Canon 40D vs Olympus E-3
The Canon EOS 40D and the Olympus E-3 are two digital cameras that were officially introduced, respectively, in August 2007 and October 2007. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (40D) and a Four Thirds (E-3) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Olympus E-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 40D and the Olympus E-3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-3 is somewhat larger (4 percent) than the Canon 40D. Moreover, the E-3 is markedly heavier (7 percent) than the 40D. It is noteworthy in this context that the E-3 is splash and dust-proof, while the 40D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (40D) and the Four Thirds Lens Catalog (E-3).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|2.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|3.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|4.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|5.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|6.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|7.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|8.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|9.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|10.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|11.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999|
|12.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299|
|13.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|14.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|15.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|16.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|17.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 40D was launched at a somewhat lower price (by 24 percent) than the E-3, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Olympus E-3 a Four Thirds sensor. The sensor area in the E-3 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the E-3 offers a 4:3 aspect.
With 10.1MP, the 40D offers a slightly higher resolution than the E-3 (10MP), but the 40D nevertheless has larger individual pixels (pixel pitch of 5.73μm versus 4.74μm for the E-3) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Olympus E-3 are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 40D has a notably higher overall DXO score than the E-3 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, 0.8 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|13.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|14.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|15.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|16.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|17.||Olympus E-1||Four Thirds||4.9||2560||1920||none||20.0||9.7||-145||44|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Beyond body and sensor, cameras can and do differ across a range of features. The 40D and the E-3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-3 offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 40D has a higher magnification (0.59x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 40D and Olympus E-3 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|2.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|3.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|5.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|6.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|8.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|9.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|11.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5/s||Y||n|
|13.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0/s||Y||Y|
|14.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|15.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|16.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|17.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the E-3 and the 40D is in-body image stabilization (IBIS). The E-3 reduces the risk of handshake-induced blur with all attached lenses, while the 40D offers no blur reduction with lenses that themselves do not provide optical image stabilization.The E-3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 40D does not have a selfie-screen.
The 40D writes its imaging data to Compact Flash cards, while the E-3 uses Compact Flash or xD Picture cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 40D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Olympus E-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 40D and the E-3 have been discontinued, but can regularly be found used on eBay. The 40D was replaced by the Canon 50D, while the E-3 was followed by the Olympus E-5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Which of the two cameras – the Canon 40D or the Olympus E-3 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 40D:
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
- More affordable: Was introduced into a lower priced segment (24 percent cheaper at launch).
Advantages of the Olympus E-3:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (6 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Olympus E-3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 40D or the E-3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|2.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|3.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|4.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|5.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|6.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|7.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|8.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|9.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|10.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|11.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999|
|12.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299|
|13.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|14.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|15.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|16.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|17.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 40D vs Fujifilm X-A10
- Canon 40D vs Leica M Typ 240
- Canon 40D vs Leica M Typ 262
- Canon 40D vs Nikon D5500
- Canon 40D vs Panasonic G9
- Canon 40D vs Sony NEX-5
- Canon 77D vs Olympus E-3
- Fujifilm X-H1 vs Olympus E-3
- Nikon D750 vs Olympus E-3
- Olympus E-3 vs Panasonic S1H
- Olympus E-3 vs Pentax 645Z
- Olympus E-3 vs Sony RX100 III
Specifications: Canon 40D vs Olympus E-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 40D||Olympus E-3|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||August 2007||October 2007|
|Launch Price||USD 1,299||USD 1,699|
|Sensor Specs||Canon 40D||Olympus E-3|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||10.1 Megapixels||10 Megapixels|
|Image Resolution||3888 x 2592 pixels||3648 x 2736 pixels|
|Pixel Pitch||5.73 μm||4.74 μm|
|Pixel Density||3.03 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100 - 1,600 ISO||100 - 3,200 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|Image Processor||DIGIC 3||TruePic III|
|DXO Sensor Quality (score)||64||56|
|DXO Color Depth (bits)||22.1||21.6|
|DXO Dynamic Range (EV)||11.3||10.5|
|DXO Low Light (ISO)||703||571|
|Screen Specs||Canon 40D||Olympus E-3|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||230k dots||230k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 40D||Olympus E-3|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6.5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 40D||Olympus E-3|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 40D||Olympus E-3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||750 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
142 x 116 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||822 g (29.0 oz)||876 g (30.9 oz)|
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