Sony A7S II vs NEX-5T
The Sony Alpha 7S II and the Sony Alpha NEX-5T are two digital cameras that were officially introduced, respectively, in September 2015 and August 2013. Both the A7S II and the NEX-5T are mirrorless interchangeable lens cameras that are based on a full frame (A7S II) and an APS-C (NEX-5T) sensor. The A7S II has a resolution of 12 megapixels, whereas the NEX-5T provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha 7S II and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony A7S II and the Sony NEX-5T are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-5T can be obtained in two different colors (black, silver), while the A7S II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is considerably smaller (46 percent) than the Sony A7S II. Moreover, the NEX-5T is substantially lighter (56 percent) than the A7S II. It is worth mentioning in this context that the A7S II is splash and dust resistant, while the NEX-5T does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7S II) and the Sony E-Mount Lens Catalog (NEX-5T). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the A7S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|2.||Sony NEX-5T||111 mm||59 mm||39 mm||276 g||330||n||Aug 2013||699|
|3.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|4.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|5.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|6.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|7.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|8.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|9.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|10.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|11.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|12.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|15.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-5T was launched at a markedly lower price (by 77 percent) than the A7S II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7S II features a full frame sensor and the Sony NEX-5T an APS-C sensor. The sensor area in the NEX-5T is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the A7S II uses a more advanced image processing engine (BIONZ X) than the NEX-5T (BIONZ), with benefits for noise reduction, color accuracy, and processing speed.
Despite having a smaller sensor, the NEX-5T offers a higher resolution of 16 megapixels, compared with 12 MP of the A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.78μm versus 8.40μm for the A7S II). Moreover, it should be noted that the A7S II is much more recent (by 2 years) than the NEX-5T, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony NEX-5T implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5T for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
The Sony Alpha 7S II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7S II has a notably higher overall DXO score than the NEX-5T (overall score 7 points higher), which gives it an advantage in terms of imaging quality. 0.3 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|3.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|4.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|5.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|6.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|7.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|8.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|9.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|10.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|11.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|12.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7S II provides a higher video resolution than the NEX-5T. It can shoot video footage at 4K/30p, while the NEX-5T is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5T relies on live view and the rear LCD for framing. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Sony A7S II and Sony NEX-5T along with similar information for a selection of comparators.
|1.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|2.||Sony NEX-5T||optional||n||3.0 / 922||tilting||Y||1/4000s||10.0||n||n|
|3.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|4.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|5.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|6.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|7.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|8.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|9.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||n||Y|
|10.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|11.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|12.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|13.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|14.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|15.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One feature that differentiates the A7S II and the NEX-5T is in-body image stabilization (IBIS). The A7S II reduces the risk of handshake-induced blur with all attached lenses, while the NEX-5T offers no blur reduction with lenses that themselves do not provide optical image stabilization.The NEX-5T has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A7S II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A7S II and the NEX-5T write their files to SDXC or Memory Stick PRO Duo cards. The A7S II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5T cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha 7S II and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|2.||Sony NEX-5T||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|4.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|6.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|7.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|8.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|9.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|10.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|11.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|12.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|15.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the A7S II has a microphone port, which is missing on the NEX-5T. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the A7S II and the NEX-5T have been discontinued, but can regularly be found used on eBay. The NEX-5T was replaced by the Sony A5100, while the A7S II was followed by the Sony A7S III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what is the bottom line? Which of the two cameras – the Sony A7S II or the Sony NEX-5T – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha 7S II:
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.6 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (BIONZ X vs BIONZ).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Can take more shots (370 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years of technical progress since the NEX-5T launch.
Arguments in favor of the Sony Alpha NEX-5T:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 16%.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 127x96mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 351g or 56 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (77 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the A7S II is the clear winner of the match-up (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7S II and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A7S II or the NEX-5T. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|2.||Sony NEX-5T||..||..||..||..||4.5/5||4.5/5||Aug 2013||699|
|3.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|4.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|5.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|6.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499|
|7.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|8.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|9.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|10.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|11.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|12.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|13.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|15.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon SL3 vs Sony NEX-5T
- Canon SX520 vs Sony A7S II
- Canon T2i vs Sony NEX-5T
- Canon XS vs Sony A7S II
- Nikon D2X vs Sony NEX-5T
- Panasonic GH2 vs Sony NEX-5T
- Panasonic S1H vs Sony NEX-5T
- Panasonic ZS100 vs Sony NEX-5T
- Samsung NX30 vs Sony A7S II
- Sony A7C vs Sony A7S II
- Sony A7S II vs Sony A900
- Sony A7S II vs Sony RX100 V
Specifications: Sony A7S II vs Sony NEX-5T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A7S II||Sony NEX-5T|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||September 2015||August 2013|
|Launch Price||USD 2,999||USD 699|
|Sensor Specs||Sony A7S II||Sony NEX-5T|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.6 x 23.8 mm||23.4 x 15.6 mm|
|Sensor Area||847.28 mm2||365.04 mm2|
|Sensor Diagonal||42.8 mm||28.1 mm|
|Sensor Resolution||12 Megapixels||16 Megapixels|
|Image Resolution||4240 x 2832 pixels||4912 x 3264 pixels|
|Pixel Pitch||8.40 μm||4.78 μm|
|Pixel Density||1.42 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 102,400 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 409,600 ISO||no Enhancement|
|Image Processor||BIONZ X||BIONZ|
|DXO Sensor Quality (score)||85||78|
|DXO Color Depth (bits)||23.6||23.6|
|DXO Dynamic Range (EV)||13.3||13.0|
|DXO Low Light (ISO)||2993||1015|
|Screen Specs||Sony A7S II||Sony NEX-5T|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1229k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony A7S II||Sony NEX-5T|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Sony A7S II||Sony NEX-5T|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A7S II||Sony NEX-5T|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||370 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||627 g (22.1 oz)||276 g (9.7 oz)|
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