Sony RX10 III vs Panasonic GX8
The Sony Cyber-shot DSC-RX10 III and the Panasonic Lumix DMC-GX8 are two enthusiast cameras that were revealed to the public, respectively, in March 2016 and July 2015. The RX10 III is a fixed lens compact, while the GX8 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (RX10 III) and a Four Thirds (GX8) sensor. The Sony has a resolution of 20 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Cyber-shot DSC-RX10 III and the Panasonic Lumix DMC-GX8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Sony RX10 III and the Panasonic GX8. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GX8 can be obtained in two different colors (black, silver), while the RX10 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX8 is notably smaller (17 percent) than the Sony RX10 III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 III has a lens built in, whereas the GX8 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX8 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the RX10 III gets 420 shots out of its Sony NP-FW50 battery, while the GX8 can take 330 images on a single charge of its Panasonic DMW-BLC12 power pack. The power pack in the RX10 III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony RX10 III | 133 mm | 94 mm | 127 mm | 1051 g | 420 | Y | Mar 2016 | 1,499 | ebay.com | |
2. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
3. | Canon G3 X | 123 mm | 77 mm | 105 mm | 733 g | 300 | Y | Jun 2015 | 999 | ebay.com | |
4. | Canon 7D II | 149 mm | 112 mm | 78 mm | 910 g | 670 | Y | Sep 2014 | 1,799 | ebay.com | |
5. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
6. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
7. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
8. | Panasonic G95 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | 999 | ebay.com | |
9. | Panasonic GX9 | 124 mm | 72 mm | 47 mm | 407 g | 260 | n | Feb 2018 | 849 | ebay.com | |
10. | Panasonic FZ2500 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | amazon.com | |
11. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
12. | Sony RX10 IV | 133 mm | 94 mm | 145 mm | 1095 g | 400 | Y | Sep 2017 | 1,699 | amazon.com | |
13. | Sony RX0 | 59 mm | 41 mm | 30 mm | 110 g | 240 | Y | Aug 2017 | 699 | ebay.com | |
14. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
15. | Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | ebay.com | |
16. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
17. | Sony RX10 | 129 mm | 88 mm | 102 mm | 813 g | 420 | Y | Oct 2013 | 1,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony RX10 III features an one-inch sensor and the Panasonic GX8 a Four Thirds sensor. The sensor area in the GX8 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the RX10 III has a native 3:2 aspect ratio, while the one in the GX8 offers a 4:3 aspect.
With 20.2MP, the GX8 offers a higher resolution than the RX10 III (20MP), but the GX8 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the RX10 III) due to its larger sensor. However, the RX10 III is a somewhat more recent model (by 8 months) than the GX8, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The Sony Cyber-shot DSC-RX10 III has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 64-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX8 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the RX10 III is build around a BSI-CMOS sensor, while the GX8 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GX8 has a markedly higher DXO score than the RX10 III (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony RX10 III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.1 | 12.6 | 472 | 70 | |
2. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
3. | Canon G3 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 521 | 63 | |
4. | Canon 7D II | APS-C | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 11.8 | 1082 | 70 | |
5. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
6. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
7. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
8. | Panasonic G95 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
9. | Panasonic GX9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.1 | 12.8 | 1163 | 74 | |
10. | Panasonic FZ2500 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
11. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
12. | Sony RX10 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 408 | 63 | |
13. | Sony RX0 | 1-inch | 15.4 | 4800 | 3200 | 1080/60p | 22.4 | 12.4 | 548 | 68 | |
14. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
15. | Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | |
16. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
17. | Sony RX10 | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.9 | 12.6 | 474 | 69 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX8 offers a slightly higher resolution than the one in the RX10 III (2360k vs 2359k dots). The table below summarizes some of the other core capabilities of the Sony RX10 III and Panasonic GX8 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony RX10 III | 2359 | Y | 3.0 / 1229 | tilting | n | 1/2000s | 14.0/s | Y | Y | |
2. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
3. | Canon G3 X | optional | n | 3.2 / 1620 | tilting | Y | 1/2000s | 5.9/s | Y | Y | |
4. | Canon 7D II | optical | Y | 3.0 / 1040 | fixed | n | 1/8000s | 10.0/s | Y | n | |
5. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
6. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
7. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic G95 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
9. | Panasonic GX9 | 2760 | n | 3.0 / 1240 | tilting | Y | 1/4000s | 9.0/s | Y | Y | |
10. | Panasonic FZ2500 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
12. | Sony RX10 IV | 2359 | Y | 3.0 / 1440 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
13. | Sony RX0 | none | n | 1.5 / 230 | fixed | n | .. | 5.5/s | n | n | |
14. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
15. | Sony RX10 II | 2359 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 14.0/s | Y | Y | |
16. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
17. | Sony RX10 | 1440 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The RX10 III has one, while the GX8 does not. While the built-in flash of the RX10 III is not very powerful, it can at times be useful as a fill-in light.
