Sony RX10 IV versus Canon 200D
The Sony Cyber-shot DSC-RX10 IV and the Canon EOS 200D (labelled Canon SL2 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2017 and June 2017. The RX10 IV is a fixed lens compact, while the 200D is a DSLR. The cameras are based on an one-inch (RX10 IV) and an APS-C (200D) sensor. The Sony has a resolution of 20 megapixel, whereas the Canon provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony RX10 IV vs Canon 200D
An illustration of the physical size and weight of the Sony RX10 IV and the Canon 200D is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the RX10 IV – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 200D is notably smaller (9 percent) than the Sony RX10 IV. It is worth mentioning in this context that the RX10 IV is splash and dust resistant, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 IV has a lens build in, whereas the 200D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the 200D and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Sony RX10 IV (⇒ rgt)||133 mm||94 mm||145 mm||1095 g||400||YES||2017||1,699||latest||check|
|Canon 200D (⇒ lft)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 2000D (⇒ lft | rgt)||129 mm||101 mm||78 mm||475 g||500||no||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon G1 X Mark III (⇒ lft | rgt)||115 mm||78 mm||51 mm||399 g||200||YES||2017||1,299||latest||check|
|Canon 800D (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 100D (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
|Sony RX10 (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||420||YES||2013||1,299||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony RX10 IV vs Canon 200D
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony RX10 IV features an one-inch sensor and the Canon 200D an APS-C sensor. The sensor area in the 200D is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the 200D offers a higher resolution than the RX10 IV (20MP), but the 200D nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the RX10 IV) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony RX10 IV (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon 200D (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 2000D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||..||..||..||..|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon G1 X Mark III (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon 800D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 100D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX10 (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX10 IV provides a higher video resolution than the 200D. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Sony RX10 IV vs Canon 200D
Beyond body and sensor, cameras can and do differ across a range of features. For example, the RX10 IV has an electronic viewfinder (2359k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony RX10 IV and Canon 200D along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Sony RX10 IV (⇒ rgt)||2359||YES||3.0||1440||tilting||YES||2000||24.0||10.8||YES|
|Canon 200D (⇒ lft)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 2000D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon G1 X Mark III (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||9.0||9||YES|
|Canon 800D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 100D (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
|Sony RX10 (⇒ lft | rgt)||1440||YES||3.0||1229||tilting||no||3200||10.0||10.2||YES|
Both the RX10 IV and the 200D are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 200D replaced the earlier Canon 100D, while the RX10 IV followed on from the Sony RX10 III.
Review summary: Sony RX10 IV vs Canon 200D
So what is the bottom line? Is the Sony RX10 IV better than the Canon 200D or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Cyber-shot DSC-RX10 IV:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- Faster burst: Shoots at higher frequency (24 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a build-in lens, while the 200D requires a separate lens.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization build-in.
Advantages of the Canon EOS 200D:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (650 versus 400) out of a single battery charge.
If the count of individual advantages (bullet points above) is taken as a guide, the RX10 IV comes out slightly ahead of the 200D (8 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the RX10 IV or the 200D handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony RX10 IV (⇒ rgt)||Rec||84/100 Gold||4.5/5||..||5/5||2017||1,699||latest||check|
|Canon 200D (⇒ lft)||HiRec||78/100 Silver||4.5/5||4.5/5||4.5/5||2017||549||latest||check|
|Canon 2000D (⇒ lft | rgt)||reviewed||..||3.5/5||..||3.5/5||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon G1 X Mark III (⇒ lft | rgt)||Rec||79/100||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Canon 800D (⇒ lft | rgt)||..||80/100 Gold||4.5/5||4/5||4/5||2017||749||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 100D (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
|Sony RX10 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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