Sony A900 vs A7R III
The Sony Alpha A900 and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in September 2008 and October 2017. The A900 is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The A900 has a resolution of 24.4 megapixels, whereas the A7R III provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A900 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony A900 and the Sony A7R III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably smaller (33 percent) than the Sony A900. Moreover, the A7R III is markedly lighter (27 percent) than the A900. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A900 gets 880 shots out of its Sony NP-FM500H battery, while the A7R III can take 650 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Sep 2008 | 2,999 | ebay.com | |
2. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
3. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | 3,499 | ebay.com | |
4. | Canon 5D Mark III | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | 3,499 | ebay.com | |
5. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
6. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
7. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
8. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
9. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
10. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
11. | Sony A7S II | 127 mm | 96 mm | 60 mm | 627 g | 370 | Y | Sep 2015 | 2,999 | ebay.com | |
12. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
13. | Sony A99 | 147 mm | 111 mm | 78 mm | 812 g | 500 | Y | Sep 2012 | 2,799 | ebay.com | |
14. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
15. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A900 was somewhat cheaper (by 6 percent) than the A7R III at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the A7R III uses a more advanced image processing engine (BIONZ X) than the A900 (BIONZ), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the A7R III offers a higher resolution of 42.2 megapixels, compared with 24.4 MP of the A900. This megapixels advantage translates into a 31 percent gain in linear resolution. On the other hand, these sensor specs imply that the A7R III has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.52μm versus 5.94μm for the A900). However, it should be noted that the A7R III is much more recent (by 9 years and 1 month) than the A900, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Sony A900 are 30.2 x 20.2 inches or 76.8 x 51.2 cm for good quality, 24.2 x 16.1 inches or 61.4 x 41 cm for very good quality, and 20.2 x 13.4 inches or 51.2 x 34.1 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the A900, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Sony Alpha A900 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the A900 is build around a CMOS sensor, while the A7R III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the A900 (overall score 21 points higher). The advantage is based on 2.3 bits higher color depth, 2.4 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | Full Frame | 24.4 | 6048 | 4032 | none | 23.7 | 12.3 | 1431 | 79 | |
2. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
3. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
4. | Canon 5D Mark III | Full Frame | 22.1 | 5760 | 3840 | 1080/30p | 24.0 | 11.7 | 2293 | 81 | |
5. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
6. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
7. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
8. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
9. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
10. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
11. | Sony A7S II | Full Frame | 12.0 | 4240 | 2832 | 4K/30p | 23.6 | 13.3 | 2993 | 85 | |
12. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
13. | Sony A99 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 14.0 | 1555 | 89 | |
14. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
15. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 |
Many modern cameras cannot only take still pictures, but also record videos. The A7R III indeed provides for movie recording, while the A900 does not. The highest resolution format that the A7R III can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the A900 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R III has a higher magnification than the one of the A900 (0.78x vs 0.74x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Sony A900 and Sony A7R III along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | Y | |
2. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
3. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
4. | Canon 5D Mark III | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 6.0/s | n | n | |
5. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
6. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
7. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
8. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
9. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
10. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A7S II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
12. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
13. | Sony A99 | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 6.0/s | n | Y | |
14. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
15. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the A900, but is missing on the A7R III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A900 writes its imaging data to Compact Flash or Memory Stick PRO Duo cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A900 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
3. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
4. | Canon 5D Mark III | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
5. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
6. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
7. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
8. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
9. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
10. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
11. | Sony A7S II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
12. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
13. | Sony A99 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - | |
14. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
15. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the A900 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the A900 and the A7R III have been discontinued, but can regularly be found used on ebay. The A900 was replaced by the Sony A99, while the A7R III was followed by the Sony A7R IV. Further information on the features and operation of the A900 and A7R III can be found, respectively, in the Sony A900 Manual (free pdf) or the online Sony A7R III Manual.
Review summary
So how do things add up? Is there a clear favorite between the Sony A900 and the Sony A7R III? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A900:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (880 versus 650) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Advantages of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 24.4MP), which boosts linear resolution by 32%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (21 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (BIONZ X vs BIONZ).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.74x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 922k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (127x96mm vs 156x117mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 245g or 27 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 9 years and 1 month of technical progress since the A900 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (27 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A900 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A900 or the A7R III. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | .. | + + | .. | + + | 4.5/5 | 5/5 | Sep 2008 | 2,999 | ebay.com | |
2. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
3. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
4. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Mar 2012 | 3,499 | ebay.com | |
5. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
6. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
7. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
8. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
9. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
10. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
11. | Sony A7S II | 5/5 | + | .. | .. | 4.5/5 | 5/5 | Sep 2015 | 2,999 | ebay.com | |
12. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
13. | Sony A99 | 5/5 | .. | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
14. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
15. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Leica M Typ 240 vs Sony A7R III
- Leica M8 vs Sony A7R III
- Leica X1 vs Sony A900
- Nikon D3100 vs Sony A900
- Nikon D7500 vs Sony A7R III
- Nikon P7800 vs Sony A900
- Nikon Z5 vs Sony A7R III
- Olympus XZ-2 vs Sony A900
- Panasonic FT7 vs Sony A7R III
- Panasonic FZ2500 vs Sony A900
- Pentax K-1 vs Sony A900
- Sony A7R III vs Sony RX10
Specifications: Sony A900 vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A900 | Sony A7R III |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Sony A mount lenses | Sony E mount lenses |
Launch Date | September 2008 | October 2017 |
Launch Price | USD 2,999 | USD 3,199 |
Sensor Specs | Sony A900 | Sony A7R III |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 35.9 x 24.0 mm | 35.9 x 24.0 mm |
Sensor Area | 861.6 mm2 | 861.6 mm2 |
Sensor Diagonal | 43.2 mm | 43.2 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 24.4 Megapixels | 42.2 Megapixels |
Image Resolution | 6048 x 4032 pixels | 7952 x 5304 pixels |
Pixel Pitch | 5.94 μm | 4.52 μm |
Pixel Density | 2.83 MP/cm2 | 4.90 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 200 - 3,200 ISO | 100 - 32,000 ISO |
ISO Boost | 100 - 6,400 ISO | 50 - 102,400 ISO |
Image Processor | BIONZ | BIONZ X |
DXO Sensor Quality (score) | 79 | 100 |
DXO Color Depth (bits) | 23.7 | 26.0 |
DXO Dynamic Range (EV) | 12.3 | 14.7 |
DXO Low Light (ISO) | 1431 | 3523 |
Screen Specs | Sony A900 | Sony A7R III |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.74x | 0.78x |
Viewfinder Resolution | 3686k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1440k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Sony A900 | Sony A7R III |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 5 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | YES |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or MS cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
Connectivity Specs | Sony A900 | Sony A7R III |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 3.1 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Sony A900 | Sony A7R III |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FM500H | Sony NP-FZ100 |
Battery Life (CIPA) | 880 shots per charge | 650 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
156 x 117 x 82 mm (6.1 x 4.6 x 3.2 in) |
127 x 96 x 74 mm (5.0 x 3.8 x 2.9 in) |
Camera Weight | 895 g (31.6 oz) | 650 g (22.9 oz) |
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