The GX8 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the RX10 III does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX8 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The RX10 III writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GX8 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-RX10 III and Panasonic Lumix DMC-GX8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony RX10 III | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
2. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
3. | Canon G3 X | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
4. | Canon 7D II | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
5. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
6. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Panasonic G95 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
9. | Panasonic GX9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Panasonic FZ2500 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
11. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
12. | Sony RX10 IV | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
13. | Sony RX0 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
14. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX10 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX10 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
Both the RX10 III and the GX8 have been discontinued, but can regularly be found used on ebay. The GX8 was replaced by the Panasonic GX9, while the RX10 III was followed by the Sony RX10 IV. Further information on the features and operation of the RX10 III and GX8 can be found, respectively, in the Sony RX10 III Manual (free pdf) or the online Panasonic GX8 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Sony RX10 III and the Panasonic GX8? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Cyber-shot DSC-RX10 III:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GX8 requires a separate lens.
- Longer lasting: Can take more shots (420 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More modern: Is somewhat more recent (announced 8 months after the GX8).
Advantages of the Panasonic Lumix DMC-GX8:
- Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (133x78mm vs 133x94mm) and will fit more readily into a bag.
- More heavily discounted: Has been on the market for longer (launched in July 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the GX8 emerges as the winner of the match-up (11 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony RX10 III and the Panasonic GX8 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the RX10 III and the GX8 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony RX10 III | 5/5 | + | .. | 84/100 | 4.5/5 | 4.5/5 | Mar 2016 | 1,499 | ebay.com | |
2. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
3. | Canon G3 X | 3.5/5 | + | .. | .. | 4.5/5 | 4/5 | Jun 2015 | 999 | ebay.com | |
4. | Canon 7D II | 4.5/5 | + | 3.5/5 | 84/100 | 4/5 | 4.5/5 | Sep 2014 | 1,799 | ebay.com | |
5. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
6. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
7. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
8. | Panasonic G95 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | 999 | ebay.com | |
9. | Panasonic GX9 | 4/5 | + | 4/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2018 | 849 | ebay.com | |
10. | Panasonic FZ2500 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | amazon.com | |
11. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
12. | Sony RX10 IV | 5/5 | + | 3.5/5 | 84/100 | 4.5/5 | 5/5 | Sep 2017 | 1,699 | amazon.com | |
13. | Sony RX0 | .. | .. | .. | .. | 3.5/5 | 4/5 | Aug 2017 | 699 | ebay.com | |
14. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
15. | Sony RX10 II | 5/5 | + + | .. | 82/100 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | ebay.com | |
16. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
17. | Sony RX10 | 5/5 | + | .. | 80/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M vs Sony RX10 III
- Fujifilm X-E2 vs Sony RX10 III
- Fujifilm XP130 vs Sony RX10 III
- Leica CL vs Panasonic GX8
- Leica V-LUX 1 vs Panasonic GX8
- Nikon D5100 vs Sony RX10 III
- Nikon Z7 vs Panasonic GX8
- Panasonic GX8 vs Panasonic LX100
- Panasonic GX8 vs Sony A6400
- Panasonic GX8 vs Sony HX400V
- Sony A7 III vs Sony RX10 III
- Sony RX10 III vs Sony RX1R II
Specifications: Sony RX10 III vs Panasonic GX8
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony RX10 III | Panasonic GX8 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 24-600mm f/2.4-4.0 | Micro Four Thirds lenses |
Launch Date | March 2016 | July 2015 |
Launch Price | USD 1,499 | USD 1,199 |
Sensor Specs | Sony RX10 III | Panasonic GX8 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | Four Thirds Sensor |
Sensor Size | 13.2 x 8.8 mm | 17.3 x 13.0 mm |
Sensor Area | 116.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 15.9 mm | 21.6 mm |
Crop Factor | 2.7x | 2.0x |
Sensor Resolution | 20 Megapixels | 20.2 Megapixels |
Image Resolution | 5472 x 3648 pixels | 5184 x 3888 pixels |
Pixel Pitch | 2.41 μm | 3.34 μm |
Pixel Density | 17.18 MP/cm2 | 8.96 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 100 - 12,800 ISO | 200 - 25,600 ISO |
ISO Boost | 64 - 25,600 ISO | 100 - 25,600 ISO |
Image Processor | BIONZ X | Venus |
DXO Sensor Quality (score) | 70 | 75 |
DXO Color Depth (bits) | 23.1 | 23.5 |
DXO Dynamic Range (EV) | 12.6 | 12.6 |
DXO Low Light (ISO) | 472 | 806 |
Screen Specs | Sony RX10 III | Panasonic GX8 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.77x |
Viewfinder Resolution | 2359k dots | 2360k dots |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1229k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Sony RX10 III | Panasonic GX8 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
Continuous Shooting | 14 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/32000s | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | MS or SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Sony RX10 III | Panasonic GX8 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | NFC built-in |
Body Specs | Sony RX10 III | Panasonic GX8 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FW50 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 420 shots per charge | 330 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
133 x 94 x 127 mm (5.2 x 3.7 x 5.0 in) |
133 x 78 x 63 mm (5.2 x 3.1 x 2.5 in) |
Camera Weight | 1051 g (37.1 oz) | 487 g (17.2 oz) |
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