Canon G7 X Mark II versus Panasonic LX15
The Canon PowerShot G7 X Mark II and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in February 2016 and September 2016. Both the G7X Mark II and the LX15 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
The physical size and weight of the Canon G7 X Mark II and the Panasonic LX15 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the G7X Mark II – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is somewhat smaller (2 percent) than the Canon G7 X Mark II. Moreover, the LX15 is slightly lighter (3 percent) than the G7X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the LX15 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G7 X Mark II (⇒ rgt)||4.2 in||2.4 in||1.7 in||11.3 oz||265||no||2016||699||latest||check|
|Panasonic LX15 (⇒ lft)||4.2 in||2.4 in||1.7 in||10.9 oz||260||no||2016||699||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||3.9 in||2.3 in||1.2 in||7.3 oz||235||no||2017||529||latest||check|
|Canon M6 (⇒ lft | rgt)||4.4 in||2.7 in||1.8 in||13.8 oz||295||no||2017||779||latest||check|
|Canon T7i (⇒ lft | rgt)||5.2 in||3.9 in||3.0 in||18.8 oz||600||no||2017||749||latest||check|
|Canon G9 X (⇒ lft | rgt)||3.9 in||2.3 in||1.2 in||7.4 oz||220||no||2015||529||discont.||check|
|Canon M3 (⇒ lft | rgt)||4.4 in||2.7 in||1.7 in||12.9 oz||250||no||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.6 oz||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.9 oz||440||no||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||4.4 in||3.0 in||1.7 in||12.5 oz||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||4.1 in||2.4 in||1.6 in||10.7 oz||210||no||2014||699||discont.||check|
|Panasonic ZS100 (⇒ lft | rgt)||4.4 in||2.6 in||1.7 in||11.0 oz||300||no||2016||699||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the G7X Mark II and the LX15 have the same pixel density, as well as the same pixel size. It should, however, be noted that the LX15 is a somewhat more recent model (by 7 months) than the G7X Mark II, and its sensor might have benefitted from technological advances during this time.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G7 X Mark II (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Panasonic LX15 (⇒ lft)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon T7i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Panasonic ZS100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX15 provides a better video resolution than the G7X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The G7X Mark II and the LX15 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon G7 X Mark II and Panasonic LX15 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon G7 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||no|
|Panasonic LX15 (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon T7i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||no|
|Panasonic ZS100 (⇒ lft | rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
Both the G7X Mark II and the LX15 have zoom lenses build in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the LX15 offers a 24-72mm f/1.4-2.8 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The LX15 offers the faster maximum aperture.
Both the G7X Mark II and the LX15 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G7X Mark II replaced the earlier Canon G7 X, while the LX15 followed on from the Panasonic LX7.
So how do things add up? Is the Canon G7 X Mark II better than the Panasonic LX15 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G7 X Mark II:
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster shutter: Has a higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/1.8).
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the LX15 is the clear winner of the contest (6 : 2 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G7X Mark II or the LX15. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G7 X Mark II (⇒ rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Panasonic LX15 (⇒ lft)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||..||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon T7i (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Panasonic ZS100 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||latest||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.
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