Canon 5D vs Sony RX10
The Canon EOS 5D and the Sony Cyber-shot DSC-RX10 are two digital cameras that were officially introduced, respectively, in August 2005 and October 2013. The 5D is a DSLR, while the RX10 is a fixed lens compact. The cameras are based on a full frame (5D) and an one-inch (RX10) sensor. The Canon has a resolution of 12.7 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D||Sony RX10|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-200mm f/2.8|
|12.7 MP, Full Frame Sensor||20 MP, 1" Sensor|
|no Video||1080/60p Video|
|ISO 100-1,600 (50 - 3,200)||ISO 125-12,800 (80 - 25,600)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.5 LCD, 230k dots||3.0 LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||420 shots per battery charge|
|152 x 113 x 75 mm, 895 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D and the Sony Cyber-shot DSC-RX10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D and the Sony RX10 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 is considerably smaller (34 percent) than the Canon 5D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 has a lens built in, whereas the 5D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 5D gets 400 shots out of its BP-511A battery, while the RX10 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
|Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX10 was launched at a lower price than the 5D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D features a full frame sensor and the Sony RX10 an one-inch sensor. The sensor area in the RX10 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX10 offers a higher resolution of 20 megapixels, compared with 12.7 MP of the 5D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 8.25μm for the 5D). However, it should be noted that the RX10 is much more recent (by 8 years and 2 months) than the 5D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon 5D are 21.8 x 14.6 inches or 55.5 x 37 cm for good quality, 17.5 x 11.6 inches or 44.4 x 29.6 cm for very good quality, and 14.6 x 9.7 inches or 37 x 24.7 cm for excellent quality prints.
The Canon EOS 5D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The RX10 indeed provides for movie recording, while the 5D does not. The highest resolution format that the RX10 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the RX10 has an electronic viewfinder (1440k dots), while the 5D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX10 offers a wider field of view (100%) than the one in the 5D (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 5D has a higher magnification (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D and Sony RX10 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The RX10 has one, while the 5D does not. While the built-in flash of the RX10 is not very powerful, it can at times be useful as a fill-in light.
The 5D writes its imaging data to Compact Flash cards, while the RX10 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D and Sony Cyber-shot DSC-RX10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the RX10 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D does not provide wifi capability.
Studio photographers will appreciate that the Canon 5D (unlike the RX10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D and the RX10 have been discontinued, but can regularly be found used on eBay. The 5D was replaced by the Canon 5D Mark II, while the RX10 was followed by the Sony RX10 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 5D or the Sony RX10 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 5D:
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2005).
Arguments in favor of the Sony Cyber-shot DSC-RX10:
- More detail: Has more megapixels (20 vs 12.7MP), which boosts linear resolution by 25%.
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 5D requires a separate lens.
- More compact: Is smaller (129x88mm vs 152x113mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 8 years and 2 months of technical progress since the 5D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 is the clear winner of the contest (18 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D and the Sony RX10 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D or the RX10. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Sony RX10||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 70D||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 50D||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299|
|Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|Nikon D7100||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199|
|Nikon D700||89/100||+ +||4.5/5||5/5||4.5/5||Jul 2008||2,999|
|Sony RX10 III||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499|
|Sony RX10 II||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 5D Mark III vs Canon G1 X Mark II
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- Canon 5D Mark IV vs Nikon B600
- Canon 5D vs Nikon Df
- Canon M3 vs Sony RX10 II
- Olympus E-P2 vs Sony RX10 III
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- Sony A6300 vs Sony RX10 II
- Sony RX10 III vs Sony RX100 VII
Specifications: Canon 5D vs Sony RX10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D||Sony RX10|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-200mm f/2.8|
|Launch Date||August 2005||October 2013|
|Launch Price||USD 3,299||USD 1,299|
|Sensor Specs||Canon 5D||Sony RX10|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||36.0 x 24.0 mm||13.2 x 8.8 mm|
|Sensor Area||864 mm2||116.16 mm2|
|Sensor Diagonal||43.3 mm||15.9 mm|
|Sensor Resolution||12.7 Megapixels||20 Megapixels|
|Image Resolution||4368 x 2912 pixels||5472 x 3648 pixels|
|Pixel Pitch||8.25 μm||2.41 μm|
|Pixel Density||1.47 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||125 - 12,800 ISO|
|ISO Boost||50 - 3,200 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC 2||BIONZ X|
|DXO Sensor Quality (score)||71||69|
|DXO Color Depth (bits)||22.9||22.9|
|DXO Dynamic Range (EV)||11.1||12.6|
|DXO Low Light (ISO)||1368||474|
|Screen Specs||Canon 5D||Sony RX10|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 5D||Sony RX10|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/3200s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 5D||Sony RX10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 5D||Sony RX10|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 113 x 75 mm
(6.0 x 4.4 x 3.0 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||895 g (31.6 oz)||813 g (28.7 oz)|
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