Sony A900 vs Canon 5D Mark II
The Sony Alpha A900 and the Canon EOS 5D Mark II are two professional cameras that were officially introduced in September 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Sony has a resolution of 24.4 megapixels, whereas the Canon provides 21 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A900 and the Canon EOS 5D Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony A900 and the Canon 5D Mark II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark II is notably smaller (5 percent) than the Sony A900. Moreover, the 5D Mark II is markedly lighter (5 percent) than the A900. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A900 gets 880 shots out of its Sony NP-FM500H battery, while the 5D Mark II can take 850 images on a single charge of its Canon LP-E6 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Sep 2008 | 2,999 | ebay.com | |
2. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | 3,499 | ebay.com | |
3. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
4. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
5. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5D Mark III | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | 3,499 | ebay.com | |
7. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 g | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
8. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
9. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
10. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
11. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
12. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
13. | Sony A7S II | 127 mm | 96 mm | 60 mm | 627 g | 370 | Y | Sep 2015 | 2,999 | ebay.com | |
14. | Sony A99 | 147 mm | 111 mm | 78 mm | 812 g | 500 | Y | Sep 2012 | 2,799 | ebay.com | |
15. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A900 was launched at a somewhat lower price (by 14 percent) than the 5D Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Sony A900 offers a higher resolution of 24.4 megapixels, compared with 21 MP of the Canon 5D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 6.41μm for the 5D Mark II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The resolution advantage of the Sony A900 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A900 for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inches or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Canon 5D Mark II are 28.1 x 18.7 inches or 71.3 x 47.5 cm for good quality, 22.5 x 15 inches or 57.1 x 38 cm for very good quality, and 18.7 x 12.5 inches or 47.5 x 31.7 cm for excellent quality prints.
The Sony Alpha A900 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Canon EOS 5D Mark II are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | Full Frame | 24.4 | 6048 | 4032 | none | 23.7 | 12.3 | 1431 | 79 | |
2. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
3. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
4. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
5. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
6. | Canon 5D Mark III | Full Frame | 22.1 | 5760 | 3840 | 1080/30p | 24.0 | 11.7 | 2293 | 81 | |
7. | Canon 5D | Full Frame | 12.7 | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
8. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
9. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
10. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
11. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
12. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
13. | Sony A7S II | Full Frame | 12.0 | 4240 | 2832 | 4K/30p | 23.6 | 13.3 | 2993 | 85 | |
14. | Sony A99 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 14.0 | 1555 | 89 | |
15. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 |
Many modern cameras cannot only take still pictures, but also record videos. The 5D Mark II indeed provides for movie recording, while the A900 does not. The highest resolution format that the 5D Mark II can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The A900 and the 5D Mark II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the A900 offers a wider field of view (100%) than the one in the 5D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A900 has a higher magnification (0.74x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A900, the Canon 5D Mark II, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | Y | |
2. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
3. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
4. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
5. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
6. | Canon 5D Mark III | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 6.0/s | n | n | |
7. | Canon 5D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 3.0/s | n | n | |
8. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
9. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
10. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
12. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
13. | Sony A7S II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
14. | Sony A99 | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 6.0/s | n | Y | |
15. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the A900 and the 5D Mark II is in-body image stabilization (IBIS). The A900 reduces the risk of handshake-induced blur with all attached lenses, while the 5D Mark II offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The A900 writes its imaging data to Compact Flash or Memory Stick PRO Duo cards, while the 5D Mark II uses Compact Flash cards. The A900 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 5D Mark II only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A900 and Canon EOS 5D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
3. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
4. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
5. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
6. | Canon 5D Mark III | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
7. | Canon 5D | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
10. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
11. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
12. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
13. | Sony A7S II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
14. | Sony A99 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - | |
15. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - |
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the A900 and the 5D Mark II have been discontinued, but can regularly be found used on ebay. The A900 was replaced by the Sony A99, while the 5D Mark II was followed by the Canon 5D Mark III. Further information on the features and operation of the A900 and 5D Mark II can be found, respectively, in the Sony A900 Manual (free pdf) or the online Canon 5D Mark II Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Sony A900 and the Canon 5D Mark II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A900:
- More detail: Offers more megapixels (24.4 vs 21MP) with a 8% higher linear resolution.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.71x).
- Faster burst: Shoots at higher frequency (5 vs 3.9 flaps/sec) to capture the decisive moment.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
Arguments in favor of the Canon EOS 5D Mark II:
- Better low-light sensitivity: Can shoot in dim conditions (0.3 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
If the count of individual advantages (bullet points above) is taken as a guide, the A900 is the clear winner of the match-up (7 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A900 and the Canon 5D Mark II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A900 and the 5D Mark II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A900 | .. | + + | .. | + + | 4.5/5 | 5/5 | Sep 2008 | 2,999 | ebay.com | |
2. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
3. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | 3,499 | amazon.com | |
4. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
5. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Mar 2012 | 3,499 | ebay.com | |
7. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
8. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
9. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
10. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
11. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
12. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
13. | Sony A7S II | 5/5 | + | .. | .. | 4.5/5 | 5/5 | Sep 2015 | 2,999 | ebay.com | |
14. | Sony A99 | 5/5 | .. | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
15. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Sony A900 vs Canon 5D Mark II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A900 | Canon 5D Mark II |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Sony A mount lenses | Canon EF mount lenses |
Launch Date | September 2008 | September 2008 |
Launch Price | USD 2,999 | USD 3,499 |
Sensor Specs | Sony A900 | Canon 5D Mark II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 35.9 x 24.0 mm | 36.0 x 24.0 mm |
Sensor Area | 861.6 mm2 | 864 mm2 |
Sensor Diagonal | 43.2 mm | 43.3 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 24.4 Megapixels | 21 Megapixels |
Image Resolution | 6048 x 4032 pixels | 5616 x 3744 pixels |
Pixel Pitch | 5.94 μm | 6.41 μm |
Pixel Density | 2.83 MP/cm2 | 2.43 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/30p Video |
ISO Setting | 200 - 3,200 ISO | 100 - 6,400 ISO |
ISO Boost | 100 - 6,400 ISO | 50 - 25,600 ISO |
Image Processor | BIONZ | DIGIC 4 |
DXO Sensor Quality (score) | 79 | 79 |
DXO Color Depth (bits) | 23.7 | 23.7 |
DXO Dynamic Range (EV) | 12.3 | 11.9 |
DXO Low Light (ISO) | 1431 | 1815 |
Screen Specs | Sony A900 | Canon 5D Mark II |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 98% |
Viewfinder Magnification | 0.74x | 0.71x |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 920k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Sony A900 | Canon 5D Mark II |
Focus System | Phase-detect AF | Phase-detect AF |
Continuous Shooting | 5 shutter flaps/s | 3.9 shutter flaps/s |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or MS cards | CF cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Sony A900 | Canon 5D Mark II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Sony A900 | Canon 5D Mark II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FM500H | Canon LP-E6 |
Battery Life (CIPA) | 880 shots per charge | 850 shots per charge |
Body Dimensions |
156 x 117 x 82 mm (6.1 x 4.6 x 3.2 in) |
152 x 114 x 75 mm (6.0 x 4.5 x 3.0 in) |
Camera Weight | 895 g (31.6 oz) | 850 g (30.0 oz) |
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