Sony A7S versus Canon XC10
The Sony Alpha A7S and the Canon XC10 are two digital cameras that were revealed to the public, respectively, in April 2014 and April 2015. The A7S is a mirrorless interchangeable lens camera, while the XC10 is a fixed lens compact. The cameras are based on a full frame (A7S) and an one-inch sensor. Both cameras offer a resolution of 12 megapixel.
The physical size and weight of the Sony A7S and the Canon XC10 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the A7S – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon XC10 is somewhat larger (7 percent) than the Sony A7S. Cameras that are intended for semi-professional or professional use are sometimes a bit bulkier in order to provide them with the necessary ruggedness. It is worth mentioning in this context that the A7S is splash and dust resistant, while the XC10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XC10 has a lens build in, whereas the A7S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the A7S and their specifications in the Sony FE Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony A7S (⇒ rgt)||127 mm||94 mm||48 mm||489 g||380||YES||2014||2,499||discont.||check|
|Canon XC10 (⇒ lft)||125 mm||102 mm||122 mm||1040 g||..||no||2015||2,499||latest||check|
|Canon 5DS (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Leica X Typ 113 (⇒ lft | rgt)||133 mm||73 mm||78 mm||486 g||350||no||2014||2,295||discont.||check|
|Nikon D750 (⇒ lft | rgt)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Nikon Df (⇒ lft | rgt)||144 mm||110 mm||67 mm||760 g||1400||YES||2013||2,749||latest||check|
|Nikon D700 (⇒ lft | rgt)||147 mm||123 mm||77 mm||1074 g||1000||YES||2008||2,999||discont.||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||127 mm||96 mm||60 mm||627 g||370||YES||2015||2,999||latest||check|
|Sony A7 II (⇒ lft | rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||latest||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
|Sony A7R (⇒ lft | rgt)||127 mm||94 mm||48 mm||465 g||340||YES||2013||2,299||discont.||check|
|Sony RX1R (⇒ lft | rgt)||113 mm||65 mm||70 mm||482 g||270||no||2013||2,799||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7S features a full frame sensor and the Canon XC10 an one-inch sensor. The sensor area in the XC10 is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.75. The sensor in the A7S has a native 3:2 aspect ratio, while the one in the XC10 offers a 4:3 aspect.
Even though the A7S has a larger sensor, both cameras offer the same resolution of 12 megapixel. This implies that the A7S has a lower pixel density and larger individual pixels (with a pixel pitch of 8.44μm versus 3.2μm for the XC10), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the XC10 is a somewhat more recent model (by 1 year) than the A7S, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7S (⇒ rgt)||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|Canon XC10 (⇒ lft)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon 5DS (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Leica X Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Nikon D750 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon Df (⇒ lft | rgt)||Full Frame||16.2||4928||3280||no||24.6||13.1||3279||89|
|Nikon D700 (⇒ lft | rgt)||Full Frame||12.1||4256||2832||no||23.5||12.2||2303||80|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II (⇒ lft | rgt)||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A7 II (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A7R (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Sony RX1R (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the XC10 provides a better video resolution than the A7S. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XC10 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Sony A7S and Canon XC10 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Sony A7S (⇒ rgt)||2400||no||3.0||921||tilting||no||8000||5.0||no||no|
|Canon XC10 (⇒ lft)||no||no||3.0||1030||tilting||YES||2000||3.8||no||no|
|Canon 5DS (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||no|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||no|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||no|
|Leica X Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Nikon D750 (⇒ lft | rgt)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Nikon Df (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||5.5||no||no|
|Nikon D700 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||8.0||12||no|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7S II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7 II (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
|Sony A7R (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||4.0||no||no|
|Sony RX1R (⇒ lft | rgt)||no||no||3.0||1229||fixed||no||4000||5.0||6||no|
The XC10 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A7S has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7S was succeeded by the Sony A7S II.
So how do things add up? Is there a clear favorite between the Sony A7S and the Sony A7S? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Sony Alpha A7S:
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster shutter: Has a higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3.8 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More heavily discounted: Has been on the market for longer (launched in April 2014).
Advantages of the Canon XC10:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1030k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Ready to shoot: Has an integrated lens, whereas the A7S necessitates an extra lens.
- More modern: Was introduced somewhat (1 year) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A7S emerges as the winner of the contest (7 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7S or the XC10. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A7S (⇒ rgt)||-||86/100 Gold||4.5/5||4.5/5||5/5||2014||2,499||discont.||check|
|Canon XC10 (⇒ lft)||-||80/100||-||-||-||2015||2,499||latest||check|
|Canon 5DS (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Leica X Typ 113 (⇒ lft | rgt)||-||-||3.5/5||-||4/5||2014||2,295||discont.||check|
|Nikon D750 (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Nikon Df (⇒ lft | rgt)||-||81/100||4/5||4/5||4/5||2013||2,749||latest||check|
|Nikon D700 (⇒ lft | rgt)||89/100||HiRec||4.5/5||5/5||4.5/5||2008||2,999||discont.||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||Rec||-||4.5/5||5/5||5/5||2015||2,999||latest||check|
|Sony A7 II (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||latest||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
|Sony A7R (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||5/5||2013||2,299||discont.||check|
|Sony RX1R (⇒ lft | rgt)||-||-||4/5||reviewed||4.5/5||2013||2,799||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.
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