Sony RX100 III versus Canon G9 X Mark II
The Sony Cyber-shot DSC-RX100 III and the Canon PowerShot G9 X Mark II are two digital cameras that were announced, respectively, in May 2014 and January 2017. Both the RX100 III and the G9X Mark II are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
An illustration of the physical size and weight of the Sony RX100 III and the Canon G9 X Mark II is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the RX100 III – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G9 X Mark II is somewhat smaller (4 percent) than the Sony RX100 III. Moreover, the G9X Mark II is markedly lighter (29 percent) than the RX100 III. In this context, it is worth noting that neither the RX100 III nor the G9X Mark II are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony RX100 III (⇒ rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Canon G9 X Mark II (⇒ lft)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon SL2 (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon M10 (⇒ lft | rgt)||108 mm||67 mm||35 mm||301 g||255||no||2015||499||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Ricoh GR II (⇒ lft | rgt)||117 mm||63 mm||35 mm||251 g||320||no||2015||699||discont.||check|
|Ricoh GR (⇒ lft | rgt)||117 mm||61 mm||35 mm||245 g||290||no||2013||799||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
|Sony RX100 (⇒ lft | rgt)||102 mm||58 mm||36 mm||240 g||330||no||2012||649||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G9X Mark II was launched at a markedly lower price (by 34 percent) than the RX100 III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the RX100 III and the G9X Mark II have the same pixel density, as well as the same pixel size. It should, however, be noted that the G9X Mark II is much more recent (by 2 years and 7 months) than the RX100 III, and its sensor will have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony RX100 III (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Canon G9 X Mark II (⇒ lft)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon SL2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon M10 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Ricoh GR II (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|Ricoh GR (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Sony RX100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the RX100 III has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Sony RX100 III and Canon G9 X Mark II in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Sony RX100 III (⇒ rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Canon G9 X Mark II (⇒ lft)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon SL2 (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon M10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Ricoh GR II (⇒ lft | rgt)||no||no||3.0||1230||fixed||no||4000||4.0||3||no|
|Ricoh GR (⇒ lft | rgt)||no||no||3.0||1230||fixed||no||4000||4.0||5.4||no|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
|Sony RX100 (⇒ lft | rgt)||no||no||3.0||1229||fixed||no||2000||10.0||YES||YES|
Both the RX100 III and the G9X Mark II have zoom lenses build in. The RX100 III has a 24-70mm f/1.8-2.8 optic and the G9X Mark II offers a 28-84mm f/2.0-4.9 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Canon, but less tele-photo reach at the long end. The RX100 III offers the faster maximum aperture.
The G9X Mark II is a current model that online retailers, such as amazon, will have in stock. In contrast, the RX100 III has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX100 III was succeeded by the Sony RX100 IV.
So what conclusions can be drawn? Which of the two cameras – the Sony RX100 III or the Canon G9 X Mark II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Cyber-shot DSC-RX100 III:
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 8.2 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.0).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Longer lasting: Can take more shots (320 versus 235) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in May 2014).
Advantages of the Canon PowerShot G9 X Mark II:
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 84g or 29 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (34 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the RX100 III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX100 III emerges as the winner of the contest (8 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the RX100 III or the G9X Mark II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony RX100 III (⇒ rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Canon G9 X Mark II (⇒ lft)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon SL2 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon M10 (⇒ lft | rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Ricoh GR II (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2015||699||discont.||check|
|Ricoh GR (⇒ lft | rgt)||-||79/100 Gold||4.5/5||4.5/5||4.5/5||2013||799||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
|Sony RX100 (⇒ lft | rgt)||HiRec||78/100 Silver||4/5||5/5||5/5||2012||649||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.
- Canon 1Ds Mark III vs Canon 1D X Mark II
- Canon 5D Mark IV vs Canon 70D
- Canon 650D vs Canon G1 X Mark II
- Canon SX730 vs Fujifilm X-A3
- Fujifilm X-T20 vs Panasonic FZ1000
- Fujifilm X20 vs Canon 50D
- Leica T vs Olympus PEN-F
- Olympus PEN-F vs Sony A7R III
- Panasonic FZ2000 vs Panasonic G85
- Panasonic ZS100 vs Canon M10
- Sony A6500 vs Sony RX10 III
- Sony RX100 V vs Sony A7S II