Panasonic LX5 vs Sony H200

The Panasonic Lumix DMC-LX5 and the Sony Cyber-shot DSC-H200 are two digital cameras that were revealed to the public, respectively, in July 2010 and January 2013. Both the LX5 and the H200 are fixed lens compact cameras that are based on a 1/1.7-inch (LX5) and a 1/2.3-inch (H200) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 15.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX5		Sony H200
Fixed lens compact camera		Fixed lens compact camera
24-90mm f/2.0-3.3		24-633mm f/3.1-5.9
10 MP – 1/1.7" sensor		15.2 MP – 1/2.3" sensor
720/60p Video		720/30p Video
ISO 80-3,200 (80 - 12,800)		ISO 100-3,200
Viewfinder optional		No viewfinder, LCD framing
3.0" LCD – 460k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
2.5 shutter flaps per second		0.8 shutter flaps per second
400 shots per battery charge		240 shots per battery charge
110 x 65 x 43 mm, 271 g		123 x 83 x 87 mm, 530 g

Check LX5 offers at
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Check H200 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX5 and the Sony Cyber-shot DSC-H200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic LX5 and the Sony H200. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The LX5 can be obtained in two different colors (black, white), while the H200 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H200 is considerably larger (43 percent) than the Panasonic LX5. Moreover, the H200 is substantially heavier (96 percent) than the LX5. In this context, it is worth noting that neither the LX5 nor the H200 are weather-sealed.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
2.		Sony H200	123 mm	83 mm	87 mm	530 g	240	n	Jan 2013	249	ebay.com
3.		Canon G12	112 mm	76 mm	48 mm	401 g	370	n	Sep 2010	499	ebay.com
4.		Canon SX520	120 mm	82 mm	92 mm	441 g	210	n	Jul 2014	399	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
6.		Leica D-LUX 5	110 mm	65 mm	43 mm	271 g	400	n	Sep 2010	699	ebay.com
7.		Nikon B500	114 mm	78 mm	95 mm	541 g	600	n	Jan 2016	299	ebay.com
8.		Nikon L840	113 mm	78 mm	96 mm	538 g	590	n	Feb 2015	299	ebay.com
9.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	499	ebay.com
10.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
11.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
12.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
13.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
14.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
15.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
16.		Sony H300	128 mm	89 mm	92 mm	590 g	350	n	Feb 2014	219	ebay.com
17.		Sony H400	130 mm	95 mm	122 mm	628 g	300	n	Feb 2014	319	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H200 was launched at a markedly lower price (by 50 percent) than the LX5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX5 features a 1/1.7-inch sensor and the Sony H200 a 1/2.3-inch sensor. The sensor area in the H200 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the H200 offers a higher resolution of 15.2 megapixels, compared with 10 MP of the LX5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.36μm versus 2.14μm for the LX5). However, it should be noted that the H200 is much more recent (by 2 years and 5 months) than the LX5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony H200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the H200 for good quality output (200 dots per inch) amounts to 25.9 x 14.7 inches or 65.8 x 37.2 cm, for very good quality (250 dpi) 20.7 x 11.7 inches or 52.7 x 29.8 cm, and for excellent quality (300 dpi) 17.3 x 9.8 inches or 43.9 x 24.8 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Panasonic Lumix DMC-LX5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-H200 are ISO 100 to ISO 3200 (no boost).

