YI M1 versus Panasonic GH4
The YI M1 and the Panasonic Lumix DMC-GH4 are two digital cameras that were announced, respectively, in September 2016 and February 2014. Both the M1 and the GH4 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The YI has a resolution of 20.2 megapixel, whereas the Panasonic provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: YI M1 vs Panasonic GH4
An illustration of the physical size and weight of the YI M1 and the Panasonic GH4 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the M1 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is considerably larger (70 percent) than the YI M1. Moreover, the GH4 is substantially heavier (99 percent) than the M1. It is noteworthy in this context that the GH4 is splash and dust-proof, while the M1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|YI M1»||4.5 in||2.5 in||1.3 in||9.9 oz||450||n||Sep 2016||349|
|Panasonic GH4«||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-|
|Panasonic GX850« »||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-|
|Panasonic GH3« »||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M1 was launched at a markedly lower price (by 77 percent) than the GH4, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: YI M1 vs Panasonic GH4
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the M1 offers a higher resolution of 20.2 megapixel, compared with 15.9 MP of the GH4. This megapixel advantage translates into a 13 percent gain in linear resolution. On the other hand, these sensor specs imply that the M1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 3.76μm for the GH4). In this context, it should be noted, however, that the M1 is much more recent (by 2 years and 7 months) than the GH4, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|YI M1»||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-|
|Panasonic GH4«||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic GX850« »||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: YI M1 vs Panasonic GH4
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH4 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the YI M1, the Panasonic GH4, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y|
|Canon M10« »||-||n||3.0||1040||tilting||Y||4000||4.6||Y||n|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||4000||6.0||Y||n|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y|
|Panasonic GX850« »||-||n||3.0||1040||tilting||Y||500||10.0||Y||n|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||4000||6.0||Y||n|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
The M1 is a current model that online retailers, such as amazon, will have in stock. In contrast, the GH4 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GH4 was succeeded by the Panasonic GH5.
Review summary: YI M1 vs Panasonic GH4
So what conclusions can be drawn? Which of the two cameras – the YI M1 or the Panasonic GH4 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the YI M1:
- More detail: Offers more megapixels (20.2 vs 15.9MP) with a 13% higher linear resolution.
- More compact: Is smaller (114x64mm vs 133x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 279g or 50 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (77 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the GH4 launch.
Reasons to prefer the Panasonic Lumix DMC-GH4:
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (500 versus 450) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the GH4 emerges as the winner of the match-up (8 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M1 or the GH4 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|YI M1»||-||69/100||-||2.5/5||-||Sep 2016||349|
|Panasonic GH4«||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon M10« »||-||-||-||rev||4/5||Oct 2015||499||-|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-|
|Panasonic GX850« »||Rec||76/100||4.5/5||4/5||4.5/5||Jan 2017||549|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-|
|Panasonic GH3« »||HiRec||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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