Panasonic LX7 vs Pentax K-1 II

The Panasonic Lumix DMC-LX7 and the Pentax K-1 II are two digital cameras that were officially introduced, respectively, in July 2012 and February 2018. The LX7 is a fixed lens compact, while the K-1 II is a DSLR. The cameras are based on a 1/1.7-inch (LX7) and a full frame (K-1 II) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX7		Pentax K-1 II
Fixed lens compact camera		Digital single lens reflex
24-90mm f/1.4-2.3		Pentax K mount lenses
10 MP – 1/1.7" sensor		36.2 MP – Full Frame sensor
1080/60p Video		1080/60i Video
ISO 80-6,400 (80 - 12,800)		ISO 100-819,200
Viewfinder optional		Optical viewfinder
3.0" LCD – 920k dots		3.2" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Fully flexible screen (no touchscreen)
11 shutter flaps per second		4.4 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
330 shots per battery charge		670 shots per battery charge
111 x 68 x 46 mm, 298 g		137 x 110 x 86 mm, 1010 g

Check LX7 offers at
ebay.com
Check K-1 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic LX7 and the Pentax K-1 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the K-1 II is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is considerably larger (100 percent) than the Panasonic LX7. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the LX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the K-1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the LX7 gets 330 shots out of its Panasonic DMW-BCJ13 battery, while the K-1 II can take 670 images on a single charge of its Pentax D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330		Jul 2012	US$ 499	ebay.com
2.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670		Feb 2018	US$ 1 999	amazon.com
3.		Canon G15	107 mm	76 mm	40 mm	352 g	350		Sep 2012	US$ 499	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360		Aug 2013	US$ 549	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270		Sep 2011	US$ 599	ebay.com
6.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270		Jan 2013	US$ 599	ebay.com
7.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750		Sep 2010	US$ 1 699	ebay.com
8.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540		Jul 2012	US$ 599	ebay.com
9.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270		May 2011	US$ 599	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300		Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360		Apr 2012	US$ 499	ebay.com
12.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410		Jan 2017	US$ 1 999	ebay.com
13.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250		Apr 2013	US$ 499	ebay.com
14.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400		Jul 2010	US$ 499	ebay.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380		Feb 2019	US$ 3 699	ebay.com
16.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760		Feb 2016	US$ 1 799	ebay.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490		Sep 2016	US$ 3 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial
		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
		Camera Model

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the K-1 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 1952 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.0. The sensor in the LX7 has a native 4:3 aspect ratio, while the one in the K-1 II offers a 3:2 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 36.2MP, the K-1 II offers a higher resolution than the LX7 (10MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 5 years and 7 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

Unlike the LX7, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
2.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
3.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
7.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
8.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
9.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
13.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
14.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
Note: DXO values in italics represent estimates based on sensor size and age.
		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
		Camera Model

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX7 provides a higher frame rate than the K-1 II. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-1 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Panasonic LX7 and Pentax K-1 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX7	optional		3.0 / 920	fixed		1/4000s	11.0/s
2.		Pentax K-1 II	optical		3.2 / 1037	full-flex		1/8000s	4.4/s
3.		Canon G15	optical		3.0 / 922	fixed		1/4000s	2.1/s
4.		Canon G16	optical		3.0 / 922	fixed		1/4000s	2.2/s
5.		Fujifilm X10	optical		2.8 / 460	fixed		1/4000s	10.0/s
6.		Fujifilm X20	optical		2.8 / 460	fixed		1/4000s	12.0/s
7.		Olympus E-5	optical		3.0 / 920	swivel		1/8000s	5.0/s
8.		Panasonic FZ200	1312		3.0 / 460	swivel		1/4000s	12.0/s
9.		Panasonic G3	1440		3.0 / 460	swivel		1/4000s	4.0/s
10.		Panasonic GF3			3.0 / 460	fixed		1/4000s	3.2/s
11.		Panasonic GF5			3.0 / 920	fixed		1/4000s	4.0/s
12.		Panasonic GH5	3680		3.2 / 1620	swivel		1/8000s	12.0/s
13.		Panasonic LF1	200		3.0 / 920	fixed		1/4000s	10.0/s
14.		Panasonic LX5	optional		3.0 / 460	fixed		1/4000s	2.5/s
15.		Panasonic S1R	5760		3.2 / 2100	full-flex		1/8000s	9.0/s
16.		Pentax K-1	optical		3.2 / 1037	full-flex		1/8000s	4.4/s
17.		Sony A99 II	2400		3.0 / 1229	full-flex		1/8000s	12.0/s
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
		Camera Model

