Nikon D5500 vs Pentax K-1 II

The Nikon D5500 and the Pentax K-1 II are two digital cameras that were revealed to the public, respectively, in January 2015 and February 2018. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (D5500) and a full frame (K-1 II) sensor. The Nikon has a resolution of 24 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D5500		Pentax K-1 II
Digital single lens reflex		Digital single lens reflex
Nikon F mount lenses		Pentax K mount lenses
24 MP – APS-C sensor		36.2 MP – Full Frame sensor
1080/60p Video		1080/60i Video
ISO 100-25,600		ISO 100-819,200
Optical viewfinder		Optical viewfinder
3.2" LCD – 1037k dots		3.2" LCD – 1037k dots
Swivel touchscreen		Fully flexible screen (no touchscreen)
5 shutter flaps per second		4.4 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
820 shots per battery charge		670 shots per battery charge
124 x 97 x 70 mm, 470 g		137 x 110 x 86 mm, 1010 g

Check D5500 offers at
ebay.com
Check K-1 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Nikon D5500 and the Pentax K-1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The D5500 can be obtained in two different colors (black, red), while the K-1 II is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (25 percent) than the Nikon D5500. Moreover, the K-1 II is substantially heavier (115 percent) than the D5500. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the D5500 gets 820 shots out of its Nikon EN-EL14a battery, while the K-1 II can take 670 images on a single charge of its Pentax D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
2.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	1,999	amazon.com
3.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
4.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
5.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
6.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
7.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
8.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
9.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	599	ebay.com
10.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	749	ebay.com
11.		Nikon D5100	128 mm	97 mm	79 mm	560 g	660	n	Apr 2011	749	ebay.com
12.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
13.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	1,799	ebay.com
14.		Samsung NX30	127 mm	96 mm	58 mm	375 g	360	n	Jan 2014	999	ebay.com
15.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
16.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
17.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5500 was launched at a markedly lower price (by 55 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 36.2MP, the K-1 II offers a higher resolution than the D5500 (24MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.91μm for the D5500) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 3 years and 1 month) than the D5500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Nikon D5500 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the D5500, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
2.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
3.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
4.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
5.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
6.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
7.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
8.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
9.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
10.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
11.		Nikon D5100	APS-C	16.1	4928	3264	1080/30p	23.5	13.6	1183	80
12.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
13.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
14.		Samsung NX30	APS-C	20.0	5472	3648	1080/60p	23.5	12.4	1014	76
15.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
17.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D5500 provides a higher frame rate than the K-1 II. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The D5500 and the K-1 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-1 II offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-1 II has a higher magnification (0.70x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5500, the Pentax K-1 II, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
2.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
3.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
4.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
5.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
6.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
7.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
8.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
9.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
10.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
11.		Nikon D5100	optical	n	3.0 / 921	swivel	n	1/4000s	4.0/s	Y	n
12.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
13.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
14.		Samsung NX30	2359	n	3.0 / 1036	swivel	Y	1/8000s	9.0/s	Y	n
15.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
17.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The D5500 has one, while the K-1 II does not. While the built-in flash of the D5500 is not very powerful, it can at times be useful as a fill-in light.

The Nikon D5500 and the Pentax K-1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D5500 and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5500 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
2.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
6.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
7.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
9.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
10.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Nikon D5100	Y	mono / mono	Y	-	mini	2.0	-	-	-
12.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
13.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
14.		Samsung NX30	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the K-1 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5500 lacks such a headphone port.

Studio photographers will appreciate that the Pentax K-1 II (unlike the D5500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the D5500 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D5500 was succeeded by the Nikon D5600. Further information on the features and operation of the D5500 and K-1 II can be found, respectively, in the Nikon D5500 Manual (free pdf) or the online Pentax K-1 II Manual.

Review summary

So how do things add up? Which of the two cameras – the Nikon D5500 or the Pentax K-1 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Nikon D5500:

• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (5 vs 4.4 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (124x97mm vs 137x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 540g or 53 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (820 versus 670) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in January 2015).

Reasons to prefer the Pentax K-1 II:

• More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.57x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 3 years and 1 month of technical progress since the D5500 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (17 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D5500 and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the K-1 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
2.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	1,999	amazon.com
3.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
4.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
5.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
6.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
7.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
8.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
9.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	599	ebay.com
10.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	749	ebay.com
11.		Nikon D5100	5/5	+ +	..	76/100	4.5/5	4.5/5	Apr 2011	749	ebay.com
12.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
13.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	1,799	ebay.com
14.		Samsung NX30	3/5	..	..	77/100	4.5/5	4.5/5	Jan 2014	999	ebay.com
15.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
16.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
17.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	1,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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