Sony NEX-3 vs Panasonic G3
The Sony Alpha NEX-3 and the Panasonic Lumix DMC-G3 are two digital cameras that were announced, respectively, in May 2010 and May 2011. Both the NEX-3 and the G3 are mirrorless interchangeable lens cameras that are based on an APS-C (NEX-3) and a Four Thirds (G3) sensor. The Sony has a resolution of 14 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-3 and the Panasonic Lumix DMC-G3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony NEX-3 and the Panasonic G3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-3 can be obtained in three different colors (black, silver, red), while the G3 is available in four color-versions (black, brown, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G3 is notably larger (33 percent) than the Sony NEX-3. Moreover, the G3 is markedly heavier (13 percent) than the NEX-3. In this context, it is worth noting that neither the NEX-3 nor the G3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (NEX-3) and the Micro Four Thirds Lens Catalog (G3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the NEX-3 gets 330 shots out of its Sony NP-FW50 battery, while the G3 can take 270 images on a single charge of its Panasonic DMW-BLD10 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
2. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
3. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
4. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
5. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
6. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
7. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
8. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
9. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
10. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
11. | Sony NEX-5T | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2013 | 699 | ebay.com | |
12. | Sony NEX-5R | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2012 | 749 | ebay.com | |
13. | Sony NEX-6 | 120 mm | 67 mm | 43 mm | 345 g | 360 | n | Sep 2012 | 999 | ebay.com | |
14. | Sony NEX-F3 | 117 mm | 67 mm | 42 mm | 314 g | 470 | n | May 2012 | 599 | ebay.com | |
15. | Sony NEX-5N | 111 mm | 59 mm | 38 mm | 269 g | 460 | n | Aug 2011 | 699 | ebay.com | |
16. | Sony NEX-C3 | 110 mm | 60 mm | 33 mm | 225 g | 400 | n | Jun 2011 | 599 | ebay.com | |
17. | Sony NEX-5 | 111 mm | 59 mm | 38 mm | 287 g | 330 | n | May 2010 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony NEX-3 features an APS-C sensor and the Panasonic G3 a Four Thirds sensor. The sensor area in the G3 is 38 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the NEX-3 has a native 3:2 aspect ratio, while the one in the G3 offers a 4:3 aspect.
Despite having a smaller sensor, the G3 offers a higher resolution of 15.8 megapixels, compared with 14 MP of the NEX-3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 5.11μm for the NEX-3). However, it should be noted that the G3 is a somewhat more recent model (by 1 year) than the NEX-3, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The Sony Alpha NEX-3 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G3 are ISO 160 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the NEX-3 provides substantially higher image quality than the G3, with an overall score that is 12 points higher. This advantage is based on 1.1 bits higher color depth, 1.4 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
2. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
3. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
4. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
5. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
6. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
7. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
8. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
9. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
10. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 | |
11. | Sony NEX-5T | APS-C | 16.0 | 4912 | 3264 | 1080/60p | 23.6 | 13.0 | 1015 | 78 | |
12. | Sony NEX-5R | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 910 | 78 | |
13. | Sony NEX-6 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 1018 | 78 | |
14. | Sony NEX-F3 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.7 | 12.3 | 1114 | 73 | |
15. | Sony NEX-5N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.6 | 12.7 | 1079 | 77 | |
16. | Sony NEX-C3 | APS-C | 16.0 | 4912 | 3264 | 720/30p | 22.7 | 12.2 | 1083 | 73 | |
17. | Sony NEX-5 | APS-C | 14.0 | 4592 | 3056 | 1080/60i | 22.2 | 12.2 | 796 | 69 |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G3 provides a better video resolution than the NEX-3. It can shoot movie footage at 1080/60i, while the Sony is limited to 720/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G3 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-3 relies on live view and the rear LCD for framing. That said, the NEX-3 can be equipped with an optional viewfinder – the FDA-SV1. The following table reports on some other key feature differences and similarities of the Sony NEX-3, the Panasonic G3, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
2. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
3. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
4. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
5. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
6. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
7. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
8. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
9. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
10. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
11. | Sony NEX-5T | optional | n | 3.0 / 922 | tilting | Y | 1/4000s | 10.0/s | n | n | |
12. | Sony NEX-5R | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
13. | Sony NEX-6 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
14. | Sony NEX-F3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | Y | n | |
15. | Sony NEX-5N | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
16. | Sony NEX-C3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | n | n | |
17. | Sony NEX-5 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G3 has a touchscreen, while the NEX-3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The NEX-3 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G3 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-3 and Panasonic Lumix DMC-G3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
4. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
9. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
10. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
11. | Sony NEX-5T | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
12. | Sony NEX-5R | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
13. | Sony NEX-6 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
14. | Sony NEX-F3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony NEX-5N | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Sony NEX-C3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
Both the NEX-3 and the G3 have been discontinued, but can regularly be found used on ebay. The NEX-3 was replaced by the Sony NEX-3N, while the G3 was followed by the Panasonic G5. Further information on the features and operation of the NEX-3 and G3 can be found, respectively, in the Sony NEX-3 Manual (free pdf) or the online Panasonic G3 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Sony NEX-3 and the Panasonic G3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha NEX-3:
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster burst: Shoots at higher frequency (7 vs 4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x62mm vs 115x84mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 39g or 12 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (330 versus 270) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in May 2010).
