Sony NEX-F3 vs ZV-1
The Sony Alpha NEX-F3 and the Sony Cyber-shot ZV-1 are two digital cameras that were revealed to the public, respectively, in May 2012 and May 2020. The NEX-F3 is a mirrorless interchangeable lens camera, while the ZV-1 is a fixed lens compact. The cameras are based on an APS-C (NEX-F3) and an one-inch (ZV-1) sensor. The NEX-F3 has a resolution of 16 megapixels, whereas the ZV-1 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-F3 and the Sony Cyber-shot ZV-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony NEX-F3 and the Sony ZV-1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-F3 can be obtained in three different colors (black, silver, white), while the ZV-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-1 is notably smaller (20 percent) than the Sony NEX-F3. In this context, it is worth noting that neither the NEX-F3 nor the ZV-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZV-1 has a lens built in, whereas the NEX-F3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-F3 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the NEX-F3 gets 470 shots out of its NP-FW50 battery, while the ZV-1 can take 260 images on a single charge of its NP-BX1 power pack. The power pack in the ZV-1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|2.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|5.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|6.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|7.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|8.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|9.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|10.||Sony NEX-5T||111 mm||59 mm||39 mm||276 g||330||n||Aug 2013||699|
|11.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|12.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|13.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|14.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|15.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony NEX-F3 features an APS-C sensor and the Sony ZV-1 an one-inch sensor. The sensor area in the ZV-1 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the ZV-1 offers a higher resolution of 20 megapixels, compared with 16 MP of the NEX-F3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.78μm for the NEX-F3). However, it should be noted that the ZV-1 is much more recent (by 8 years) than the NEX-F3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony ZV-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZV-1 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Sony NEX-F3 are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The Sony Alpha NEX-F3 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Sony Cyber-shot ZV-1 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|8.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|11.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZV-1 provides a better video resolution than the NEX-F3. It can shoot movie footage at 4K/30p, while the NEX-F3 is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The NEX-F3 and the ZV-1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-F3 can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Sony NEX-F3, the Sony ZV-1, and comparable cameras.
|3.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|8.||Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|11.||Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The NEX-F3 has one, while the ZV-1 does not. While the built-in flash of the NEX-F3 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZV-1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony ZV-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the NEX-F3 and the ZV-1 write their files to SDXC or Memory Stick PRO Duo cards. The ZV-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-F3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-F3 and Sony Cyber-shot ZV-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|3.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|6.||Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|8.||Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|11.||Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the ZV-1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the NEX-F3 does not provide wifi capability.
The ZV-1 is a recent model that features in the current product line-up of Sony. In contrast, the NEX-F3 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-F3 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So how do things add up? Which of the two cameras – the Sony NEX-F3 or the Sony ZV-1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Sony Alpha NEX-F3:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (470 versus 260) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in May 2012).
Reasons to prefer the Sony Cyber-shot ZV-1:
- More detail: Has more megapixels (20 vs 16MP), which boosts linear resolution by 12%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (24 vs 5.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the NEX-F3 necessitates an extra lens.
- More compact: Is smaller (105x60mm vs 117x67mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the NEX-F3).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years of technical progress since the NEX-F3 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the ZV-1 is the clear winner of the contest (18 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony NEX-F3 and the Sony ZV-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the NEX-F3 and the ZV-1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony NEX-F3||4/5||..||74/100||4.5/5||4.5/5||May 2012||599|
|2.||Sony ZV-1||4/5||..||85/100||4/5||4.5/5||May 2020||799|
|3.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|4.||Canon G7 X Mark III||..||+ +||81/100||4/5||..||Jul 2019||749|
|5.||Canon M||3/5||+||..||4/5||4/5||Jul 2012||599|
|6.||Sony RX100 VII||4.5/5||..||..||4/5||5/5||Jul 2019||1,199|
|7.||Sony A6000||5/5||+||80/100||4.5/5||5/5||Feb 2014||599|
|8.||Sony RX100 III||5/5||+ +||82/100||4.5/5||5/5||May 2014||799|
|9.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|10.||Sony NEX-5T||..||..||..||4.5/5||4.5/5||Aug 2013||699|
|11.||Sony RX100 II||5/5||+ +||79/100||4.5/5||4.5/5||Jun 2013||749|
|12.||Sony NEX-5R||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|13.||Sony NEX-6||5/5||+ +||78/100||4.5/5||4.5/5||Sep 2012||999|
|14.||Sony NEX-5N||3/5||+ +||79/100||4.5/5||4.5/5||Aug 2011||699|
|15.||Sony NEX-C3||3/5||+ +||74/100||4.5/5||4/5||Jun 2011||599|
|16.||Sony NEX-3||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Sony NEX-F3 vs Sony ZV-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony NEX-F3||Sony ZV-1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-70mm f/1.8-2.8|
|Launch Date||May 2012||May 2020|
|Launch Price||USD 599||USD 799|
|Sensor Specs||Sony NEX-F3||Sony ZV-1|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.4 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||365.04 mm2||116.16 mm2|
|Sensor Diagonal||28.1 mm||15.9 mm|
|Sensor Resolution||16 Megapixels||20 Megapixels|
|Image Resolution||4912 x 3264 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.78 μm||2.41 μm|
|Pixel Density||4.39 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100 - 16,000 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||BIONZ||BIONZ X|
|DXO Sensor Quality (score)||73||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||12.3||..|
|DXO Low Light (ISO)||1114||..|
|Screen Specs||Sony NEX-F3||Sony ZV-1|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony NEX-F3||Sony ZV-1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||5.5 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Sony NEX-F3||Sony ZV-1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony NEX-F3||Sony ZV-1|
|Battery Life (CIPA)||470 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 67 x 42 mm
(4.6 x 2.6 x 1.7 in)
105 x 60 x 44 mm
(4.1 x 2.4 x 1.7 in)
|Camera Weight||314 g (11.1 oz)||294 g (10.4 oz)|
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