Sony NEX-7 vs Panasonic G7

The Sony Alpha NEX-7 and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in August 2011 and May 2015. Both the NEX-7 and the G7 are mirrorless interchangeable lens cameras that are based on an APS-C (NEX-7) and a Four Thirds (G7) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony NEX-7		Panasonic G7
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/60i Video		4K/30p Video
ISO 100-16,000		ISO 160-25,600
Electronic viewfinder (2359k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 921k dots		3.0" LCD – 1040k dots
Tilting screen (no touchscreen)		Swivel touchscreen
10 shutter flaps per second		7 shutter flaps per second
430 shots per battery charge		350 shots per battery charge
120 x 67 x 43 mm, 400 g		125 x 86 x 77 mm, 410 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-7 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony NEX-7 and the Panasonic G7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the NEX-7 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably larger (34 percent) than the Sony NEX-7. Moreover, the G7 is slightly heavier (2 percent) than the NEX-7. In this context, it is worth noting that neither the NEX-7 nor the G7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (NEX-7) and the Micro Four Thirds Lens Catalog (G7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the NEX-7 gets 430 shots out of its Sony NP-FW50 battery, while the G7 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
2.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
3.		Fujifilm X100	126 mm	75 mm	54 mm	445 g	300	n	Sep 2010	1,199	ebay.com
4.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
5.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
6.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
7.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
8.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
9.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
10.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
11.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
12.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
13.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
14.		Sony NEX-5N	111 mm	59 mm	38 mm	269 g	460	n	Aug 2011	699	ebay.com
15.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
16.		Sony NEX-C3	110 mm	60 mm	33 mm	225 g	400	n	Jun 2011	599	ebay.com
17.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7 was launched at a markedly lower price (by 52 percent) than the NEX-7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony NEX-7 features an APS-C sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 38 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the NEX-7 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.

With 24MP, the NEX-7 offers a higher resolution than the G7 (15.8MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a much more recent model (by 3 years and 8 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Sony Alpha NEX-7 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
2.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
3.		Fujifilm X100	APS-C	12.2	4288	2848	720/30p	22.9	12.4	1001	73
4.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
5.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
6.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
7.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
8.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
9.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
10.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
11.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
12.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
13.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69
14.		Sony NEX-5N	APS-C	16.0	4912	3264	1080/60i	23.6	12.7	1079	77
15.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
16.		Sony NEX-C3	APS-C	16.0	4912	3264	720/30p	22.7	12.2	1083	73
17.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G7 provides a better video resolution than the NEX-7. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G7 offers a slightly higher resolution than the one in the NEX-7 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony NEX-7, the Panasonic G7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
2.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
3.		Fujifilm X100	1440	n	2.8 / 460	fixed	n	1/4000s	5.0/s	Y	n
4.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
5.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
6.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
7.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
8.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
9.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
10.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
11.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
12.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
13.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
14.		Sony NEX-5N	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
15.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony NEX-C3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	n	n
17.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The NEX-7 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G7 uses SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-7 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Fujifilm X100	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
6.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
12.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony NEX-5N	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
16.		Sony NEX-C3	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the G7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the NEX-7 does not provide wifi capability.

Both the NEX-7 and the G7 have been discontinued, but can regularly be found used on ebay. The G7 was replaced by the Panasonic G85, while the NEX-7 does not have a direct successor. Further information on the features and operation of the NEX-7 and G7 can be found, respectively, in the Sony NEX-7 Manual (free pdf) or the online Panasonic G7 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Sony NEX-7 and the Panasonic G7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Sony Alpha NEX-7:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (120x67mm vs 125x86mm) and thus needs less room in the bag.
• Longer lasting: Can take more shots (430 versus 350) on a single battery charge.
• More heavily discounted: Has been available for much longer (launched in August 2011).

Arguments in favor of the Panasonic Lumix DMC-G7:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
• More modern: Reflects 3 years and 8 months of technical progress since the NEX-7 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (11 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony NEX-7 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the NEX-7 or the G7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
2.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
3.		Fujifilm X100	3/5	..	..	75/100	4/5	5/5	Sep 2010	1,199	ebay.com
4.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
5.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
6.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
7.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
8.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
9.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
10.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
11.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
12.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
13.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
14.		Sony NEX-5N	3/5	+ +	..	79/100	4.5/5	4.5/5	Aug 2011	699	ebay.com
15.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
16.		Sony NEX-C3	3/5	+ +	..	74/100	4.5/5	4/5	Jun 2011	599	ebay.com
17.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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