Panasonic TZ200 vs Pentax KP

The Panasonic Lumix DC-TZ200 (called Panasonic ZS200 in some regions) and the Pentax KP are two digital cameras that were revealed to the public, respectively, in February 2018 and January 2017. The TZ200 is a fixed lens compact, while the KP is a DSLR. The cameras are based on an one-inch (TZ200) and an APS-C (KP) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Pentax provides 24.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic TZ200		Pentax KP
Fixed lens compact camera		Digital single lens reflex
24-360mm f/3.3-6.4		Pentax K mount lenses
20 MP – 1" sensor		24.1 MP – APS-C sensor
4K/30p Video		1080/60i Video
ISO 125-12,800 (80 - 25,600)		ISO 100-819,200
Electronic viewfinder (2330k dots)		Optical viewfinder
3.0" LCD – 1240k dots		3.0" LCD – 921k dots
Fixed touchscreen		Tilting screen (no touchscreen)
10 shutter flaps per second		7 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
370 shots per battery charge		390 shots per battery charge
111 x 65 x 45 mm, 340 g		132 x 101 x 76 mm, 703 g

Check TZ200 price at
amazon.com
Check KP offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ200 and the Pentax KP? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic TZ200 and the Pentax KP is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

Both cameras are available in two different colors (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax KP is considerably larger (85 percent) than the Panasonic TZ200. It is noteworthy in this context that the KP is splash and dust-proof, while the TZ200 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ200 has a lens built in, whereas the KP is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the TZ200 gets 370 shots out of its Panasonic DMW-BLG10 battery, while the KP can take 390 images on a single charge of its Pentax D-LI109 power pack. The power pack in the TZ200 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic TZ200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
2.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
4.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
5.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	899	amazon.com
6.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
7.		Panasonic LX15	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
8.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
9.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
10.		Panasonic TZ95	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
11.		Panasonic TZ100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
12.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
13.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
14.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
15.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
16.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
17.		Ricoh GR III	109 mm	62 mm	33 mm	257 g	200	n	Feb 2019	899	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ200 was launched at a lower price than the KP, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic TZ200 features an one-inch sensor and the Pentax KP an APS-C sensor. The sensor area in the KP is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24.1MP, the KP offers a higher resolution than the TZ200 (20MP), but the KP nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 2.41μm for the TZ200) due to its larger sensor. However, the TZ200 is a somewhat more recent model (by 1 year) than the KP, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax KP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the KP for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Panasonic TZ200 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

Unlike the TZ200, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-TZ200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax KP are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic TZ200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
2.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
5.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
6.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
7.		Panasonic LX15	1-inch	20.0	5472	3648	4K/30p	21.9	12.0	315	62
8.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
9.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
10.		Panasonic TZ95	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
11.		Panasonic TZ100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
12.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
13.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
14.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
15.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
16.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
17.		Ricoh GR III	APS-C	24.0	6000	4000	1080/60p	24.1	13.5	1897	83
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ200 provides a higher video resolution than the KP. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the TZ200 has an electronic viewfinder (2330k dots), while the KP has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the KP has a higher magnification than the one of the TZ200 (0.63x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic TZ200, the Pentax KP, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic TZ200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
5.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
6.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
7.		Panasonic LX15	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
8.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
9.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
10.		Panasonic TZ95	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
11.		Panasonic TZ100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
12.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
13.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
14.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
15.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
16.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
17.		Ricoh GR III	optional	n	3.0 / 1037	fixed	Y	1/4000s	4.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ200 has a touchscreen, while the KP has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic TZ200 and the Pentax KP both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the TZ200 and the KP write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ200 and Pentax KP and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic TZ200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
5.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
7.		Panasonic LX15	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic TZ95	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Panasonic TZ100	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
13.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
16.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-
17.		Ricoh GR III	Y	stereo / mono	-	-	-	3.0	Y	-	Y

It is notable that the KP has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ200 does not feature such a mic input.

The TZ200 is a recent model that features in the current product line-up of Panasonic. In contrast, the KP has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the KP from Pentax. Further information on the features and operation of the TZ200 and KP can be found, respectively, in the Panasonic TZ200 Manual (free pdf) or the online Pentax KP Manual.

Review summary

So how do things add up? Is the Panasonic TZ200 better than the Pentax KP or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DC-TZ200:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More detailed LCD: Has a higher resolution rear screen (1240k vs 921k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with a built-in lens, while the KP requires a separate lens.
• More compact: Is smaller (111x65mm vs 132x101mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the KP).
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Is somewhat more recent (announced 1 year after the KP).

Reasons to prefer the Pentax KP:

• More detail: Has more megapixels (24.1 vs 20MP), which boosts linear resolution by 10%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.53x).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/2000s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been on the market for longer (launched in January 2017).

If the number of relative strengths (bullet points above) is taken as a guide, the KP emerges as the winner of the match-up (16 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic TZ200 and the Pentax KP place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the TZ200 and the KP in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic TZ200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
2.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
4.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
5.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	899	amazon.com
6.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
7.		Panasonic LX15	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
8.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
9.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
10.		Panasonic TZ95	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
11.		Panasonic TZ100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
12.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
13.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
14.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
15.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
16.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
17.		Ricoh GR III	4/5	..	3.5/5	81/100	4/5	..	Feb 2019	899	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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