Canon 10D vs Panasonic FZ2500
The Canon EOS 10D and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were announced, respectively, in February 2003 and September 2016. The 10D is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (10D) and an one-inch (FZ2500) sensor. The Canon has a resolution of 6.3 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 10D||Panasonic FZ2500|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-480mm f/2.8-4.5|
|6.3 MP, APS-C Sensor||20 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 100-3200||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|1.8" LCD, 118k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|3 shutter flaps per second||12 shutter flaps per second|
|500 shots per battery charge||350 shots per battery charge|
|150 x 107 x 75 mm, 850 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 10D and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 10D and the Panasonic FZ2500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably smaller (12 percent) than the Canon 10D. In this context, it is worth noting that neither the 10D nor the FZ2500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the 10D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 10D and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 10D»||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||Canon 10D|
|Panasonic FZ2500«||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon T5|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||Canon SL1|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon T4i|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||Canon 7D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||Canon 20D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||Canon Rebel|
|Canon D60« »||5.9 in||4.2 in||3.0 in||30.2 oz||620||n||Feb 2002||2,999||Canon D60|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||Nikon D100|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2500 was launched at a lower price than the 10D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 10D features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 66 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ2500 offers a higher resolution of 20 megapixels, compared with 6.3 MP of the 10D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 7.38μm for the 10D). However, it should be noted that the FZ2500 is much more recent (by 13 years and 6 months) than the 10D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon 10D are 15.4 x 10.2 inch or 39 x 26 cm for good quality, 12.3 x 8.2 inch or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inch or 26 x 17.3 cm for excellent quality prints.
The Canon EOS 10D has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 10D||APS-C||6.3||3072||2048||none||21.1||10.9||571||57||Canon 10D|
|Panasonic FZ2500||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2500|
|Canon T5||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SL1||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T4i||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon 20D||APS-C||8.2||3504||2336||none||21.9||11.0||721||62||Canon 20D|
|Canon Rebel||APS-C||6.3||3072||2048||none||21.0||10.8||544||55||Canon Rebel|
|Canon D60||APS-C||6.3||3072||2048||none||..||..||..||..||Canon D60|
|Fujifilm X100F||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X100F|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX 5|
|Nikon D100||APS-C||6.0||3008||2000||none||..||..||..||..||Nikon D100|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ1000 II|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras cannot only take still pictures, but also record videos. The FZ2500 indeed provides for movie recording, while the 10D does not. The highest resolution format that the FZ2500 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the 10D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the 10D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2500 has a higher magnification (0.74x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 10D, the Panasonic FZ2500, and comparable cameras.
|Canon 10D||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Panasonic FZ2500||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Canon T5||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SL1||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T4i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon Rebel||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Canon D60||optical||Y||1.8||114||fixed||n||1/4000s||3.0||Y||n||Canon D60|
|Fujifilm X100F||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Nikon D100||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Nikon D100|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One feature that is present on the 10D, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 10D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 10D writes its imaging data to Compact Flash cards, while the FZ2500 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 10D and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 10D||Y||none||none||-||-||none||1.1||-||-||-||Canon 10D|
|Panasonic FZ2500||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Canon T5||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SL1||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T4i||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon 20D||Y||none||none||-||-||none||1.1||-||-||-||Canon 20D|
|Canon Rebel||Y||none||none||-||-||none||1.1||-||-||-||Canon Rebel|
|Canon D60||Y||none||none||-||-||none||1.1||-||-||-||Canon D60|
|Fujifilm X100F||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Nikon D100||Y||none||none||-||-||none||1.1||-||-||-||Nikon D100|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 10D does not offer wifi capability.
Studio photographers will appreciate that the Canon 10D (unlike the FZ2500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the 10D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 10D was succeeded by the Canon 20D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 10D and the Panasonic FZ2500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 10D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (500 versus 350) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2003).
Arguments in favor of the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 6.3MP), which boosts linear resolution by 78%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 118k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 10D requires a separate lens.
- More compact: Is smaller (138x102mm vs 150x107mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 13 years and 6 months of technical progress since the 10D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ2500 is the clear winner of the contest (20 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 10D and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 10D or the FZ2500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Canon 1D Mark II N
- Canon 10D vs Canon 6D
- Canon 10D vs Leica Digilux 3
- Canon 10D vs Leica S Typ 007
- Canon 10D vs Nikon D60
- Canon 10D vs Olympus E-PL5
- Canon 10D vs Olympus TG-4
- Canon 10D vs Panasonic GM1
- Leica TL2 vs Panasonic FZ2500
- Nikon D4 vs Panasonic FZ2500
- Nikon D600 vs Panasonic FZ2500
- Nikon P7800 vs Panasonic FZ2500
Specifications: Canon 10D vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 10D||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-480mm f/2.8-4.5|
|Launch Date||February 2003||September 2016|
|Launch Price||USD 1999||USD 1199|
|Sensor Specs||Canon 10D||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.7 x 15.1 mm||13.2 x 8.8 mm|
|Sensor Area||342.77 mm2||116.16 mm2|
|Sensor Diagonal||27.3 mm||15.9 mm|
|Sensor Resolution||6.3 Megapixels||20 Megapixels|
|Image Resolution||3072 x 2048 pixels||5472 x 3648 pixels|
|Pixel Pitch||7.38 μm||2.41 μm|
|Pixel Density||1.84 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-3200 ISO||125-12800 ISO|
|ISO Boost||no Enhancement||80-25600 ISO|
|DXO Sensor Quality (score)||57||..|
|DXO Color Depth (bits)||21.1||..|
|DXO Dynamic Range (EV)||10.9||..|
|DXO Low Light (ISO)||571||..|
|Screen Specs||Canon 10D||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||3.0 inch|
|LCD Resolution||118k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 10D||Panasonic FZ2500|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 10D||Panasonic FZ2500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 10D||Panasonic FZ2500|
|Battery Life (CIPA)||500 shots per charge||350 shots per charge|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||850 g (30.0 oz)||915 g (32.3 oz)|
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