One difference between the cameras concerns the presence of an on-board flash. The LX7 has one, while the K-1 II does not. While the built-in flash of the LX7 is not very powerful, it can at times be useful as a fill-in light.

The Panasonic LX7 and the Pentax K-1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the LX7 and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX7 only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX7		stereo / mono			mini	2.0
2.		Pentax K-1 II		stereo / mono			micro	2.0
3.		Canon G15		stereo / mono			mini	2.0
4.		Canon G16		stereo / mono			mini	2.0
5.		Fujifilm X10		stereo / mono			mini	2.0
6.		Fujifilm X20		stereo / mono			micro	2.0
7.		Olympus E-5		stereo /			mini	2.0
8.		Panasonic FZ200		stereo / mono			mini	2.0
9.		Panasonic G3		stereo / mono			mini	2.0
10.		Panasonic GF3		stereo / mono			mini	2.0
11.		Panasonic GF5		stereo / mono			mini	2.0
12.		Panasonic GH5		stereo / mono			full	3.1
13.		Panasonic LF1		stereo / mono			mini	2.0
14.		Panasonic LX5		mono / mono			mini	2.0
15.		Panasonic S1R		stereo / mono			full	3.1
16.		Pentax K-1		stereo / mono			micro	2.0
17.		Sony A99 II		stereo / mono			micro	2.0
		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
		Camera Model

It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the LX7 does not provide wifi capability.

Studio photographers will appreciate that the Pentax K-1 II (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the LX7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the features and operation of the LX7 and K-1 II can be found, respectively, in the Panasonic LX7 Manual (free pdf) or the online Pentax K-1 II Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic LX7 and the Pentax K-1 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-LX7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Faster burst: Shoots at higher frequency (11 vs 4.4 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with a built-in lens, while the K-1 II requires a separate lens.
• More compact: Is smaller (111x68mm vs 137x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-1 II).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2012).

Reasons to prefer the Pentax K-1 II:

• More detail: Has more megapixels (36.2 vs 10MP), which boosts linear resolution by 94%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (670 versus 330) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 5 years and 7 months of technical progress since the LX7 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (24 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX7 and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LX7 or the K-1 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
2.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	US$ 1 999	amazon.com
3.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	US$ 499	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
6.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	US$ 599	ebay.com
7.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	US$ 1 699	ebay.com
8.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
9.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
12.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
13.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	US$ 499	ebay.com
14.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	ebay.com
16.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	US$ 1 799	ebay.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 3 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
		Camera   Model

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check LX7 offers at
ebay.com
Check K-1 II price at
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Other camera comparisons

