Sony NEX-5N vs Panasonic TZ90
The Sony Alpha NEX-5N and the Panasonic Lumix DC-TZ90 (labelled Panasonic ZS70 in some countries) are two digital cameras that were officially introduced, respectively, in August 2011 and April 2017. The NEX-5N is a mirrorless interchangeable lens camera, while the TZ90 is a fixed lens compact. The cameras are based on an APS-C (NEX-5N) and a 1/2.3-inch (TZ90) sensor. The Sony has a resolution of 16 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony NEX-5N||Panasonic TZ90|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||24-720mm f/3.3-6.4|
|16 MP, APS-C Sensor||20.2 MP, 1/2.3" Sensor|
|1080/60i Video||4K/30p Video|
|ISO 100-25600||ISO 80-3200 (80-6400)|
|Viewfinder optional||Electronic viewfinder (1166k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|460 shots per battery charge||380 shots per battery charge|
|111 x 59 x 38 mm, 269 g||112 x 67 x 41 mm, 322 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-5N and the Panasonic Lumix DC-TZ90? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony NEX-5N and the Panasonic TZ90 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ90 is notably larger (15 percent) than the Sony NEX-5N. In this context, it is worth noting that neither the NEX-5N nor the TZ90 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ90 has a lens built in, whereas the NEX-5N is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5N and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the NEX-5N gets 460 shots out of its NP-FW50 battery, while the TZ90 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the TZ90 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony NEX-5N»||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||Sony NEX-5N|
|Panasonic TZ90«||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Canon M« »||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||Canon M|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic FT7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||Sony NEX-5T|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||Sony NEX-5R|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||Sony NEX-6|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||Sony NEX-F3|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||Sony RX100|
|Sony NEX-C3« »||4.3 in||2.4 in||1.3 in||7.9 oz||400||n||Jun 2011||599||Sony NEX-C3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TZ90 was launched at a lower price than the NEX-5N, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony NEX-5N features an APS-C sensor and the Panasonic TZ90 a 1/2.3-inch sensor. The sensor area in the TZ90 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the NEX-5N has a native 3:2 aspect ratio, while the one in the TZ90 offers a 4:3 aspect.
Despite having a smaller sensor, the TZ90 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the NEX-5N. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.78μm for the NEX-5N). However, it should be noted that the TZ90 is much more recent (by 5 years and 7 months) than the NEX-5N, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ90 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ90 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ90 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Sony NEX-5N are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
The Sony Alpha NEX-5N has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-TZ90 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the NEX-5N provides substantially higher image quality than the TZ90, with an overall score that is 41 points higher. This advantage is based on 4.5 bits higher color depth, 2.1 EV in additional dynamic range, and 3.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony NEX-5N||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Panasonic TZ90||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon M||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Panasonic TZ95||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic TZ95|
|Panasonic FT7||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic FT7|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony NEX-3N||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-6||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony RX100||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
|Sony NEX-C3||APS-C||16.0||4912||3264||720/30p||22.7||12.2||1083||73||Sony NEX-C3|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ90 provides a better video resolution than the NEX-5N. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TZ90 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5N relies on live view and the rear LCD for framing. That said, the NEX-5N can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Sony NEX-5N and Panasonic TZ90 along with similar information for a selection of comparators.
|Sony NEX-5N||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Panasonic TZ90||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon M||none||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Panasonic TZ95||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic FT7||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony NEX-3N||optional||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T||optional||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-6||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony RX100||none||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
|Sony NEX-C3||optional||n||3.0||920||tilting||n||1/4000s||5.5||n||n||Sony NEX-C3|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One difference between the cameras concerns the presence of an on-board flash. The TZ90 has one, while the NEX-5N does not. While the built-in flash of the TZ90 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ90 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The NEX-5N writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the TZ90 uses SDXC cards. The TZ90 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5N cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-5N and Panasonic Lumix DC-TZ90 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony NEX-5N||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Panasonic TZ90||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon M||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Panasonic TZ95||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic FT7||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony NEX-3N||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-6||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony RX100||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
|Sony NEX-C3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-C3|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
It is notable that the NEX-5N has a hotshoe, while the TZ90 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the NEX-5N and the TZ90 have been discontinued, but can regularly be found used on eBay. The NEX-5N was replaced by the Sony NEX-5R, while the TZ90 was followed by the Panasonic TZ95. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Sony NEX-5N or the Panasonic TZ90 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Alpha NEX-5N:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (41 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.3 stops ISO advantage).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (111x59mm vs 112x67mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (460 versus 380) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in August 2011).
Advantages of the Panasonic Lumix DC-TZ90:
- More detail: Has more megapixels (20.2 vs 16MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the NEX-5N necessitates an extra lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 7 months of technical progress since the NEX-5N launch.
If the count of relative strengths (bullet points above) is taken as a measure, the TZ90 emerges as the winner of the match-up (13 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony NEX-5N and the Panasonic TZ90 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the NEX-5N and the TZ90 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D C vs Sony NEX-5N
- Canon 1Ds vs Panasonic TZ90
- Canon 650D vs Sony NEX-5N
- Canon M10 vs Panasonic TZ90
- Canon M3 vs Sony NEX-5N
- Leica SL2 vs Panasonic TZ90
- Nikon D3400 vs Sony NEX-5N
- Nikon D40X vs Panasonic TZ90
- Nikon D5 vs Panasonic TZ90
- Nikon D610 vs Panasonic TZ90
- Olympus E-3 vs Sony NEX-5N
- Panasonic TZ90 vs Sony A99
Specifications: Sony NEX-5N vs Panasonic TZ90
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony NEX-5N||Panasonic TZ90|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-720mm f/3.3-6.4|
|Launch Date||August 2011||April 2017|
|Launch Price||USD 699||USD 449|
|Sensor Specs||Sony NEX-5N||Panasonic TZ90|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.4 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||365.04 mm2||28.0735 mm2|
|Sensor Diagonal||28.1 mm||7.7 mm|
|Sensor Resolution||16 Megapixels||20.2 Megapixels|
|Image Resolution||4912 x 3264 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.78 μm||1.18 μm|
|Pixel Density||4.39 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100-25600 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-6400 ISO|
|DXO Sensor Quality (score)||77||36|
|DXO Color Depth (bits)||23.6||19.1|
|DXO Dynamic Range (EV)||12.7||10.6|
|DXO Low Light (ISO)||1079||106|
|Screen Specs||Sony NEX-5N||Panasonic TZ90|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony NEX-5N||Panasonic TZ90|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Sony NEX-5N||Panasonic TZ90|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Sony NEX-5N||Panasonic TZ90|
|Battery Life (CIPA)||460 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 59 x 38 mm
(4.4 x 2.3 x 1.5 in)
112 x 67 x 41 mm
(4.4 x 2.6 x 1.6 in)
|Camera Weight||269 g (9.5 oz)||322 g (11.4 oz)|
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