Sony RX100 VI vs A7R II
The Sony Cyber-shot DSC-RX100 VI and the Sony Alpha A7R II are two digital cameras that were officially introduced, respectively, in June 2018 and June 2015. The RX100 VI is a fixed lens compact, while the A7R II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (RX100 VI) and a full frame (A7R II) sensor. The RX100 VI has a resolution of 20 megapixels, whereas the A7R II provides 42.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony RX100 VI||Sony A7R II|
|Fixed lens compact camera||Mirrorless system camera|
|24-200mm f/2.8-4.5||Sony E mount lenses|
|20 MP, 1" Sensor||42.2 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12800 (80-25600)||ISO 100-25600 (50-102400)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1229k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|24 shutter flaps per second||5 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|240 shots per battery charge||290 shots per battery charge|
|102 x 58 x 43 mm, 301 g||127 x 96 x 60 mm, 625 g|
Body comparison: Sony RX100 VI vs A7R II
The physical size and weight of the Sony RX100 VI and the Sony A7R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the RX100 VI – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is considerably larger (106 percent) than the Sony RX100 VI. It is noteworthy in this context that the A7R II is splash and dust-proof, while the RX100 VI does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the A7R II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R II and their specifications in the Sony FE Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony RX100 VI»||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony A7R II«||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The RX100 VI was launched at a lower price than the A7R II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony RX100 VI vs A7R II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony RX100 VI features an one-inch sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 643 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R II offers a higher resolution than the RX100 VI (20MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 2.41μm for the RX100 VI) due to its larger sensor. However, the RX100 VI is a much more recent model (by 2 years and 11 months) than the A7R II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Sony Cyber-shot DSC-RX100 VI has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony RX100 VI»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony A7R II«||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Sony RX100 VI vs A7R II
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R II offers a slightly higher resolution than the one in the RX100 VI (2400k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony RX100 VI, the Sony A7R II, and comparable cameras.
|Sony RX100 VI»||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony A7R II«||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Canon SX740« »||-||n||3.0||922||tilting||n||3200||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y||Canon SX730|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||4000||6.0||Y||n||Fujifilm XF10|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n||Fujifilm X100F|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS70|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y||Sony A7R III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y||Sony A99 II|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 III|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 II|
One difference between the cameras concerns the presence of an on-board flash. The RX100 VI has one, while the A7R II does not. While the built-in flash of the RX100 VI is not very powerful, it can at times be useful as a fill-in light.The RX100 VI has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R II does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the RX100 VI and the A7R II write their files to SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Sony RX100 VI vs A7R II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-RX100 VI and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony RX100 VI»||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony A7R II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the A7R II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The RX100 VI does not feature such a mic input.
The RX100 VI is a recent model that features in the current product line-up of Sony. In contrast, the A7R II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7R II was succeeded by the Sony Alpha A7R III.
Review summary: Sony RX100 VI vs A7R II
So what is the bottom line? Is the Sony RX100 VI better than the Sony A7R II or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A7R II requires a separate lens.
- More compact: Is smaller (102x58mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 11 months of technical progress since the A7R II launch.
Reasons to prefer the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 20MP), which boosts linear resolution by 45%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (290 versus 240) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in June 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the A7R II emerges as the winner of the match-up (14 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the RX100 VI and the A7R II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Sony RX100 VI vs A7R II
This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony RX100 VI»||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony A7R II«||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Canon SX740« »||Rec||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Fujifilm XF10« »||-||-||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic ZS70|
|Sony A7R III« »||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony RX100 III« »||HiRec||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony RX100 II« »||HiRec||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Specifications: Sony RX100 VI vs Sony A7R II
|Camera Model||Sony RX100 VI||Sony A7R II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-200mm f/2.8-4.5||Sony E mount lenses|
|Launch Date||June 2018||June 2015|
|Launch Price||USD 1199||USD 3199|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.9 x 8.8 mm|
|MP Resolution||20 Megapixels||42.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||7952 x 5304 pixels|
|Pixel Size||2.41 μm||4.52 μm|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125-12800 ISO||100-25600 ISO|
|ISO Boost||80-25600 ISO||50-102400 ISO|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Resolution||2359k dots||2400k dots|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1229k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Maximum Shutter Speed||1/2000s||1/8000s|
|Continuous Shooting||24 shutter flaps/s||5 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||NP-BX1 power pack||NP-FW50 power pack|
|Battery Life||240 shots per charge||290 shots per charge|
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||301 g (10.6 oz)||625 g (22.0 oz)|
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