | Panasonic LX5 |
Sensor Technology | CMOS | CCD |
Sensor Format | Full Frame Sensor | 1/1.7" Sensor |
Sensor Size | 35.9 x 24.0 mm | 7.85 x 5.89 mm |
Sensor Area | 861.6 mm2 | 46.2365 mm2 |
Sensor Diagonal | 43.2 mm | 9.8 mm |
Crop Factor | 1.0x | 4.4x |
Sensor Resolution | 24.4 Megapixels | 10 Megapixels |
Image Resolution | 6048 x 4032 pixels | 3648 x 2736 pixels |
Pixel Pitch | 5.94 μm | 2.14 μm |
Pixel Density | 2.83 MP/cm2 | 21.59 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 720/60p Video |
ISO Setting | 100 - 1,600 ISO | 80 - 3,200 ISO |
ISO Boost | 50 - 6,400 ISO | 80 - 12,800 ISO |
Image Processor | EXPEED | Venus FHD |
DXO Sensor Quality (score) | 88 | 41 |
DXO Color Depth (bits) | 24.7 | 19.6 |
DXO Dynamic Range (EV) | 13.7 | 10.8 |
DXO Low Light (ISO) | 1992 | 132 |
Screen Specs | Nikon D3X | Panasonic LX5 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 460k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Nikon D3X | Panasonic LX5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 5 shutter flaps/s | 2.5 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Nikon D3X | Panasonic LX5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D3X | Panasonic LX5 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL4a | Panasonic DMW-BCJ13 |
Battery Life (CIPA) | 4400 shots per charge | 400 shots per charge |
Body Dimensions |
160 x 157 x 88 mm (6.3 x 6.2 x 3.5 in) |
110 x 65 x 43 mm (4.3 x 2.6 x 1.7 in) |
Camera Weight | 1260 g (44.4 oz) | 271 g (9.6 oz) |
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