Nikon D3 vs Olympus E-5
The Nikon D3 and the Olympus E-5 are two professional cameras that were announced, respectively, in August 2007 and September 2010. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (D3) and a Four Thirds (E-5) sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D3||Olympus E-5|
|Digital single lens reflex||Digital single lens reflex|
|Nikon F mount lenses||Four Thirds lenses|
|12.1 MP, Full Frame Sensor||12.2 MP, Four Thirds Sensor|
|no Video||720/30p Video|
|ISO 200-6400 (100-25600)||ISO 100-6400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 922k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|11 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|4300 shots per battery charge||750 shots per battery charge|
|160 x 157 x 88 mm, 1300 g||142 x 117 x 75 mm, 873 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D3 and the Olympus E-5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is considerably smaller (34 percent) than the Nikon D3. Moreover, the E-5 is markedly lighter (33 percent) than the D3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D3) and the Four Thirds Lens Catalog (E-5).
Concerning battery life, the D3 gets 4300 shots out of its EN-EL4a battery, while the E-5 can take 750 images on a single charge of its BLM-5 power pack. As can be seen in the images above, the D3 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the E-5, Olympus provides the HLD-4 vertical grip as an optional accessory (see here on eBay).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D3»||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||Nikon D3|
|Olympus E-5«||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||Olympus E-5|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||Canon 1D Mark III|
|Nikon D5« »||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon D4S« »||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499||Nikon D4S|
|Nikon D4« »||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||Nikon D4|
|Nikon D3S« »||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199||Nikon D3S|
|Nikon D3X« »||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||Nikon D3X|
|Nikon D700« »||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999||Nikon D700|
|Nikon D300« »||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799||Nikon D300|
|Nikon D2Xs« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||Nikon D2Xs|
|Nikon D2X« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999||Nikon D2X|
|Olympus E-450« »||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||Olympus E-450|
|Olympus E-600« »||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||Olympus E-600|
|Olympus E-620« »||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||Olympus E-620|
|Olympus E-3« »||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||Olympus E-3|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-5 was launched at a markedly lower price (by 66 percent) than the D3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3 features a full frame sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the D3 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the E-5 offers a slightly higher resolution of 12.2 megapixels, compared with 12.1 MP of the D3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.29μm versus 8.43μm for the D3). However, it should be noted that the E-5 is much more recent (by 3 years) than the D3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Nikon D3 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D3 provides substantially higher image quality than the E-5, with an overall score that is 25 points higher. This advantage is based on 1.9 bits higher color depth, 1.7 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81||Nikon D3|
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71||Canon 1D Mark III|
|Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88||Nikon D3X|
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80||Nikon D700|
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Nikon D2Xs||APS-C||12.2||4288||2848||none||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D2X||APS-C||12.2||4288||2848||none||22.1||10.9||476||59||Nikon D2X|
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56||Olympus E-450|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55||Olympus E-600|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56||Olympus E-3|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-5 indeed provides for movie recording, while the D3 does not. The highest resolution format that the E-5 can use is 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The D3 and the E-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D3 has a higher magnification than the one of the E-5 (0.70x vs 0.575x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D3, the Olympus E-5, and comparable cameras.
|Nikon D3||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Olympus E-5||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Nikon D5||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Nikon D4S||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4S|
|Nikon D4||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3S||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Nikon D3X||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Nikon D700||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D2Xs||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D2X||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Olympus E-450||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-600||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-3||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the E-5 and the D3 is in-body image stabilization (IBIS). The E-5 reduces the risk of handshake-induced blur with all attached lenses, while the D3 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The E-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D3 does not have a selfie-screen.
The Nikon D3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D3 writes its imaging data to Compact Flash cards, while the E-5 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D3||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D3|
|Olympus E-5||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-5|
|Canon 1D Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1D Mark III|
|Nikon D5||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon D4S||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Nikon D4||Y||mono||mono||Y||Y||micro||2.0||-||-||-||Nikon D4|
|Nikon D3S||Y||stereo||none||-||-||mini||2.0||-||-||-||Nikon D3S|
|Nikon D3X||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D3X|
|Nikon D700||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D700|
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D2Xs||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2Xs|
|Nikon D2X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2X|
|Olympus E-450||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-450|
|Olympus E-600||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-600|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Olympus E-3||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-3|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the D3 and the E-5 have been discontinued, but can regularly be found used on eBay. The D3 was replaced by the Nikon D4, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Nikon D3 and the Olympus E-5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D3:
- Better image quality: Scores substantially higher (25 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.575x).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (4300 versus 750) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Reasons to prefer the Olympus E-5:
- Broader imaging potential: Can capture not only stills but also 720/30p video.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (142x117mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 427g or 33 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More modern: Reflects 3 years of technical progress since the D3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D3 comes out slightly ahead of the E-5 (10 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D3 or the E-5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Olympus E-5
- Canon 350D vs Nikon D3
- Canon 700D vs Nikon D3
- Canon SX60 vs Nikon D3
- Canon T4i vs Nikon D3
- Canon XS vs Olympus E-5
- Fujifilm GFX 50R vs Olympus E-5
- Leica M-E Typ 240 vs Olympus E-5
- Nikon D3 vs Olympus E-PL6
- Nikon D3300 vs Olympus E-5
- Olympus E-5 vs Samsung NX30
- Olympus E-5 vs Sony A7R IV
Specifications: Nikon D3 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3||Olympus E-5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Four Thirds lenses|
|Launch Date||August 2007||September 2010|
|Launch Price||USD 4999||USD 1699|
|Sensor Specs||Nikon D3||Olympus E-5|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||860.4 mm2||224.9 mm2|
|Sensor Diagonal||43.2 mm||21.6 mm|
|Sensor Resolution||12.1 Megapixels||12.2 Megapixels|
|Image Resolution||4256 x 2832 pixels||4032 x 3024 pixels|
|Pixel Pitch||8.43 μm||4.29 μm|
|Pixel Density||1.40 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||720/30p Video|
|ISO Setting||200-6400 ISO||100-6400 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||EXPEED||TruePic V+|
|DXO Sensor Quality (score)||81||56|
|DXO Color Depth (bits)||23.5||21.6|
|DXO Dynamic Range (EV)||12.2||10.5|
|DXO Low Light (ISO)||2290||519|
|Screen Specs||Nikon D3||Olympus E-5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Nikon D3||Olympus E-5|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Nikon D3||Olympus E-5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Nikon D3||Olympus E-5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||4300 shots per charge||750 shots per charge|
160 x 157 x 88 mm
(6.3 x 6.2 x 3.5 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||1300 g (45.9 oz)||873 g (30.8 oz)|
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