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• Canon 1D
• Canon 1D Mark II
• Canon 1D Mark II N
• Canon 1D Mark III
• Canon 1D Mark IV
• Canon 1Ds
• Canon 1Ds Mark II
• Canon 1Ds Mark III
• Canon 1D C
• Canon 1D X
• Canon 1D X Mark II
• Canon 1D X Mark III
• Canon 5D
• Canon 5D Mark II
• Canon 5D Mark III
• Canon 5D Mark IV
• Canon 5DS
• Canon 5DS R
• Canon 6D
• Canon 6D Mark II
• Canon 7D
• Canon 7D II
• Canon 10D
• Canon 20D
• Canon 30D
• Canon 40D
• Canon 50D
• Canon 60D
• Canon 70D
• Canon 77D
• Canon 80D
• Canon 90D
• Canon D30
• Canon D60
• Canon G1 X
• Canon G1 X Mark II
• Canon G1 X Mark III
• Canon G3 X
• Canon G5 X
• Canon G5 X Mark II
• Canon G7 X
• Canon G7 X Mark II
• Canon G7 X Mark III
• Canon G9 X
• Canon G9 X Mark II
• Canon G12
• Canon G15
• Canon G16
• Canon M
• Canon M3
• Canon M5
• Canon M6
• Canon M6 Mark II
• Canon M10
• Canon M50
• Canon M50 Mark II
• Canon M100
• Canon M200
• Canon R
• Canon R1
• Canon R3
• Canon R5
• Canon R5 Mark II
• Canon R5 C
• Canon R6
• Canon R6 Mark II
• Canon R7
• Canon R8
• Canon R10
• Canon R50
• Canon R50 V
• Canon R100
• Canon RP
• Canon S120
• Canon SL1
• Canon SL2
• Canon SL3
• Canon SX1
• Canon SX10
• Canon SX20
• Canon SX30
• Canon SX40
• Canon SX50
• Canon SX60
• Canon SX70
• Canon SX400
• Canon SX410
• Canon SX420
• Canon SX430
• Canon SX500
• Canon SX510
• Canon SX520
• Canon SX530
• Canon SX540
• Canon SX600
• Canon SX610
• Canon SX620
• Canon SX700
• Canon SX710
• Canon SX720
• Canon SX730
• Canon SX740
• Canon Rebel
• Canon T1i
• Canon T2i
• Canon T3
• Canon T3i
• Canon T4i
• Canon T5
• Canon T5i
• Canon T6
• Canon T6i
• Canon T6s
• Canon T7
• Canon T7i
• Canon T8i
• Canon T100
• Canon V1
• Canon XC10
• Canon XS
• Canon XSi
• Canon XT
• Canon XTi
• Contax N Digital
• Epson R-D1
• Fujifilm GFX 50R
• Fujifilm GFX 50S
• Fujifilm GFX 50S II
• Fujifilm GFX 100
• Fujifilm GFX 100 II
• Fujifilm GFX 100RF
• Fujifilm GFX 100S
• Fujifilm GFX 100S II
• Fujifilm X-A1
• Fujifilm X-A2
• Fujifilm X-A3
• Fujifilm X-A5
• Fujifilm X-A7
• Fujifilm X-A10
• Fujifilm X-E1
• Fujifilm X-E2
• Fujifilm X-E2S
• Fujifilm X-E3
• Fujifilm X-E4
• Fujifilm X-E5
• Fujifilm X-H1
• Fujifilm X-H2
• Fujifilm X-H2S
• Fujifilm X-M1
• Fujifilm X-M5
• Fujifilm X-Pro1
• Fujifilm X-Pro2
• Fujifilm X-Pro3
• Fujifilm X-S10
• Fujifilm X-S20
• Fujifilm X-T1
• Fujifilm X-T2
• Fujifilm X-T3
• Fujifilm X-T4
• Fujifilm X-T5
• Fujifilm X-T10
• Fujifilm X-T20
• Fujifilm X-T30
• Fujifilm X-T30 II
• Fujifilm X-T50
• Fujifilm X-T100
• Fujifilm X-T200
• Fujifilm X10
• Fujifilm X20
• Fujifilm X30
• Fujifilm X70
• Fujifilm X100
• Fujifilm X100S
• Fujifilm X100T
• Fujifilm X100F
• Fujifilm X100V
• Fujifilm X100VI
• Fujifilm XF10
• Fujifilm XQ1
• Fujifilm XQ2
• Fujifilm XP120
• Fujifilm XP130
