Sony NEX-7 vs Canon M50
The Sony Alpha NEX-7 and the Canon EOS M50 are two digital cameras that were officially introduced, respectively, in August 2011 and February 2018. Both the NEX-7 and the M50 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-7 and the Canon EOS M50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony NEX-7 and the Canon M50 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the NEX-7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M50 is notably larger (27 percent) than the Sony NEX-7. However, the M50 is slightly lighter (3 percent) than the NEX-7. In this context, it is worth noting that neither the NEX-7 nor the M50 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the NEX-7 gets 430 shots out of its Sony NP-FW50 battery, while the M50 can take 235 images on a single charge of its Canon LP-E12 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | 1,349 | ebay.com | |
2. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
3. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
4. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | 849 | ebay.com | |
5. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
6. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
7. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
8. | Fujifilm X100 | 126 mm | 75 mm | 54 mm | 445 g | 300 | n | Sep 2010 | 1,199 | ebay.com | |
9. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | 899 | amazon.com | |
10. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
11. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | 329 | ebay.com | |
12. | Sony NEX-6 | 120 mm | 67 mm | 43 mm | 345 g | 360 | n | Sep 2012 | 999 | ebay.com | |
13. | Sony RX1 | 113 mm | 65 mm | 70 mm | 482 g | 270 | n | Sep 2012 | 2,799 | ebay.com | |
14. | Sony NEX-5N | 111 mm | 59 mm | 38 mm | 269 g | 460 | n | Aug 2011 | 699 | ebay.com | |
15. | Sony NEX-C3 | 110 mm | 60 mm | 33 mm | 225 g | 400 | n | Jun 2011 | 599 | ebay.com | |
16. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
17. | Sony NEX-5 | 111 mm | 59 mm | 38 mm | 287 g | 330 | n | May 2010 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M50 was launched at a markedly lower price (by 42 percent) than the NEX-7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the M50 is 9 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (NEX-7) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the NEX-7 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the NEX-7 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.90μm versus 3.72μm for the M50), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M50 is much more recent (by 6 years and 6 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha NEX-7 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Canon EOS M50 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
2. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
3. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
4. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
5. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
6. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
7. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
8. | Fujifilm X100 | APS-C | 12.2 | 4288 | 2848 | 720/30p | 22.9 | 12.4 | 1001 | 73 | |
9. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
10. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
11. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
12. | Sony NEX-6 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 1018 | 78 | |
13. | Sony RX1 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.1 | 14.3 | 2534 | 93 | |
14. | Sony NEX-5N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.6 | 12.7 | 1079 | 77 | |
15. | Sony NEX-C3 | APS-C | 16.0 | 4912 | 3264 | 720/30p | 22.7 | 12.2 | 1083 | 73 | |
16. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
17. | Sony NEX-5 | APS-C | 14.0 | 4592 | 3056 | 1080/60i | 22.2 | 12.2 | 796 | 69 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the M50 provides a better video resolution than the NEX-7. It can shoot movie footage at 4K/24p, while the Sony is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the M50 offers a slightly higher resolution than the one in the NEX-7 (2360k vs 2359k dots). The adjacent table lists some of the other core features of the Sony NEX-7 and Canon M50 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
2. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
3. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
4. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
5. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
6. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
7. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
8. | Fujifilm X100 | 1440 | n | 2.8 / 460 | fixed | n | 1/4000s | 5.0/s | Y | n | |
9. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
10. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
11. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
12. | Sony NEX-6 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
13. | Sony RX1 | optional | n | 3.0 / 1229 | fixed | n | 1/4000s | 5.0/s | Y | n | |
14. | Sony NEX-5N | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
15. | Sony NEX-C3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | n | n | |
16. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
17. | Sony NEX-5 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M50 has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The M50 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the NEX-7 does not have a selfie-screen.The Canon M50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The NEX-7 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the M50 uses SDXC cards. The M50 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-7 and Canon EOS M50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
2. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
3. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
4. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
7. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Fujifilm X100 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
9. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
10. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
11. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Sony NEX-6 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
13. | Sony RX1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Sony NEX-5N | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony NEX-C3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the M50 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the NEX-7 does not provide wifi capability.
