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Sony A9 versus Nikon D500

The Sony Alpha A9 and the Nikon D500 are two digital cameras that were revealed to the public, respectively, in April 2017 and January 2016. The A9 is a mirrorless interchangeable lens camera, while the D500 is a DSLR. The cameras are based on a full frame (A9) and an APS-C sensor. The Sony has a resolution of 24 megapixel, whereas the Nikon provides 20.7 MP.

Body comparison

The physical size and weight of the Sony A9 and the Nikon D500 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A9 – represents 100 percent across all the size and weight measures).

Sony A9 vs Nikon D500 front
A9 versus D500 top view
A9 and D500 rear side
Body view (A9 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is considerably larger (39 percent) than the Sony A9. Moreover, the D500 is markedly heavier (28 percent) than the A9. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A9) and the Nikon Lens Catalog (D500). Mirrorless cameras, such as the Sony A9, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A9 (⇒ rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Nikon D500 (⇒ lft) 147 mm 115 mm 81 mm 860 g 1240 YES 2016 1,999 latest check
Nikon D7500 (⇒ lft | rgt) 136 mm 104 mm 73 mm 720 g 950 YES 2017 1,299 latest check
Nikon D3400 (⇒ lft | rgt) 124 mm 98 mm 76 mm 445 g 1200 no 2016 499 latest check
Nikon D5 (⇒ lft | rgt) 160 mm 159 mm 92 mm 1415 g 3780 YES 2016 6,499 latest check
Nikon D7200 (⇒ lft | rgt) 136 mm 107 mm 76 mm 765 g 1110 YES 2015 1,199discont. check
Nikon D300S (⇒ lft | rgt) 147 mm 115 mm 81 mm 938 g 950 YES 2009 1,799discont. check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Sony A7R III (⇒ lft | rgt) 127 mm 96 mm 74 mm 650 g 650 YES 2017 3,199 latest check
Sony A99 II (⇒ lft | rgt) 143 mm 104 mm 76 mm 849 g 490 YES 2016 3,199 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) 127 mm 96 mm 60 mm 625 g 290 YES 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) 127 mm 96 mm 60 mm 627 g 370 YES 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999 latest check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D500 was launched at a markedly lower price (by 56 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A9 features a full frame sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 56 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A9 and Nikon D500 sensor measures
Sensor size
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Sensor size

With 24MP, the A9 offers a higher resolution than the D500 (20.7MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.22μm for the D500) due to its larger sensor. Moreover, the A9 is a somewhat more recent model (by 1 year and 3 months) than the D500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A9 versus D500 MP
Sensor resolution
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Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A9 has a notably higher overall DXO score than the D500 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 0.7 EV of lower dynamic range, and 1.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A9 (⇒ rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Nikon D500 (⇒ lft) APS-C 20.7 5568 3712 4K/30p 24.0 14.0 1324 83
Nikon D7500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.8 13.9 1192 86
Nikon D3400 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.8 13.9 1192 86
Nikon D5 (⇒ lft | rgt) Full Frame 20.7 5588 3712 4K/30p 25.1 12.3 2343 88
Nikon D7200 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.5 14.6 1333 87
Nikon D300S (⇒ lft | rgt) APS-C 12.2 4288 2848 720/24p 22.5 12.2 787 70
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Sony A7R III (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 14.7 3523 100
Sony A99 II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 25.4 13.4 2317 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony A7R II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 13.9 3434 98
Sony A7S II (⇒ lft | rgt) Full Frame 12.0 4240 2832 4K/30p 23.6 13.3 2993 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A9 has an electronic viewfinder (3686k dots), while the D500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony A9 and Nikon D500 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A9 (⇒ rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Nikon D500 (⇒ lft) optical YES 3.2 2359 tilting YES 8000 10.0 no no
Nikon D7500 (⇒ lft | rgt) optical YES 3.2 922 tilting YES 8000 8.0 12 no
Nikon D3400 (⇒ lft | rgt) optical no 3.0 921 fixed no 4000 5.0 7 no
Nikon D5 (⇒ lft | rgt) optical YES 3.2 2359 fixed YES 8000 14.0 no no
Nikon D7200 (⇒ lft | rgt) optical YES 3.2 1229 fixed no 8000 6.0 12 no
Nikon D300S (⇒ lft | rgt) optical YES 3.0 920 fixed no 8000 7.0 12 no
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Sony A7R III (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 10.0 no YES
Sony A99 II (⇒ lft | rgt) 2400 YES 3.0 1229 tilting no 8000 12.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony A7R II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7S II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no

Both the A9 and the D500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The D500 replaced the earlier Nikon D300S, while the A9 does not have a direct predecessor.

Summary

So what conclusions can be drawn? Is there a clear favorite between the Sony A9 and the Sony A9? The listing below highlights the relative strengths of the two models.


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Arguments in favor of the Sony Alpha A9:

  • More detail: Offers more megapixels (24 vs 20.7MP) with a 8% higher linear resolution.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
  • Better low-light sensitivity: Requires less light for good images (1.4 stops ISO advantage).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (127x96mm vs 147x115mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 187g or 22 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More modern: Is somewhat more recent (announced 1 year and 3 months after the D500).

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Advantages of the Nikon D500:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2359k vs 1440k dots).
  • Longer lasting: Gets more shots (1240 versus 650) out of a single battery charge.
  • More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the A9 emerges as the winner of the contest (11 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.

A9 11:09 D500

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A9 and the D500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A9 (⇒ rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Nikon D500 (⇒ lft) HiRec 91/100 Gold 4.5/5 5/5 5/5 2016 1,999 latest check
Nikon D7500 (⇒ lft | rgt) HiRec 86/100 Silver 5/5 4.5/5 4.5/5 2017 1,299 latest check
Nikon D3400 (⇒ lft | rgt) Rec 76/100 4/5 4.5/5 4.5/5 2016 499 latest check
Nikon D5 (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 5/5 2016 6,499 latest check
Nikon D7200 (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4/5 4.5/5 2015 1,199discont. check
Nikon D300S (⇒ lft | rgt) 90/100 HiRec 82/100 HiRec 4/5 5/5 4.5/5 2009 1,799discont. check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Sony A7R III (⇒ lft | rgt) HiRec 90/100 Gold .. .. .. 2017 3,199 latest check
Sony A99 II (⇒ lft | rgt) - 85/100 Silver 4.5/5 4.5/5 4.5/5 2016 3,199 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) HiRec 90/100 Gold 5/5 4.5/5 5/5 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) Rec - 4.5/5 5/5 5/5 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999 latest check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check

The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.

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