Canon 100D vs Pentax K-1 II
The Canon EOS 100D (called Canon SL1 in some regions) and the Pentax K-1 II are two digital cameras that were announced, respectively, in March 2013 and February 2018. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (100D) and a full frame (K-1 II) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Pentax provides 36.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 100D||Pentax K-1 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Pentax K mount lenses|
|17.9 MP, APS-C Sensor||36.2 MP, Full Frame Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-12800 (100-25600)||ISO 100-819200|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.2" LCD, 1037k dots|
|Fixed touchscreen||Fully flexible screen (no touchscreen)|
|4.9 shutter flaps per second||4.4 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|380 shots per battery charge||670 shots per battery charge|
|117 x 91 x 69 mm, 407 g||137 x 110 x 86 mm, 1010 g|
Body comparison: Canon 100D vs Pentax K-1 II
An illustration of the physical size and weight of the Canon 100D and the Pentax K-1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the 100D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (42 percent) than the Canon 100D. Moreover, the K-1 II is substantially heavier (148 percent) than the 100D. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the 100D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 100D»||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Pentax K-1 II«||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon R« »||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon 200D|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon 700D|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon 650D|
|Canon M« »||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||-||Canon M|
|Canon 600D« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon 600D|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Pentax K-1« »||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 100D was launched at a markedly lower price (by 73 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 100D vs Pentax K-1 II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the K-1 II offers a higher resolution than the 100D (17.9MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.31μm for the 100D) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 4 years and 11 months) than the 100D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the 100D, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 100D»||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Pentax K-1 II«||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||-||-||-||-||Canon R|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon M« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon 600D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||-||-||-||-||Nikon Z6|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Pentax K-1« »||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-1 II provides a faster frame rate than the 100D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Feature comparison: Canon 100D vs Pentax K-1 II
Apart from body and sensor, cameras can and do differ across a range of features. The 100D and the K-1 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Canon 100D and Pentax K-1 II in connection with corresponding information for a sample of similar cameras.
|Canon 100D»||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon 100D|
|Pentax K-1 II«||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1 II|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon 4000D|
|Canon R« »||3690||n||3.2||2100||swivel||Y||8000||8.0||n||n||Canon R|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 200D|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon 1200D|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 700D|
|Canon G16« »||optical||n||3.0||922||fixed||n||4000||2.2||Y||Y||Canon G16|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 650D|
|Canon M« »||-||n||3.0||1040||fixed||Y||4000||4.3||n||n||Canon M|
|Canon 600D« »||optical||n||3.0||1040||swivel||n||4000||3.7||Y||n||Canon 600D|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||8000||12.0||n||Y||Nikon Z6|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n||Panasonic G6|
|Pentax K-1« »||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A850« »||optical||Y||3.0||922||fixed||n||8000||3.0||n||Y||Sony A850|
One difference between the cameras concerns the presence of an on-board flash. The 100D has one, while the K-1 II does not. While the built-in flash of the 100D is not very powerful, it can at times be useful as a fill-in light.
Concerning the storage of imaging data, both the 100D and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 100D only has one slot.
Connectivity comparison: Canon 100D vs Pentax K-1 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 100D»||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Pentax K-1 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon R« »||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon M« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon 600D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Pentax K-1« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 100D does not offer wifi capability.
The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the 100D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 100D was succeeded by the Canon 200D.
Review summary: Canon 100D vs Pentax K-1 II
So what conclusions can be drawn? Is the Canon 100D better than the Pentax K-1 II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 100D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (117x91mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 603g or 60 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2013).
Arguments in favor of the Pentax K-1 II:
- More detail: Has more megapixels (36.2 vs 17.9MP), which boosts linear resolution by 42%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Gets more shots (670 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 4 years and 11 months of technical progress since the 100D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (19 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 100D or the K-1 II handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 100D vs Pentax K-1 II
This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 100D»||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Pentax K-1 II«||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Canon 4000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon R« »||rev||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Canon 200D« »||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon 200D|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon G16« »||Rec||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 650D« »||HiRec||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon M« »||Rec||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Canon 600D« »||rev||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon 600D|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Pentax K-1« »||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark II vs Panasonic ZS100
- Canon 800D vs Fujifilm X-T3
- Canon SL2 vs Nikon D5200
- Fujifilm XP130 vs Sony HX99
- Hasselblad X1D vs Sony A7R II
- Nikon A1000 vs Sony RX100 VI
- Nikon D1X vs Canon 1D Mark IV
- Nikon D5300 vs Canon 1200D
- Olympus E-PL8 vs Fujifilm X-E2S
- Panasonic G7 vs Canon 800D
- Panasonic G85 vs Panasonic GM1
- Panasonic GX85 vs Canon M6
Specifications: Canon 100D vs Pentax K-1 II
|Camera Model||Canon 100D||Pentax K-1 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Pentax K mount lenses|
|Launch Date||March 2013||February 2018|
|Launch Price||USD 549||USD 1999|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 14.9 mm|
|MP Resolution||17.9 Megapixels||36.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||7360 x 4912 pixels|
|Pixel Size||4.31 μm||4.88 μm|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-12800 ISO||100-819200 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Top-Level Screen||no Top Display||Control Panel|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||4.9 shutter flaps/s||4.4 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||LP-E12 power pack||D-LI90 power pack|
|Battery Life||380 shots per charge||670 shots per charge|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||407 g (14.4 oz)||1010 g (35.6 oz)|
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