Sony RX100 V versus Olympus PEN-F
The Sony Cyber-shot DSC-RX100 V and the Olympus PEN-F are two digital cameras that were announced, respectively, in October 2016 and January 2016. The RX100 V is a fixed lens compact, while the PEN-F is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (RX100 V) and a Four Thirds (PEN-F) sensor. The Sony has a resolution of 20 megapixel, whereas the Olympus provides 20.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony RX100 V vs Olympus PEN-F
The side-by-side display below illustrates the physical size and weight of the Sony RX100 V and the Olympus PEN-F. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the RX100 V – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is considerably larger (52 percent) than the Sony RX100 V. In this context, it is worth noting that neither the RX100 V nor the PEN-F are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 V has a lens build in, whereas the PEN-F is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the PEN-F and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Sony RX100 V (⇒ rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Olympus PEN-F (⇒ lft)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||130 mm||80 mm||93 mm||640 g||300||no||2015||4,249||latest||check|
|Nikon D5500 (⇒ lft | rgt)||124 mm||97 mm||70 mm||420 g||820||no||2015||899||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||130 mm||94 mm||63 mm||497 g||350||YES||2013||1,399||discont.||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 V was launched at a lower price than the PEN-F, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony RX100 V vs Olympus PEN-F
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony RX100 V features an one-inch sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the RX100 V has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
With 20.2MP, the PEN-F offers a higher resolution than the RX100 V (20MP), but the PEN-F nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the RX100 V) due to its larger sensor. However, the RX100 V is a somewhat more recent model (by 8 months) than the PEN-F, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the RX100 V, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the PEN-F has a markedly higher DXO score than the RX100 V (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.3 bits higher color depth, and 0.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony RX100 V (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Olympus PEN-F (⇒ lft)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Leica Q Typ 116 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Nikon D5500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 V provides a higher video resolution than the PEN-F. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Feature comparison: Sony RX100 V vs Olympus PEN-F
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the PEN-F offers a slightly higher resolution than the one in the RX100 V (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony RX100 V, the Olympus PEN-F, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Sony RX100 V (⇒ rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Olympus PEN-F (⇒ lft)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Leica Q Typ 116 (⇒ lft | rgt)||3680||no||3.0||1040||fixed||YES||2000||10.0||no||no|
|Nikon D5500 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M1 (⇒ lft | rgt)||2360||no||3.0||1037||tilting||YES||8000||10.0||no||YES|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the RX100 V and the PEN-F are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The RX100 V replaced the earlier Sony RX100 IV, while the PEN-F does not have a direct predecessor.
Review summary: Sony RX100 V vs Olympus PEN-F
So how do things add up? Is the Sony RX100 V better than the Olympus PEN-F or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Cyber-shot DSC-RX100 V:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1037k dots).
- Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the PEN-F requires a separate lens.
- More compact: Is smaller (102x58mm vs 125x72mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the PEN-F).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
- More modern: Is somewhat more recent (announced 8 months after the PEN-F).
Arguments in favor of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 220) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the RX100 V or the PEN-F handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony RX100 V (⇒ rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Olympus PEN-F (⇒ lft)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||-||4.5/5||2015||4,249||latest||check|
|Nikon D5500 (⇒ lft | rgt)||Rec||79/100 Silver||4.5/5||5/5||4.5/5||2015||899||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||HiRec||84/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,399||discont.||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
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