• Fujifilm XP140
• Hasselblad X1D
• Hasselblad X1D II
• Hasselblad X2D 100C
• Kodak AZ901
• Kodak S-1
• Leica C-LUX
• Leica CL
• Leica D-LUX Typ 109
• Leica D-LUX 5
• Leica D-LUX 6
• Leica D-LUX 7
• Leica D-LUX 8
• Leica Digilux 3
• Leica M Typ 240
• Leica M-E Typ 240
• Leica M Typ 262
• Leica M8
• Leica M9
• Leica M10
• Leica M10-P
• Leica M10-R
• Leica M11
• Leica Q Typ 116
• Leica Q2
• Leica Q3
• Leica S1
• Leica S2
• Leica S3
• Leica S Typ 006
• Leica S-E Typ 006
• Leica S Typ 007
• Leica SL
• Leica SL2
• Leica SL2-S
• Leica SL3
• Leica SL3-S
• Leica T
• Leica TL
• Leica TL2
• Leica V-LUX 1
• Leica V-LUX 2
• Leica V-LUX 3
• Leica V-LUX 4
• Leica V-LUX Typ 114
• Leica V-LUX 5
• Leica X1
• Leica X2
• Leica X Vario
• Leica X Typ 113
• Leica X-U Typ 113
• Leitz Ur-Leica
• Nikon 1 J4
• Nikon 1 J5
• Nikon 1 V1
• Nikon 1 V2
• Nikon 1 V3
• Nikon Coolpix A
• Nikon A1000
• Nikon B500
• Nikon B600
• Nikon B700
• Nikon D1
• Nikon D1H
• Nikon D1X
• Nikon D2H
• Nikon D2X
• Nikon D2Xs
• Nikon D3
• Nikon D3S
• Nikon D3X
• Nikon D4
• Nikon D4S
• Nikon D5
• Nikon D6
• Nikon D40
• Nikon D40X
• Nikon D50
• Nikon D60
• Nikon D70
• Nikon D70s
• Nikon D80
• Nikon D90
• Nikon D100
• Nikon D200
• Nikon D300
• Nikon D300S
• Nikon D500
• Nikon D600
• Nikon D610
• Nikon D700
• Nikon D750
• Nikon D780
• Nikon D800
• Nikon D800E
• Nikon D810
• Nikon D850
• Nikon D3000
• Nikon D3100
• Nikon D3200
• Nikon D3300
• Nikon D3400
• Nikon D3500
• Nikon D5000
• Nikon D5100
• Nikon D5200
• Nikon D5300
• Nikon D5500
• Nikon D5600
• Nikon D7000
• Nikon D7100
• Nikon D7200
• Nikon D7500
• Nikon Df
• Nikon L840
• Nikon P900
• Nikon P950
• Nikon P1000
• Nikon P1100
• Nikon P7800
• Nikon W150
• Nikon W300
• Nikon Z5
• Nikon Z5 II
• Nikon Z6
• Nikon Z6 II
• Nikon Z6 III
• Nikon Z7
• Nikon Z7 II
• Nikon Z8
• Nikon Z9
• Nikon Z30
• Nikon Z50
• Nikon Z50 II
• Nikon Zf
• Nikon Z fc
• Olympus E-1
• Olympus E-3
• Olympus E-5
• Olympus E-30
• Olympus E-300
• Olympus E-330
• Olympus E-400
• Olympus E-410
• Olympus E-420
• Olympus E-450
• Olympus E-500
• Olympus E-510
• Olympus E-520
• Olympus E-600
• Olympus E-620
• Olympus E-M1
• Olympus E-M1 II
• Olympus E-M1 III
• Olympus E-M1X
• Olympus E-M5
• Olympus E-M5 II
• Olympus E-M5 III
• Olympus E-M10
• Olympus E-M10 II
• Olympus E-M10 III
• Olympus E-M10 IV
• Olympus E-P1
• Olympus E-P2
• Olympus E-P3
• Olympus E-P5
• Olympus E-P7
• Olympus E-PL1
• Olympus E-PL2
• Olympus E-PL3
• Olympus E-PL5
• Olympus E-PL6
• Olympus E-PL7
• Olympus E-PL8
• Olympus E-PL9
• Olympus E-PL10
• Olympus E-PM1
• Olympus E-PM2
• Olympus PEN-F
• Olympus Stylus 1
• Olympus Stylus 1s
• Olympus TG-4
• Olympus TG-5
• Olympus TG-6
• Olympus XZ-1
• Olympus XZ-2
• OM System OM-1
• OM System OM-1 II
• OM System OM-3
• OM System OM-5