Arguments in favor of the Panasonic Lumix DMC-G3:
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More modern: Was introduced somewhat (1 year) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the NEX-3 emerges as the winner of the contest (9 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony NEX-3 and the Panasonic G3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the NEX-3 and the G3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
2. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
3. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
4. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
5. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
6. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
7. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
8. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
9. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
10. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
11. | Sony NEX-5T | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 699 | ebay.com | |
12. | Sony NEX-5R | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2012 | 749 | ebay.com | |
13. | Sony NEX-6 | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
14. | Sony NEX-F3 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | May 2012 | 599 | ebay.com | |
15. | Sony NEX-5N | 3/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Aug 2011 | 699 | ebay.com | |
16. | Sony NEX-C3 | 3/5 | + + | .. | 74/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
17. | Sony NEX-5 | 3/5 | + + | .. | 71/100 | 4.5/5 | 4/5 | May 2010 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X vs Panasonic G3
- Canon 20D vs Sony NEX-3
- Fujifilm X-S10 vs Sony NEX-3
- Fujifilm X-T3 vs Sony NEX-3
- Leica V-LUX 4 vs Panasonic G3
- Nikon D7000 vs Panasonic G3
- Nikon D750 vs Sony NEX-3
- Olympus E-P2 vs Panasonic G3
- Panasonic FZ200 vs Sony NEX-3
- Panasonic G10 vs Sony NEX-3
- Panasonic G3 vs Panasonic LX7
- Panasonic G3 vs Pentax K-3 III
Specifications: Sony NEX-3 vs Panasonic G3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony NEX-3 | Panasonic G3 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Sony E mount lenses | Micro Four Thirds lenses |
Launch Date | May 2010 | May 2011 |
Launch Price | USD 599 | USD 599 |
Sensor Specs | Sony NEX-3 | Panasonic G3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.4 x 15.6 mm | 17.3 x 13.0 mm |
Sensor Area | 365.04 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.1 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 14 Megapixels | 15.8 Megapixels |
Image Resolution | 4592 x 3056 pixels | 4592 x 3448 pixels |
Pixel Pitch | 5.11 μm | 3.77 μm |
Pixel Density | 3.84 MP/cm2 | 7.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 720/30p Video | 1080/60i Video |
ISO Setting | 200 - 12,800 ISO | 160 - 6,400 ISO |
Image Processor | BIONZ | Venus FHD |
DXO Sensor Quality (score) | 68 | 56 |
DXO Color Depth (bits) | 22.1 | 21.0 |
DXO Dynamic Range (EV) | 12.0 | 10.6 |
DXO Low Light (ISO) | 830 | 667 |
Screen Specs | Sony NEX-3 | Panasonic G3 |
Viewfinder Type | Viewfinder optional | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 1440k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 460k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Sony NEX-3 | Panasonic G3 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 7 shutter flaps/s | 4 shutter flaps/s |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Sony NEX-3 | Panasonic G3 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Sony NEX-3 | Panasonic G3 |
Battery Type | Sony NP-FW50 | Panasonic DMW-BLD10 |
Battery Life (CIPA) | 330 shots per charge | 270 shots per charge |
Body Dimensions |
117 x 62 x 33 mm (4.6 x 2.4 x 1.3 in) |
115 x 84 x 47 mm (4.5 x 3.3 x 1.9 in) |
Camera Weight | 297 g (10.5 oz) | 336 g (11.9 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.