Sony RX10 IV vs Panasonic G9
The Sony Cyber-shot DSC-RX10 IV and the Panasonic Lumix DC-G9 are two enthusiast cameras that were officially introduced, respectively, in September 2017 and November 2017. The RX10 IV is a fixed lens compact, while the G9 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (RX10 IV) and a Four Thirds (G9) sensor. The Sony has a resolution of 20 megapixels, whereas the Panasonic provides 20.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony RX10 IV||Panasonic G9|
|Fixed lens compact camera||Mirrorless system camera|
|24-600mm f/2.4-4.0||Micro Four Thirds lenses|
|20 MP, 1" Sensor||20.2 MP, Four Thirds Sensor|
|4K/30p Video||4K/60p Video|
|ISO 100-12800 (64-25600)||ISO 200-25600|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (3680k dots)|
|3.0" LCD, 1440k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Swivel touchscreen|
|24 shutter flaps per second||20 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||400 shots per battery charge|
|133 x 94 x 145 mm, 1095 g||137 x 97 x 92 mm, 658 g|
Body comparison: Sony RX10 IV vs Panasonic G9
The physical size and weight of the Sony RX10 IV and the Panasonic G9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the RX10 IV – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is notably larger (6 percent) than the Sony RX10 IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 IV has a lens built in, whereas the G9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G9 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony RX10 IV»||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699||Sony RX10 IV|
|Panasonic G9«||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Canon G1 X Mark III« »||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Fujifilm X-H1« »||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-Pro2« »||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Nikon Z6« »||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic FT7« »||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||Panasonic FT7|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ2000« »||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||Panasonic FZ2000|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony RX100 VI« »||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A6500« »||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||Sony A6500|
|Sony RX10 III« »||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 V« »||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||Sony RX100 V|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony RX10 IV vs Panasonic G9
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony RX10 IV features an one-inch sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the RX10 IV has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
With 20.2MP, the G9 offers a higher resolution than the RX10 IV (20MP), but the G9 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the RX10 IV) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The RX10 IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the RX10 IV, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Sony Cyber-shot DSC-RX10 IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 64-25600. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 0-25600..
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony RX10 IV»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX10 IV|
|Panasonic G9«||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||-||-||-||-||Nikon Z6|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic FT7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ2000« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2000|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 provides a faster frame rate than the RX10 IV. It can shoot movie footage at 4K/60p, while the Sony is limited to 4K/30p.
Feature comparison: Sony RX10 IV vs Panasonic G9
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the RX10 IV (3680k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony RX10 IV, the Panasonic G9, and comparable cameras.
|Sony RX10 IV»||2359||Y||3.0||1440||tilting||Y||2000||24.0||Y||Y||Sony RX10 IV|
|Panasonic G9«||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y||Panasonic G9|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||2000||9.0||Y||Y||Canon G1 X Mark III|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||8000||14.0||n||Y||Fujifilm X-H1|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n||Fujifilm X-Pro2|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||8000||12.0||n||Y||Nikon Z6|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Panasonic FT7« »||1170||n||3.0||1040||fixed||n||1300||10.0||Y||Y||Panasonic FT7|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Panasonic FZ2000« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2000|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony A6300« »||2359||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6300|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||4000||11.0||Y||Y||Sony A6500|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y||Sony RX10 III|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
One difference between the cameras concerns the presence of an on-board flash. The RX10 IV has one, while the G9 does not. While the built-in flash of the RX10 IV is not very powerful, it can at times be useful as a fill-in light.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the RX10 IV does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The RX10 IV writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G9 uses SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX10 IV only has one slot.
Connectivity comparison: Sony RX10 IV vs Panasonic G9
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-RX10 IV and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony RX10 IV»||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 IV|
|Panasonic G9«||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic FT7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ2000« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2000|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
Both the RX10 IV and the G9 are recent models that feature in their makers' current product line-up. The RX10 IV replaced the earlier Sony RX10 III, while the G9 followed on from the Panasonic G85.
Review summary: Sony RX10 IV vs Panasonic G9
So what is the bottom line? Is there a clear favorite between the Sony RX10 IV and the Panasonic G9? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Cyber-shot DSC-RX10 IV:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- Faster burst: Shoots at higher frequency (24 vs 20 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the G9 requires a separate lens.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
Arguments in favor of the Panasonic Lumix DC-G9:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2359k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (16 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the RX10 IV or the G9. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony RX10 IV vs Panasonic G9
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Sony RX10 IV»||Rec||84/100||4.5/5||-||5/5||Sep 2017||1,699||Sony RX10 IV|
|Panasonic G9«||HiRec||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Canon G1 X Mark III« »||Rec||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Fujifilm X-H1« »||Rec||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic FT7« »||Rec||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ2000« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2000|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A6500« »||HiRec||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 60D vs Canon 1100D
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- Canon M5 vs Panasonic G7
- Fujifilm X-E1 vs Nikon D3500
- Leica C-LUX vs Canon G7 X Mark II
- Leica D-LUX Typ 109 vs Panasonic FT7
- Nikon D5 vs Canon M6
- Nikon D5200 vs Fujifilm X20
- Nikon D600 vs Nikon D700
- Panasonic FT7 vs Fujifilm XF10
- Pentax K-1 II vs Panasonic ZS200
- Sony RX100 III vs Nikon D3400
Specifications: Sony RX10 IV vs Panasonic G9
|Camera Model||Sony RX10 IV||Panasonic G9|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-600mm f/2.4-4.0||Micro Four Thirds lenses|
|Launch Date||September 2017||November 2017|
|Launch Price||USD 1699||USD 1699|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 8.8 mm|
|MP Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Size||2.41 μm||3.34 μm|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||100-12800 ISO||200-25600 ISO|
|ISO Boost||64-25600 ISO||no Enhancement|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Resolution||2359k dots||3680k dots|
|Top-Level Screen||Control Panel||Control Panel|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1440k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Maximum Shutter Speed||1/2000s||1/8000s|
|Continuous Shooting||24 shutter flaps/s||20 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||full HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||NP-FW50 power pack||DMW-BLF19 power pack|
|Battery Life||400 shots per charge||400 shots per charge|
133 x 94 x 145 mm
(5.2 x 3.7 x 5.7 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||1095 g (38.6 oz)||658 g (23.2 oz)|
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