Sony NEX-5R vs Panasonic LX100 II
The Sony Alpha NEX-5R and the Panasonic Lumix DC-LX100 II are two digital cameras that were revealed to the public, respectively, in August 2012 and August 2018. The NEX-5R is a mirrorless interchangeable lens camera, while the LX100 II is a fixed lens compact. The cameras are based on an APS-C (NEX-5R) and a Four Thirds (LX100 II) sensor. The Sony has a resolution of 16 megapixels, whereas the Panasonic provides 16.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony NEX-5R||Panasonic LX100 II|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||24-75mm f/1.7-2.8|
|16 MP, APS-C Sensor||16.8 MP, Four Thirds Sensor|
|1080/60i Video||4K/30p Video|
|ISO 100-25600||ISO 200-25600|
|Viewfinder optional||Electronic viewfinder (2764k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1240k dots|
|Tilting touchscreen||Fixed touchscreen|
|10 shutter flaps per second||11 shutter flaps per second|
|330 shots per battery charge||300 shots per battery charge|
|111 x 59 x 39 mm, 276 g||115 x 66 x 65 mm, 392 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-5R and the Panasonic Lumix DC-LX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Sony NEX-5R and the Panasonic LX100 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-5R can be obtained in two different colors (black, silver), while the LX100 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 II is notably larger (16 percent) than the Sony NEX-5R. In this context, it is worth noting that neither the NEX-5R nor the LX100 II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 II has a lens built in, whereas the NEX-5R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5R and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the NEX-5R gets 330 shots out of its NP-FW50 battery, while the LX100 II can take 300 images on a single charge of its DMW-BLG10 power pack. The power pack in the LX100 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony NEX-5R»||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Panasonic LX100 II«||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||-||Panasonic GH2|
|Ricoh GR« »||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||-||Ricoh GR|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||-||Sony RX100|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-C3« »||4.3 in||2.4 in||1.3 in||7.9 oz||400||n||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony NEX-5R features an APS-C sensor and the Panasonic LX100 II a Four Thirds sensor. The sensor area in the LX100 II is 38 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the NEX-5R has a native 3:2 aspect ratio, while the one in the LX100 II offers a 4:3 aspect. The LX100 II has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the LX100 II offers a slightly higher resolution of 16.8 megapixels, compared with 16 MP of the NEX-5R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.66μm versus 4.78μm for the NEX-5R). However, it should be noted that the LX100 II is much more recent (by 5 years and 11 months) than the NEX-5R, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the LX100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Sony Alpha NEX-5R has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-LX100 II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony NEX-5R»||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Panasonic LX100 II«||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Ricoh GR« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony RX100« »||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-C3« »||APS-C||16.0||4912||3264||720/30p||22.7||12.2||1083||73||Sony NEX-C3|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX100 II provides a better video resolution than the NEX-5R. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LX100 II has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Sony NEX-5R and Panasonic LX100 II along with similar information for a selection of comparators.
|Sony NEX-5R»||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Panasonic LX100 II«||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Ricoh GR« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony RX100« »||-||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-C3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||n||n||Sony NEX-C3|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The NEX-5R writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the LX100 II uses SDXC cards. The LX100 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-5R and Panasonic Lumix DC-LX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony NEX-5R»||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Panasonic LX100 II«||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Ricoh GR« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony RX100« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-C3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-C3|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
The LX100 II is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-5R has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5R was succeeded by the Sony NEX-5T. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Panasonic websites.
So what conclusions can be drawn? Is the Sony NEX-5R better than the Panasonic LX100 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Sony Alpha NEX-5R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (111x59mm vs 115x66mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in August 2012).
Advantages of the Panasonic Lumix DC-LX100 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the NEX-5R necessitates an extra lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 11 months of technical progress since the NEX-5R launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LX100 II is the clear winner of the contest (12 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony NEX-5R and the Panasonic LX100 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the NEX-5R or the LX100 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony NEX-5R»||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Panasonic LX100 II«||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Ricoh GR« »||-||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799||-||Ricoh GR|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-6« »||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony RX100« »||+ +||78/100||4/5||5/5||5/5||Jun 2012||649||-||Sony RX100|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-C3« »||+ +||74/100||4.5/5||4.5/5||4/5||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 2000D vs Sony NEX-5R
- Canon G9 X vs Sony NEX-5R
- Fujifilm X-E2S vs Panasonic LX100 II
- Fujifilm X10 vs Panasonic LX100 II
- Nikon D3300 vs Panasonic LX100 II
- Nikon D70s vs Sony NEX-5R
- Nikon D80 vs Sony NEX-5R
- Olympus E-400 vs Sony NEX-5R
- Olympus E-M5 II vs Sony NEX-5R
- Olympus E-PM1 vs Panasonic LX100 II
- Panasonic LX100 II vs Sony A5100
- Panasonic LX100 II vs Sony RX10 II
Specifications: Sony NEX-5R vs Panasonic LX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony NEX-5R||Panasonic LX100 II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-75mm f/1.7-2.8|
|Launch Date||August 2012||August 2018|
|Launch Price||USD 749||USD 999|
|Sensor Specs||Sony NEX-5R||Panasonic LX100 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.4 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||365.04 mm2||224.9 mm2|
|Sensor Diagonal||28.1 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||16.8 Megapixels|
|Image Resolution||4912 x 3264 pixels||4736 x 3552 pixels|
|Pixel Pitch||4.78 μm||3.66 μm|
|Pixel Density||4.39 MP/cm2||7.48 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|DXO Sensor Quality (score)||78||..|
|DXO Color Depth (bits)||23.7||..|
|DXO Dynamic Range (EV)||13.1||..|
|DXO Low Light (ISO)||910||..|
|Screen Specs||Sony NEX-5R||Panasonic LX100 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1240k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Sony NEX-5R||Panasonic LX100 II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Sony NEX-5R||Panasonic LX100 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony NEX-5R||Panasonic LX100 II|
|Battery Life (CIPA)||330 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
|Camera Weight||276 g (9.7 oz)||392 g (13.8 oz)|
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