Sony A9 vs Panasonic GM5

The Sony Alpha A9 and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in April 2017 and September 2014. Both the A9 and the GM5 are mirrorless interchangeable lens cameras that are based on a full frame (A9) and a Four Thirds (GM5) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A9		Panasonic GM5
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Micro Four Thirds lenses
24 MP – Full Frame sensor		15.8 MP – Four Thirds sensor
4K/30p Video		1080/60p Video
ISO 100-51,200 (50 - 204,800)		ISO 200-25,600
Electronic viewfinder (3686k dots)		Electronic viewfinder (1166k dots)
3.0" LCD – 1440k dots		3.0" LCD – 921k dots
Tilting touchscreen		Fixed touchscreen
20 shutter flaps per second		5.8 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
650 shots per battery charge		220 shots per battery charge
127 x 96 x 63 mm, 673 g		99 x 60 x 36 mm, 211 g

Check A9 offers at
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Check GM5 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A9 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A9 and the Panasonic GM5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The GM5 can be obtained in two different colors (black, silver), while the A9 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (51 percent) than the Sony A9. Moreover, the GM5 is substantially lighter (69 percent) than the A9. It is worth mentioning in this context that the A9 is splash and dust resistant, while the GM5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A9) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A9 gets 650 shots out of its Sony NP-FZ100 battery, while the GM5 can take 220 images on a single charge of its Panasonic DMW-BLH7 power pack. The power pack in the A9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
2.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
3.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	1,999	ebay.com
4.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
5.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
6.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
7.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
8.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
9.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
10.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
11.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
12.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
13.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
14.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
15.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
16.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
17.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GM5 was launched at a markedly lower price (by 83 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A9 features a full frame sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 73 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the A9 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.

With 24MP, the A9 offers a higher resolution than the GM5 (15.8MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.77μm for the GM5) due to its larger sensor. Moreover, the A9 is a much more recent model (by 2 years and 7 months) than the GM5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A9 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the A9 is build around a Stacked BSI-CMOS sensor, while the GM5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A9 provides substantially higher image quality than the GM5, with an overall score that is 26 points higher. This advantage is based on 2.8 bits higher color depth, 1.6 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
2.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
3.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
4.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
5.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
6.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
7.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
8.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
9.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
10.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
11.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
12.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
13.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
14.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
15.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
16.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
17.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A9 provides a higher video resolution than the GM5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a substantially higher resolution than the one in the GM5 (3686k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Sony A9, the Panasonic GM5, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
2.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
3.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
4.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
5.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
6.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
7.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
8.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
9.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
10.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
11.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
12.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
13.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
15.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
17.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the A9 and the GM5 is in-body image stabilization (IBIS). The A9 reduces the risk of handshake-induced blur with all attached lenses, while the GM5 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A9 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GM5 uses SDXC cards. The A9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM5 only has one slot. The A9 supports UHS-II cards (on its first slot), while the GM5 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A9 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
2.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
4.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
10.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
11.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
13.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
14.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
17.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-

It is notable that the A9 has a microphone port, which is missing on the GM5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Sony A9 (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A9 and the GM5 have been discontinued, but can regularly be found used on ebay. The A9 was replaced by the Sony A9 II, while the GM5 does not have a direct successor. Further information on the features and operation of the A9 and GM5 can be found, respectively, in the Sony A9 Manual (free pdf) or the online Panasonic GM5 Manual.

Review summary

So how do things add up? Is the Sony A9 better than the Panasonic GM5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Sony Alpha A9:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 1166k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
• Faster burst: Shoots at higher frequency (20 vs 5.8 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (650 versus 220) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 2 years and 7 months of technical progress since the GM5 launch.

Reasons to prefer the Panasonic Lumix DMC-GM5:

• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (99x60mm vs 127x96mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 462g or 69 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in September 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the A9 is the clear winner of the match-up (25 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A9 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the A9 and the GM5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
2.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
3.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	1,999	ebay.com
4.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
5.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
6.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
7.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
8.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
9.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
10.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
11.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
12.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
13.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
14.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
15.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
16.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
17.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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