Technology-wise, both cameras are equipped with CCD (Charged Coupled Device) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
2.		Sony H200	1/2.3	15.2	5184	2930	720/30p	19.9	11.2	529	44
3.		Canon G12	1/1.7	10.0	3648	2736	720/24p	20.4	11.2	161	47
4.		Canon SX520	1/2.3	15.9	4608	3456	1080/30p	20.1	11.5	672	46
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Leica D-LUX 5	1/1.7	10.0	3648	2736	720/60p	19.5	10.4	-583	39
7.		Nikon B500	1/2.3	15.9	4608	3456	1080/60i	20.3	11.7	810	48
8.		Nikon L840	1/2.3	15.9	4608	3456	1080/60i	20.2	11.6	721	47
9.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
10.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
11.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
12.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
13.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
14.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
15.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
16.		Sony H300	1/2.3	19.9	5152	3864	720/30p	20.1	11.4	630	45
17.		Sony H400	1/2.3	19.9	5152	3864	720/30p	20.1	11.4	630	45
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX5 provides a higher frame rate than the H200. It can shoot video footage at 720/60p, while the Sony is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The LX5 and the H200 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Panasonic LX5 and Sony H200 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
2.		Sony H200	none	n	3.0 / 460	fixed	n	1/1500s	0.8/s	Y	Y
3.		Canon G12	optical	n	2.8 / 461	swivel	n	1/4000s	1.1/s	Y	Y
4.		Canon SX520	none	n	3.0 / 461	fixed	n	1/2000s	1.6/s	Y	Y
5.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
6.		Leica D-LUX 5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
7.		Nikon B500	none	n	3.0 / 921	tilting	n	1/4000s	7.4/s	Y	Y
8.		Nikon L840	none	n	3.0 / 921	tilting	n	1/4000s	7.4/s	Y	Y
9.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
10.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
11.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
12.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
13.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
14.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
15.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Sony H300	none	n	3.0 / 460	fixed	n	1/1500s	0.8/s	Y	Y
17.		Sony H400	210	n	3.0 / 460	fixed	n	1/2000s	0.7/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

Both the LX5 and the H200 have zoom lenses built in. The LX5 has a 24-90mm f/2.0-3.3 optic and the H200 offers a 24-633mm f/3.1-5.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The LX5 offers the faster maximum aperture.

The LX5 writes its imaging data to SDXC cards, while the H200 uses SDXC or Memory Stick PRO Duo cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX5 and Sony Cyber-shot DSC-H200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Sony H200	-	mono / mono	-	-	-	2.0	-	-	-
3.		Canon G12	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon SX520	-	stereo / mono	-	-	mini	2.0	-	-	-
5.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Leica D-LUX 5	Y	mono / mono	-	-	mini	2.0	-	-	-
7.		Nikon B500	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
8.		Nikon L840	-	stereo / mono	-	-	micro	2.0	Y	Y	-
9.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
10.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Sony H300	-	mono / mono	-	-	micro	2.0	Y	-	-
17.		Sony H400	-	mono / mono	-	-	micro	2.0	Y	-	-

It is notable that the LX5 has a hotshoe, while the H200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the LX5 and the H200 have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the H200 does not have a direct successor. Further information on the features and operation of the LX5 and H200 can be found, respectively, in the Panasonic LX5 Manual (free pdf) or the online Sony H200 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic LX5 or the Sony H200 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-LX5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher movie framerates (720/60p versus 720/30p).
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
• Faster burst: Shoots at higher frequency (2.5 vs 0.8 flaps/sec) to capture the decisive moment.
• Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3.1).
• More compact: Is smaller (110x65mm vs 123x83mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 259g or 49 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (400 versus 240) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been available for much longer (launched in July 2010).

Reasons to prefer the Sony Cyber-shot DSC-H200:

• More detail: Has more megapixels (15.2 vs 10MP), which boosts linear resolution by 31%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
• More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
• More modern: Reflects 2 years and 5 months of technical progress since the LX5 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the LX5 is the clear winner of the match-up (16 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX5 and the Sony H200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the LX5 and the H200 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
2.		Sony H200	..	..	..	..	3.5/5	3.5/5	Jan 2013	249	ebay.com
3.		Canon G12	4/5	+	..	73/100	4.5/5	4.5/5	Sep 2010	499	ebay.com
4.		Canon SX520	..	+	..	..	3.5/5	3.5/5	Jul 2014	399	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
6.		Leica D-LUX 5	..	..	..	..	4.5/5	4/5	Sep 2010	699	ebay.com
7.		Nikon B500	..	+	..	..	4/5	3.5/5	Jan 2016	299	ebay.com
8.		Nikon L840	..	+ +	..	..	3.5/5	4/5	Feb 2015	299	ebay.com
9.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	499	ebay.com
10.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
11.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
12.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
13.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
14.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
15.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	449	ebay.com
16.		Sony H300	..	+	..	..	4.5/5	4/5	Feb 2014	219	ebay.com
17.		Sony H400	..	o	..	..	3.5/5	3.5/5	Feb 2014	319	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Check H200 offers at
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Other camera comparisons

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