Canon SL2 vs Panasonic GX7

The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Panasonic Lumix DMC-GX7 are two digital cameras that were officially introduced, respectively, in June 2017 and August 2013. The SL2 is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL2) and a Four Thirds (GX7) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SL2		Panasonic GX7
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/60p Video		1080/60p Video
ISO 100-25,600 (100 - 51,200)		ISO 125-25,600
Optical viewfinder		Electronic viewfinder (2760k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Tilting touchscreen
5 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
650 shots per battery charge		350 shots per battery charge
122 x 93 x 70 mm, 453 g		123 x 71 x 55 mm, 402 g

Check SL2 offers at
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Check GX7 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon SL2 and the Panasonic GX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The SL2 can be obtained in two different colors (black, white), while the GX7 is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably smaller (23 percent) than the Canon SL2. Moreover, the GX7 is markedly lighter (11 percent) than the SL2. In this context, it is worth noting that neither the SL2 nor the GX7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL2) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the SL2 gets 650 shots out of its Canon LP-E17 battery, while the GX7 can take 350 images on a single charge of its Panasonic DMW-BLG10 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	EUR 599	ebay.com
2.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	EUR 999	ebay.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	EUR 899	ebay.com
4.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	EUR 1 129	ebay.com
5.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	EUR 799	ebay.com
6.		Canon M100	108 mm	67 mm	35 mm	302 g	295	n	Aug 2017	EUR 479	ebay.com
7.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	EUR 499	ebay.com
8.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	EUR 549	amazon.com
9.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	EUR 449	ebay.com
10.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	EUR 749	ebay.com
11.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	EUR 499	amazon.com
12.		Canon T7i	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	EUR 849	ebay.com
13.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	EUR 599	ebay.com
14.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	EUR 999	ebay.com
15.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	EUR 549	ebay.com
16.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	EUR 899	ebay.com
17.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	EUR 599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SL2 was launched at a markedly lower price (by 45 percent) than the GX7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.

With 24MP, the SL2 offers a higher resolution than the GX7 (15.8MP), but the SL2 has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the GX7). However, the SL2 is a much more recent model (by 3 years and 10 months) than the GX7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The SL2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the SL2 has a notably higher overall DXO score than the GX7 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1 bits higher color depth, 1.2 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
2.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
5.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
6.		Canon M100	APS-C	24.0	6000	4000	1080/60p	23.5	12.9	1272	78
7.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
8.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
9.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
10.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
11.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
12.		Canon T7i	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
13.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
14.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
15.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
16.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
17.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the SL2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GX7 offers a wider field of view (100%) than the one in the SL2 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GX7 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon SL2, the Panasonic GX7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
5.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
6.		Canon M100	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
7.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
8.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
12.		Canon T7i	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
13.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
14.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
15.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
16.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the GX7 and the SL2 is in-body image stabilization (IBIS). The GX7 reduces the risk of handshake-induced blur with all attached lenses, while the SL2 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon SL2 and the Panasonic GX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL2 and the GX7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon M100	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
7.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
9.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
10.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
11.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
12.		Canon T7i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
13.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
16.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the SL2 has a microphone port, which is missing on the GX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the SL2 and the GX7 have been discontinued, but can regularly be found used on ebay. The GX7 was replaced by the Panasonic GX85, while the SL2 was followed by the Canon SL2. Further information on the features and operation of the SL2 and GX7 can be found, respectively, in the Canon SL2 Manual (free pdf) or the online Panasonic GX7 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon SL2 or the Panasonic GX7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS Rebel SL2:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Longer lasting: Can take more shots (650 versus 350) on a single battery charge.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
• More modern: Reflects 3 years and 10 months of technical progress since the GX7 launch.

Arguments in favor of the Panasonic Lumix DMC-GX7:

• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (123x71mm vs 122x93mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 51g or 11 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• More heavily discounted: Has been around for much longer (launched in August 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the SL2 emerges as the winner of the contest (13 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SL2 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL2 or the GX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	EUR 599	ebay.com
2.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	EUR 999	ebay.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	EUR 899	ebay.com
4.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	EUR 1 129	ebay.com
5.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	EUR 799	ebay.com
6.		Canon M100	3/5	+	..	..	4/5	3.5/5	Aug 2017	EUR 479	ebay.com
7.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	EUR 499	ebay.com
8.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	EUR 549	amazon.com
9.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	EUR 449	ebay.com
10.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	EUR 749	ebay.com
11.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	EUR 499	amazon.com
12.		Canon T7i	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	EUR 849	ebay.com
13.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	EUR 599	ebay.com
14.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	EUR 999	ebay.com
15.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	EUR 549	ebay.com
16.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	EUR 899	ebay.com
17.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	EUR 599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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