YI M1 versus Fujifilm X-E3
The YI M1 and the Fujifilm X-E3 are two digital cameras that were revealed to the public, respectively, in September 2016 and September 2017. Both the M1 and the X-E3 are mirrorless interchangeable lens cameras that are based on a Four Thirds (M1) and an APS-C (X-E3) sensor. The YI has a resolution of 20.2 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: YI M1 vs Fujifilm X-E3
An illustration of the physical size and weight of the YI M1 and the Fujifilm X-E3 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the M1 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is notably larger (23 percent) than the YI M1. Moreover, the X-E3 is markedly heavier (20 percent) than the M1. In this context, it is worth noting that neither the M1 nor the X-E3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (M1) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|YI M1»||4.5 in||2.5 in||1.3 in||9.9 oz||450||n||Sep 2016||349|
|Fujifilm X-E3«||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399|
|Panasonic GX850« »||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M1 was launched at a markedly lower price (by 61 percent) than the X-E3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: YI M1 vs Fujifilm X-E3
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the YI M1 features a Four Thirds sensor and the Fujifilm X-E3 an APS-C sensor. The sensor area in the X-E3 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the M1 has a native 4:3 aspect ratio, while the one in the X-E3 offers a 3:2 aspect.
With 24MP, the X-E3 offers a higher resolution than the M1 (20.2MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the M1) due to its larger sensor. Moreover, the X-E3 is a somewhat more recent model (by 11 months) than the M1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|YI M1»||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Panasonic GX850« »||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: YI M1 vs Fujifilm X-E3
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the YI M1 and Fujifilm X-E3 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n|
|Canon M6« »||-||n||3.0||1040||tilting||Y||4000||9.0||Y||n|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y|
|Canon M10« »||-||n||3.0||1040||tilting||Y||4000||4.6||Y||n|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n|
|Fujifilm X70« »||-||n||3.0||1040||tilting||Y||4000||8.0||Y||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||4000||6.0||Y||n|
|Panasonic GX850« »||-||n||3.0||1040||tilting||Y||500||10.0||Y||n|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
Both the M1 and the X-E3 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-E3 replaced the earlier Fujifilm X-E2S, while the M1 does not have a direct predecessor.
Review summary: YI M1 vs Fujifilm X-E3
So how do things add up? Is there a clear favorite between the YI M1 and the Fujifilm X-E3? The listing below highlights the relative strengths of the two models.
Reasons to prefer the YI M1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (114x64mm vs 121x74mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 56g or 17 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (450 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced category (61 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Advantages of the Fujifilm X-E3:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- More modern: Was introduced somewhat (11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (6 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the M1 or the X-E3. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|YI M1»||-||69/100||-||2.5/5||-||Sep 2016||349|
|Fujifilm X-E3«||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon M10« »||-||-||-||rev||4/5||Oct 2015||499||-|
|Fujifilm X-A5« »||-||-||-||-||3.5/5||Jan 2018||399|
|Fujifilm X-T20« »||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899|
|Fujifilm X70« »||-||76/100||4.5/5||4/5||4.5/5||Jan 2016||799|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399|
|Panasonic GX850« »||Rec||76/100||4.5/5||4/5||4.5/5||Jan 2017||549|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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