Sony A7S vs Canon T7i
The Sony Alpha A7S and the Canon EOS Rebel T7i (labelled Canon 800D in some countries) are two digital cameras that were officially introduced, respectively, in April 2014 and February 2017. The A7S is a mirrorless interchangeable lens camera, while the T7i is a DSLR. The cameras are based on a full frame (A7S) and an APS-C (T7i) sensor. The Sony has a resolution of 12 megapixels, whereas the Canon provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony A7S||Canon T7i|
|Mirrorless system camera||Digital single lens reflex|
|Sony E mount lenses||Canon EF mount lenses|
|12 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-102400 (50-409600)||ISO 100-25600 (100-51200)|
|Electronic viewfinder (2400k dots)||Optical viewfinder|
|3.0" LCD, 921k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Swivel touchscreen|
|5 shutter flaps per second||6 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|380 shots per battery charge||600 shots per battery charge|
|127 x 94 x 48 mm, 489 g||131 x 100 x 76 mm, 532 g|
Body comparison: Sony A7S vs Canon T7i
The physical size and weight of the Sony A7S and the Canon T7i are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A7S – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T7i is notably larger (10 percent) than the Sony A7S. Moreover, the T7i is markedly heavier (9 percent) than the A7S. It is worth mentioning in this context that the A7S is splash and dust resistant, while the T7i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7S) and the Canon EF Lens Catalog (T7i). Mirrorless cameras, such as the Sony A7S, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony A7S»||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Canon T7i«||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon SL2|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-||Canon T6s|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon Df« »||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749||Nikon Df|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony RX1R II« »||4.4 in||2.6 in||2.8 in||17.9 oz||220||n||Oct 2015||3,299||Sony RX1R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T7i was launched at a markedly lower price (by 70 percent) than the A7S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A7S vs Canon T7i
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7S features a full frame sensor and the Canon T7i an APS-C sensor. The sensor area in the T7i is 61 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the T7i offers a higher resolution of 24 megapixels, compared with 12 MP of the A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 8.45μm for the A7S). However, it should be noted that the T7i is much more recent (by 2 years and 10 months) than the A7S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The T7i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Sony Alpha A7S has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Canon EOS Rebel T7i are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A7S»||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Canon T7i«||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon Df« »||Full Frame||16.2||4928||3280||-||24.6||13.1||3279||89||Nikon Df|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony RX1R II« »||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97||Sony RX1R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Sony A7S vs Canon T7i
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S has an electronic viewfinder (2400k dots), while the T7i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony A7S and Canon T7i along with similar information for a selection of comparators.
|Sony A7S»||2400||n||3.0||921||tilting||n||8000||5.0||n||n||Sony A7S|
|Canon T7i«||optical||n||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon T7i|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon 77D|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon SL2|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6s|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T5i|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n||Nikon D750|
|Nikon Df« »||optical||Y||3.2||921||fixed||n||4000||5.5||n||n||Nikon Df|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony RX1R II« »||2360||n||3.0||1229||tilting||n||4000||5.0||n||n||Sony RX1R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1R|
|Sony RX1« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The T7i has a touchscreen, while the A7S has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The T7i has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A7S does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A7S features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The A7S writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the T7i uses SDXC cards.
Connectivity comparison: Sony A7S vs Canon T7i
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7S and Canon EOS Rebel T7i and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7S»||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Canon T7i«||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon Df« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon Df|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony RX1R II« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony RX1R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the A7S has a headphone jack, which is not present on the T7i This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The T7i is a recent model that features in the current product line-up of Canon. In contrast, the A7S has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7S was succeeded by the Sony A7S II.
Review summary: Sony A7S vs Canon T7i
So what is the bottom line? Is the Sony A7S better than the Canon T7i or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha A7S:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More heavily discounted: Has been available for much longer (launched in April 2014).
Arguments in favor of the Canon EOS Rebel T7i:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 41%.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (600 versus 380) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Reflects 2 years and 10 months of technical progress since the A7S launch.
If the count of relative strengths (bullet points above) is taken as a measure, the T7i emerges as the winner of the match-up (13 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7S or the T7i. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Sony A7S vs Canon T7i
This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A7S»||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Canon T7i«||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon SL2« »||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon SL2|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon T6s|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon Df« »||-||81/100||4/5||4/5||4/5||Nov 2013||2,749||Nikon Df|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony RX1R II« »||-||82/100||-||rev||4.5/5||Oct 2015||3,299||Sony RX1R II|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||-||-||4/5||rev||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Sony A7S vs Canon T7i
|Camera Model||Sony A7S||Canon T7i|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Canon EF mount lenses|
|Launch Date||April 2014||February 2017|
|Launch Price||USD 2499||USD 749|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.8 x 23.9 mm||22.3 x 23.9 mm|
|Sensor Area||855.62 mm2||332.27 mm2|
|Sensor Diagonal||43 mm||26.8 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4240 x 2832 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.45 μm||3.72 μm|
|Pixel Density||1.40 MP/cm2||7.22 MP/cm2|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-102400 ISO||100-25600 ISO|
|ISO Boost||50-409600 ISO||100-51200 ISO|
|Image Processor||BIONZ X||DIGIC 7|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Resolution||2400k dots||n/a|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||6 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-FW50 power pack||LP-E17 power pack|
|Battery Life (CIPA)||380 shots per charge||600 shots per charge|
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
131 x 100 x 76 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||489 g (17.2 oz)||532 g (18.8 oz)|
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