Both the NEX-7 and the M50 have been discontinued, but can regularly be found used on ebay. The M50 was replaced by the Canon M50 Mark II, while the NEX-7 does not have a direct successor. Further information on the features and operation of the NEX-7 and M50 can be found, respectively, in the Sony NEX-7 Manual (free pdf) or the online Canon M50 Manual.
Review summary
So how do things add up? Which of the two cameras – the Sony NEX-7 or the Canon M50 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony Alpha NEX-7:
- More compact: Is smaller (120x67mm vs 116x88mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (430 versus 235) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2011).
Arguments in favor of the Canon EOS M50:
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More modern: Reflects 6 years and 6 months of technical progress since the NEX-7 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the M50 is the clear winner of the contest (12 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony NEX-7 and the Canon M50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the NEX-7 or the M50 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | 1,349 | ebay.com | |
2. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
3. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
4. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | 849 | ebay.com | |
5. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
6. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
7. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
8. | Fujifilm X100 | 3/5 | .. | .. | 75/100 | 4/5 | 5/5 | Sep 2010 | 1,199 | ebay.com | |
9. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | 899 | amazon.com | |
10. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
11. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | 329 | ebay.com | |
12. | Sony NEX-6 | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
13. | Sony RX1 | 5/5 | .. | .. | 79/100 | 4/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
14. | Sony NEX-5N | 3/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Aug 2011 | 699 | ebay.com | |
15. | Sony NEX-C3 | 3/5 | + + | .. | 74/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
16. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
17. | Sony NEX-5 | 3/5 | + + | .. | 71/100 | 4.5/5 | 4/5 | May 2010 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Sony NEX-7
- Canon 1D X Mark III vs Canon M50
- Canon 5DS vs Canon M50
- Canon G7 X Mark II vs Sony NEX-7
- Canon M50 vs Fujifilm X-S10
- Canon M50 vs Leica X1
- Canon M50 vs Nikon Z5
- Canon M50 vs Olympus E-P7
- Leica M9 vs Sony NEX-7
- Nikon D800E vs Sony NEX-7
- Panasonic FZ1000 II vs Sony NEX-7
- Sony A99 vs Sony NEX-7
Specifications: Sony NEX-7 vs Canon M50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony NEX-7 | Canon M50 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Sony E mount lenses | Canon EF-M mount lenses |
Launch Date | August 2011 | February 2018 |
Launch Price | USD 1,349 | USD 779 |
Sensor Specs | Sony NEX-7 | Canon M50 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 23.4 x 15.6 mm | 22.3 x 14.9 mm |
Sensor Area | 365.04 mm2 | 332.27 mm2 |
Sensor Diagonal | 28.1 mm | 26.8 mm |
Crop Factor | 1.5x | 1.6x |
Sensor Resolution | 24 Megapixels | 24 Megapixels |
Image Resolution | 6000 x 4000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.90 μm | 3.72 μm |
Pixel Density | 6.57 MP/cm2 | 7.22 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 4K/24p Video |
ISO Setting | 100 - 16,000 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 100 - 51,200 ISO |
Image Processor | BIONZ | DIGIC 8 |
DXO Sensor Quality (score) | 81 | .. |
DXO Color Depth (bits) | 24.1 | .. |
DXO Dynamic Range (EV) | 13.4 | .. |
DXO Low Light (ISO) | 1016 | .. |
Screen Specs | Sony NEX-7 | Canon M50 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.73x | |
Viewfinder Resolution | 2359k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Sony NEX-7 | Canon M50 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 150 000 actuations | 100 000 actuations |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Sony NEX-7 | Canon M50 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Sony NEX-7 | Canon M50 |
Battery Type | Sony NP-FW50 | Canon LP-E12 |
Battery Life (CIPA) | 430 shots per charge | 235 shots per charge |
Body Dimensions |
120 x 67 x 43 mm (4.7 x 2.6 x 1.7 in) |
116 x 88 x 59 mm (4.6 x 3.5 x 2.3 in) |
Camera Weight | 400 g (14.1 oz) | 390 g (13.8 oz) |
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