Sony RX100 V vs Canon 7D II
The Sony Cyber-shot DSC-RX100 V and the Canon EOS 7D Mark II are two digital cameras that were revealed to the public, respectively, in October 2016 and September 2014. The RX100 V is a fixed lens compact, while the 7D Mark II is a DSLR. The cameras are based on an one-inch (RX100 V) and an APS-C (7D Mark II) sensor. Both cameras offer a resolution of 20 megapixels. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony RX100 V||Canon 7D II|
|Fixed lens compact camera||Digital single lens reflex|
|24-70mm f/1.8-2.8||Canon EF mount lenses|
|20 MP, 1" Sensor||20 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 125-12800 (80-25600)||ISO 100-16000 (100-51200)|
|Electronic viewfinder (2359k dots)||Optical viewfinder|
|3.0" LCD, 1229k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|24 shutter flaps per second||10 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|220 shots per battery charge||670 shots per battery charge|
|102 x 58 x 41 mm, 299 g||149 x 112 x 78 mm, 910 g|
Body comparison: Sony RX100 V vs Canon 7D II
The side-by-side display below illustrates the physical size and weight of the Sony RX100 V and the Canon 7D II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 7D II is considerably larger (182 percent) than the Sony RX100 V. It is noteworthy in this context that the 7D Mark II is splash and dust-proof, while the RX100 V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 V has a lens built in, whereas the 7D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 7D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the RX100 V gets 220 shots out of its NP-BX1 battery, while the 7D Mark II can take 670 images on a single charge of its LP-E6N power pack. The power pack in the RX100 V can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony RX100 V»||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Canon 7D II«||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The RX100 V was launched at a lower price than the 7D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Sony RX100 V vs Canon 7D II
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony RX100 V features an one-inch sensor and the Canon 7D II an APS-C sensor. The sensor area in the 7D Mark II is 190 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the 7D Mark II has a larger sensor, both cameras offer the same resolution of 20 megapixels. This implies that the 7D Mark II has a lower pixel density and larger individual pixels (with a pixel pitch of 4.10μm versus 2.41μm for the RX100 V), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the RX100 V is much more recent (by 2 years) than the 7D Mark II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Sony Cyber-shot DSC-RX100 V has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Canon EOS 7D Mark II are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-51200..
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony RX100 V»||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Canon 7D II«||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 V provides a higher video resolution than the 7D Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Sony RX100 V vs Canon 7D II
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 V has an electronic viewfinder (2359k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony RX100 V, the Canon 7D II, and comparable cameras.
|Sony RX100 V»||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Canon 7D II«||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y||Canon G7 X Mark II|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y||Canon G5 X|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6i|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T5i|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||8000||8.0||Y||n||Canon 7D|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2500|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y||Sony RX10 III|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 II|
One feature that is present on the 7D Mark II, but is missing on the RX100 V is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The RX100 V has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 7D Mark II does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the RX100 V features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The RX100 V writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 7D Mark II uses Compact Flash or SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 V only has one slot.
Connectivity comparison: Sony RX100 V vs Canon 7D II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-RX100 V and Canon EOS 7D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony RX100 V»||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Canon 7D II«||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the RX100 V offers wifi support, while the 7D Mark II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 7D II (unlike the RX100 V) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the RX100 V and the 7D Mark II are recent models that feature in their makers' current product line-up. The 7D Mark II replaced the earlier Canon 7D, while the RX100 V followed on from the Sony RX100 IV.
Review summary: Sony RX100 V vs Canon 7D II
So what is the bottom line? Is there a clear favorite between the Sony RX100 V and the Canon 7D II? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Cyber-shot DSC-RX100 V:
- More dynamic range: Captures a larger spectrum of light and dark details (0.6 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the 7D Mark II requires a separate lens.
- More compact: Is smaller (102x58mm vs 149x112mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the 7D Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years of technical progress since the 7D Mark II launch.
Reasons to prefer the Canon EOS 7D Mark II:
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (670 versus 220) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 V comes out slightly ahead of the 7D Mark II (16 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the RX100 V or the 7D Mark II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony RX100 V vs Canon 7D II
This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Sony RX100 V»||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Canon 7D II«||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon SL1« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon 7D« »||HiRec||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ2500« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||HiRec||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||HiRec||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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Specifications: Sony RX100 V vs Canon 7D II
|Camera Model||Sony RX100 V||Canon 7D II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-70mm f/1.8-2.8||Canon EF mount lenses|
|Launch Date||October 2016||September 2014|
|Launch Price||USD 999||USD 1799|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||22.4 x 8.8 mm|
|Sensor Area||116.16 mm2||336 mm2|
|Sensor Diagonal||15.9 mm||27 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||4.10 μm|
|Pixel Density||17.18 MP/cm2||5.94 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||100-16000 ISO|
|ISO Boost||80-25600 ISO||100-51200 ISO|
|Image Processor||BIONZ X||DIGIC 6 (Dual)|
|DXO Sensor Quality (score)||70||70|
|DXO Color Depth (bits)||22.8||22.4|
|DXO Dynamic Range (EV)||12.4||11.8|
|DXO Low Light (ISO)||586||1082|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||n/a|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1229k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/2000s||1/8000s|
|Continuous Shooting||24 shutter flaps/s||10 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||CF or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||NP-BX1 power pack||LP-E6N power pack|
|Battery Life (CIPA)||220 shots per charge||670 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
102 x 58 x 41 mm
(4.0 x 2.3 x 1.6 in)
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
|Camera Weight||299 g (10.5 oz)||910 g (32.1 oz)|
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