Canon 1D Mark III vs Panasonic LX100
The Canon EOS-1D Mark III and the Panasonic Lumix DMC-LX100 are two digital cameras that were announced, respectively, in February 2007 and September 2014. The 1D Mark III is a DSLR, while the LX100 is a fixed lens compact. The cameras are based on an APS-H (1D Mark III) and a Four Thirds (LX100) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 12.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark III||Panasonic LX100|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-75mm f/1.7-2.8|
|10.1 MP, APS-H Sensor||12.7 MP, Four Thirds Sensor|
|no Video||4K/30p Video|
|ISO 100-3200 (50-6400)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2764k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||11 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|2200 shots per battery charge||300 shots per battery charge|
|156 x 157 x 80 mm, 1155 g||115 x 66 x 55 mm, 393 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Panasonic Lumix DMC-LX100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark III and the Panasonic LX100. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX100 can be obtained in two different colors (black, silver), while the 1D Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 is considerably smaller (69 percent) than the Canon 1D Mark III. It is worth mentioning in this context that the 1D Mark III is splash and dust resistant, while the LX100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 has a lens built in, whereas the 1D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the LX100 can take 300 images on a single charge of its DMW-BLG10 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark III»||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Panasonic LX100«||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D3« »||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX100 was launched at a lower price than the 1D Mark III, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Panasonic LX100 a Four Thirds sensor. The sensor area in the LX100 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark III has a native 3:2 aspect ratio, while the one in the LX100 offers a 4:3 aspect. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the LX100 offers a higher resolution of 12.7 megapixels, compared with 10.1 MP of the 1D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.21μm versus 7.21μm for the 1D Mark III). However, it should be noted that the LX100 is much more recent (by 7 years and 6 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX100 for good quality output (200 dots per inch) amounts to 20.6 x 15.4 inch or 52.2 x 39.2 cm, for very good quality (250 dpi) 16.4 x 12.4 inch or 41.8 x 31.4 cm, and for excellent quality (300 dpi) 13.7 x 10.3 inch or 34.8 x 26.1 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX100 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 1D Mark III has a notably higher overall DXO score than the LX100 (overall score 4 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.4 bits higher color depth, 0.8 EV of lower dynamic range, and 1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark III»||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Panasonic LX100«||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Nikon D3« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
Many modern cameras are not only capable of taking still images, but can also record movies. The LX100 indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the LX100 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LX100 has an electronic viewfinder (2764k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the LX100 has a higher magnification than the one of the 1D Mark III (0.70x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D Mark III and Panasonic LX100 along with similar information for a selection of comparators.
|Canon 1D Mark III»||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Panasonic LX100«||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Nikon D3« »||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
One feature that is present on the 1D Mark III, but is missing on the LX100 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the LX100 uses SDXC cards. The 1D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX100 only has one slot. The LX100 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Panasonic Lumix DMC-LX100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark III»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Panasonic LX100«||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Nikon D3« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
It is notable that the LX100 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark III does not offer wifi capability.
Studio photographers will appreciate that the Canon 1D Mark III (unlike the LX100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The LX100 is a recent model that features in the current product line-up of Panasonic. In contrast, the 1D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon 1D Mark III or the Panasonic LX100 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D Mark III:
- Better image quality: Scores markedly higher (4 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Advantages of the Panasonic Lumix DMC-LX100:
- More detail: Has more megapixels (12.7 vs 10.1MP), which boosts linear resolution by 10%.
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.58x).
- More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark III requires a separate lens.
- More compact: Is smaller (115x66mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark III).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 6 months of technical progress since the 1D Mark III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the LX100 is the clear winner of the contest (18 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Panasonic LX100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark III or the LX100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark III»||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Panasonic LX100«||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D3« »||-||+ +||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Fujifilm X10
- Canon 1D Mark III vs Nikon D610
- Canon 1D Mark III vs Panasonic G6
- Canon 1D Mark III vs Samsung NX1
- Canon 300D vs Panasonic LX100 II
- Canon 50D vs Panasonic LX100
- Nikon D1 vs Panasonic LX100
- Nikon D600 vs Panasonic LX100 II
- Olympus E-PL1 vs Panasonic LX100
- Olympus TG-5 vs Panasonic LX100 II
- Panasonic L1 vs Panasonic LX100 II
- Panasonic LX100 vs Ricoh GR III
Specifications: Canon 1D Mark III vs Panasonic LX100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Panasonic LX100|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||February 2007||September 2014|
|Launch Price||USD 4499||USD 899|
|Sensor Specs||Canon 1D Mark III||Panasonic LX100|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||28.1 x 18.7 mm||17.3 x 13.0 mm|
|Sensor Area||525.47 mm2||224.9 mm2|
|Sensor Diagonal||33.8 mm||21.6 mm|
|Sensor Resolution||10.1 Megapixels||12.7 Megapixels|
|Image Resolution||3888 x 2592 pixels||4112 x 3088 pixels|
|Pixel Pitch||7.21 μm||4.21 μm|
|Pixel Density||1.92 MP/cm2||5.65 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-3200 ISO||200-25600 ISO|
|ISO Boost||50-6400 ISO||100-25600 ISO|
|Image Processor||DIGIC III||Venus|
|DXO Sensor Quality (score)||71||67|
|DXO Color Depth (bits)||22.7||22.3|
|DXO Dynamic Range (EV)||11.7||12.5|
|DXO Low Light (ISO)||1078||553|
|Screen Specs||Canon 1D Mark III||Panasonic LX100|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D Mark III||Panasonic LX100|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark III||Panasonic LX100|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1D Mark III||Panasonic LX100|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||2200 shots per charge||300 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
|Camera Weight||1155 g (40.7 oz)||393 g (13.9 oz)|
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