• OM System OM-5 II
• OM System TG-7
• Panasonic FZ80
• Panasonic FZ80D
• Panasonic FZ100
• Panasonic FZ150
• Panasonic FZ200
• Panasonic FZ300
• Panasonic FZ1000
• Panasonic FZ1000 II
• Panasonic FZ2500
• Panasonic G1
• Panasonic G2
• Panasonic G3
• Panasonic G5
• Panasonic G6
• Panasonic G7
• Panasonic G9
• Panasonic G9 II
• Panasonic G10
• Panasonic G85
• Panasonic G97
• Panasonic G95
• Panasonic G100
• Panasonic GF1
• Panasonic GF2
• Panasonic GF3
• Panasonic GF5
• Panasonic GF6
• Panasonic GF7
• Panasonic GH1
• Panasonic GH2
• Panasonic GH3
• Panasonic GH4
• Panasonic GH5
• Panasonic GH5 II
• Panasonic GH5s
• Panasonic GH6
• Panasonic GH7
• Panasonic GM1
• Panasonic GM5
• Panasonic GX1
• Panasonic GX7
• Panasonic GX8
• Panasonic GX9
• Panasonic GX85
• Panasonic GX850
• Panasonic L1
• Panasonic L10
• Panasonic LF1
• Panasonic LX5
• Panasonic LX7
• Panasonic LX10
• Panasonic LX100
• Panasonic LX100 II
• Panasonic S1
• Panasonic S1 II
• Panasonic S1H
• Panasonic S1R
• Panasonic S1R II
• Panasonic S5
• Panasonic S5 II
• Panasonic S9
• Panasonic TS7
• Panasonic ZS70
• Panasonic ZS80
• Panasonic ZS100
• Panasonic ZS200
• Pentax 645D
• Pentax 645Z
• Pentax K-1
• Pentax K-1 II
• Pentax K-3
• Pentax K-3 II
• Pentax K-3 III
• Pentax K-5
• Pentax K-5 II
• Pentax K-30
• Pentax K-50
• Pentax K-70
• Pentax K-500
• Pentax KP
• Pentax K-S1
• Pentax K-S2
• Pentax MX-1
• Pentax Q
• Pentax WG-8
• Pentax WG-90
• Pentax WG-1000
• Ricoh GR
• Ricoh GR II
• Ricoh GR III
• Ricoh GR IIIx
• Ricoh WG-6
• Ricoh WG-60
• Samsung NX1
• Samsung NX30
• Samsung NX500
• Sigma fp
• Sigma fp L
• Sony A1
• Sony A1 II
• Sony A7
• Sony A7 II
• Sony A7 III
• Sony A7 IV
• Sony A7C
• Sony A7C II
• Sony A7C R
• Sony A7R
• Sony A7R II
• Sony A7R III
• Sony A7R IIIA
• Sony A7R IV
• Sony A7R IVA
• Sony A7R V
• Sony A7S
• Sony A7S II
• Sony A7S III
• Sony A9
• Sony A9 II
• Sony A9 III
• Sony A58
• Sony A68
• Sony A77
• Sony A77 II
• Sony A99
• Sony A99 II
• Sony A850
• Sony A900
• Sony A3000
• Sony A5000
• Sony A5100
• Sony A6000
• Sony A6100
• Sony A6300
• Sony A6400
• Sony A6500
• Sony A6600
• Sony A6700
• Sony H200
• Sony H300
• Sony H400
• Sony HX80
• Sony HX90V
• Sony HX95
• Sony HX99
• Sony HX350
• Sony HX400V
• Sony NEX-3
• Sony NEX-3N
• Sony NEX-5
• Sony NEX-5N
• Sony NEX-5R
• Sony NEX-5T
• Sony NEX-6
• Sony NEX-7
• Sony NEX-C3
• Sony NEX-F3
• Sony RX0
• Sony RX0 II
• Sony RX1
• Sony RX1R
• Sony RX1R II
• Sony RX1R III
• Sony RX10
• Sony RX10 II
• Sony RX10 III
• Sony RX10 IV
• Sony RX100
• Sony RX100 II
• Sony RX100 III
• Sony RX100 IV
• Sony RX100 V
• Sony RX100 VI
• Sony RX100 VII
• Sony WX800
• Sony ZV-1
• Sony ZV-1 II
• Sony ZV-1F
• Sony ZV-E1
• Sony ZV-E10
• Sony ZV-E10 II
• YI M1
• Zeiss ZX1

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