Sony RX1R versus Nikon D750
The Sony Cyber-shot DSC-RX1R and the Nikon D750 are two enthusiast cameras that were officially introduced, respectively, in June 2013 and September 2014. The RX1R is a fixed lens compact, while the D750 is a DSLR. Both cameras are equipped with a full frame sensor. The Sony has a resolution of 24 megapixel, whereas the Nikon provides 24.2 MP.
The side-by-side display below illustrates the physical size and weight of the Sony RX1R and the Nikon D750. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the RX1R – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D750 is considerably larger (117 percent) than the Sony RX1R. It is noteworthy in this context that the D750 is splash and dust-proof, while the RX1R does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R has a lens build in, whereas the D750 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the D750 and their specifications in the Nikon Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony RX1R (⇒ rgt)||113 mm||65 mm||70 mm||482 g||270||no||2013||2,799||discont.||check|
|Nikon D750 (⇒ lft)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Leica X Typ 113 (⇒ lft | rgt)||133 mm||73 mm||78 mm||486 g||350||no||2014||2,295||latest||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Nikon D5300 (⇒ lft | rgt)||125 mm||98 mm||76 mm||480 g||600||no||2013||799||discont.||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Nikon Df (⇒ lft | rgt)||144 mm||110 mm||67 mm||760 g||1400||YES||2013||2,749||latest||check|
|Nikon D600 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2012||2,099||discont.||check|
|Nikon D700 (⇒ lft | rgt)||147 mm||123 mm||77 mm||1074 g||1000||YES||2008||2,999||discont.||check|
|Sony RX1R II (⇒ lft | rgt)||113 mm||65 mm||72 mm||507 g||220||no||2015||3,299||latest||check|
|Sony A7S (⇒ lft | rgt)||127 mm||94 mm||48 mm||489 g||380||YES||2014||2,499||discont.||check|
|Sony A6000 (⇒ lft | rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
|Sony RX100 (⇒ lft | rgt)||102 mm||58 mm||36 mm||240 g||330||no||2012||649||discont.||check|
|Sony RX1 (⇒ lft | rgt)||113 mm||65 mm||70 mm||482 g||270||no||2012||2,799||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the D750 is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.2MP, the D750 offers a higher resolution than the RX1R (24MP), but the D750 nevertheless has the same individual pixel size (pixel pitch of 5.97μm) as the RX1R due to its larger sensor. Moreover, the D750 is a somewhat more recent model (by 1 year and 2 months) than the RX1R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the RX1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony RX1R (⇒ rgt)||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|Nikon D750 (⇒ lft)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Leica X Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D5300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon Df (⇒ lft | rgt)||Full Frame||16.2||4928||3280||no||24.6||13.1||3279||89|
|Nikon D600 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Nikon D700 (⇒ lft | rgt)||Full Frame||12.1||4256||2832||no||23.5||12.2||2303||80|
|Sony RX1R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97|
|Sony A7S (⇒ lft | rgt)||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|Sony A6000 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Sony RX100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66|
|Sony RX1 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D750 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the RX1R relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Sony RX1R and Nikon D750 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Sony RX1R (⇒ rgt)||no||no||3.0||1229||fixed||no||4000||5.0||6||no|
|Nikon D750 (⇒ lft)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Leica X Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Nikon D5300 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||no||4000||5.0||12||no|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Nikon Df (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||5.5||no||no|
|Nikon D600 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||4000||5.5||12||no|
|Nikon D700 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||8.0||12||no|
|Sony RX1R II (⇒ lft | rgt)||2360||no||3.0||1229||tilting||no||4000||5.0||no||no|
|Sony A7S (⇒ lft | rgt)||2400||no||3.0||921||tilting||no||8000||5.0||no||no|
|Sony A6000 (⇒ lft | rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
|Sony RX100 (⇒ lft | rgt)||no||no||3.0||1229||fixed||no||2000||10.0||YES||YES|
|Sony RX1 (⇒ lft | rgt)||no||no||3.0||1229||fixed||no||4000||5.0||6||no|
The D750 is a current model that online retailers, such as amazon, will have in stock. In contrast, the RX1R has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX1R was succeeded by the Sony RX1R II.
So how do things add up? Is the Sony RX1R better than the Nikon D750 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Cyber-shot DSC-RX1R:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Comes with a build-in lens, while the D750 requires a separate lens.
- More compact: Is smaller (113x65mm vs 141x113mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the D750).
- More heavily discounted: Has been on the market for longer (launched in June 2013).
Advantages of the Nikon D750:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (1230 versus 270) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Was introduced somewhat (1 year and 2 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the D750 is the clear winner of the contest (11 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the RX1R or the D750 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony RX1R (⇒ rgt)||-||-||4/5||reviewed||4.5/5||2013||2,799||discont.||check|
|Nikon D750 (⇒ lft)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Leica X Typ 113 (⇒ lft | rgt)||-||-||3.5/5||-||4/5||2014||2,295||latest||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Nikon D5300 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2013||799||discont.||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Nikon Df (⇒ lft | rgt)||-||81/100||4/5||4/5||4/5||2013||2,749||latest||check|
|Nikon D600 (⇒ lft | rgt)||HiRec||87/100 Gold||5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Nikon D700 (⇒ lft | rgt)||89/100||HiRec||4.5/5||5/5||4.5/5||2008||2,999||discont.||check|
|Sony RX1R II (⇒ lft | rgt)||-||82/100 Silver||-||reviewed||4.5/5||2015||3,299||latest||check|
|Sony A7S (⇒ lft | rgt)||-||86/100 Gold||4.5/5||4.5/5||5/5||2014||2,499||discont.||check|
|Sony A6000 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
|Sony RX100 (⇒ lft | rgt)||HiRec||78/100 Silver||4/5||5/5||5/5||2012||649||discont.||check|
|Sony RX1 (⇒ lft | rgt)||-||79/100 Gold||4/5||4.5/5||4.5/5||2012||2,799||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please contact me, and I will try to add information on that model to the database.
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