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Sony A9 versus Canon 5D Mark IV

The Sony Alpha A9 and the Canon EOS 5D Mark IV are two professional cameras that were announced, respectively, in April 2017 and August 2016. The A9 is a mirrorless interchangeable lens camera, while the 5D Mark IV is a DSLR. Both cameras are equipped with a full frame sensor. The Sony has a resolution of 24 megapixel, whereas the Canon provides 30.1 MP.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Sony A9 and the Canon 5D Mark IV. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A9 – represents the basis or 100 percent across all the size and weight measures).

Sony A9 vs Canon 5D Mark IV front
A9 versus 5D Mark IV top view
A9 and 5D Mark IV rear side
Body view (A9 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark IV is considerably larger (44 percent) than the Sony A9. Moreover, the 5D Mark IV is markedly heavier (32 percent) than the A9. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A9) and the Canon EF Lens Catalog (5D Mark IV). Mirrorless cameras, such as the Sony A9, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A9 (⇒ rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Canon 5D Mark IV (⇒ lft) 151 mm 116 mm 76 mm 890 g 900 YES 2016 3,499 latest check
Canon 6D Mark II (⇒ lft | rgt) 144 mm 111 mm 75 mm 765 g 1200 YES 2017 1,999 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5D Mark III (⇒ lft | rgt) 152 mm 116 mm 76 mm 950 g 950 YES 2012 3,499discont. check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Sony A99 II (⇒ lft | rgt) 143 mm 104 mm 76 mm 849 g 490 YES 2016 3,199 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) 127 mm 96 mm 60 mm 625 g 290 YES 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) 127 mm 96 mm 60 mm 627 g 370 YES 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999 latest check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check
Sony A99 (⇒ lft | rgt) 147 mm 111 mm 78 mm 812 g 500 YES 2012 2,799discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 5D Mark IV was launched at a somewhat lower price (by 22 percent) than the A9, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the 5D Mark IV is 2 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A9 and Canon 5D Mark IV sensor measures
Sensor size
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Sensor size

With 30.1MP, the 5D Mark IV offers a higher resolution than the A9 (24MP), but the 5D Mark IV has smaller individual pixels (pixel pitch of 5.36μm versus 5.94μm for the A9). It is noteworthy in this context that the A9 is a somewhat more recent model (by 7 months) than the 5D Mark IV, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

A9 versus 5D Mark IV MP
Sensor resolution
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Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A9 (⇒ rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Canon 5D Mark IV (⇒ lft) Full Frame 30.1 6720 4480 4K/30p 24.8 13.6 2995 91
Canon 6D Mark II (⇒ lft | rgt) Full Frame 26.0 6240 4160 1080/60p 24.4 11.9 2862 85
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Canon 5DS R (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.6 12.4 2308 86
Canon 5DS (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.7 12.4 2381 87
Canon 5D Mark III (⇒ lft | rgt) Full Frame 22.1 5760 3840 1080/30p 24 11.7 2293 81
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Sony A99 II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 25.4 13.4 2317 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony A7R II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 13.9 3434 98
Sony A7S II (⇒ lft | rgt) Full Frame 12.0 4240 2832 4K/30p 23.6 13.3 2993 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90
Sony A99 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 25.0 14.0 1555 89

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A9 has an electronic viewfinder (3686k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony A9 and Canon 5D Mark IV along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A9 (⇒ rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Canon 5D Mark IV (⇒ lft) optical YES 3.2 1620 fixed YES 8000 7.0 no no
Canon 6D Mark II (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 6.5 no no
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Canon 5DS R (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5DS (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5D Mark III (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 6.0 no no
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Sony A99 II (⇒ lft | rgt) 2400 YES 3.0 1229 tilting no 8000 12.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony A7R II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7S II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no
Sony A99 (⇒ lft | rgt) 2359 YES 3.0 1229 full-flex no 8000 6.0 no YES

Both the A9 and the 5D Mark IV are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the A9 does not have a direct predecessor.

Summary

So what is the bottom line? Is the Sony A9 better than the Canon 5D Mark IV or vice versa? Below is a summary of the relative strengths of each of the two contestants.


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Advantages of the Sony Alpha A9:

  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster burst: Shoots at higher frequency (20 vs 7 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (127x96mm vs 151x116mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 217g or 24 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More modern: Is somewhat more recent (announced 7 months after the 5D Mark IV).

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Arguments in favor of the Canon EOS 5D Mark IV:

  • More detail: Has more megapixels (30.1 vs 24MP), which boosts linear resolution by 12%.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1440k dots).
  • Longer lasting: Gets more shots (900 versus 650) out of a single battery charge.
  • More affordable: Was released into a lower priced segment (22 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in August 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (8 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.

A9 08:08 5D Mark IV

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A9 or the 5D Mark IV handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A9 (⇒ rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Canon 5D Mark IV (⇒ lft) HiRec 87/100 Gold 4.5/5 5/5 4.5/5 2016 3,499 latest check
Canon 6D Mark II (⇒ lft | rgt) Rec 80/100 4.5/5 4/5 4/5 2017 1,999 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) Rec 83/100 Silver 5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5D Mark III (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 5/5 4.5/5 2012 3,499discont. check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Sony A99 II (⇒ lft | rgt) - 85/100 Silver 4.5/5 4.5/5 4.5/5 2016 3,199 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) HiRec 90/100 Gold 5/5 4.5/5 5/5 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) Rec - 4.5/5 5/5 5/5 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999 latest check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check
Sony A99 (⇒ lft | rgt) - 84/100 Gold 4.5/5 reviewed 4.5/5 2012 2,799discont. check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

If you would like to see a different side-by-side camera review, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please send me an email, and I will try to locate and add the respective data to the application.

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