Sony A7R vs Panasonic LX15

The Sony Alpha A7R and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were officially introduced, respectively, in October 2013 and September 2016. The A7R is a mirrorless interchangeable lens camera, while the LX15 is a fixed lens compact. The cameras are based on a full frame (A7R) and an one-inch (LX15) sensor. The Sony has a resolution of 36.2 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A7R		Panasonic LX15
Mirrorless system camera		Fixed lens compact camera
Sony E mount lenses		24-72mm f/1.4-2.8
36.2 MP – Full Frame sensor		20 MP – 1" sensor
1080/60p Video		4K/30p Video
ISO 100-25,600 (50 - 51,200)		ISO 125-12,800 (80 - 25,600)
Electronic viewfinder (2400k dots)		No viewfinder, LCD framing
3.0" LCD – 1230k dots		3.0" LCD – 1040k dots
Tilting screen (no touchscreen)		Tilting touchscreen
4 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		not weather sealed
340 shots per battery charge		260 shots per battery charge
127 x 94 x 48 mm, 465 g		106 x 60 x 42 mm, 310 g

Check A7R offers at
ebay.com
Check LX15 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7R and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A7R and the Panasonic LX15 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX15 can be obtained in two different colors (black, silver), while the A7R is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is considerably smaller (47 percent) than the Sony A7R. It is worth mentioning in this context that the A7R is splash and dust resistant, while the LX15 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the A7R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the A7R gets 340 shots out of its Sony NP-FW50 battery, while the LX15 can take 260 images on a single charge of its Panasonic DMW-BLH7 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
2.		Panasonic LX15	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
3.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
4.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
5.		Nikon D810	146 mm	123 mm	82 mm	980 g	1200	Y	Jun 2014	3,299	ebay.com
6.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
7.		Panasonic TZ100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
8.		Panasonic TZ200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
9.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
10.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
11.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
12.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
13.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
14.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
15.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
16.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	2,799	ebay.com
17.		Sony RX1R II	113 mm	65 mm	72 mm	507 g	220	n	Oct 2015	3,299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX15 was launched at a lower price than the A7R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A7R features a full frame sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 36.2MP, the A7R offers a higher resolution than the LX15 (20MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 2.41μm for the LX15) due to its larger sensor. However, the LX15 is a much more recent model (by 2 years and 11 months) than the A7R, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The Sony Alpha A7R has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

In terms of underlying technology, the A7R is build around a CMOS sensor, while the LX15 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
2.		Panasonic LX15	1-inch	20.0	5472	3648	4K/30p	21.9	12.0	315	62
3.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
4.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
5.		Nikon D810	Full Frame	36.2	7360	4912	1080/60p	25.7	14.8	2853	97
6.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
7.		Panasonic TZ100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
8.		Panasonic TZ200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
9.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
10.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
11.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
12.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
13.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
14.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
15.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
16.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91
17.		Sony RX1R II	Full Frame	42.2	7952	5304	1080/60p	25.8	13.9	3204	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX15 provides a better video resolution than the A7R. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Sony A7R, the Panasonic LX15, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
2.		Panasonic LX15	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
3.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
4.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
5.		Nikon D810	optical	Y	3.2 / 1229	fixed	n	1/8000s	5.0/s	Y	n
6.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
7.		Panasonic TZ100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
8.		Panasonic TZ200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
9.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
10.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
11.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
12.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
13.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
15.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
16.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
17.		Sony RX1R II	2360	n	3.0 / 1229	tilting	n	1/4000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX15 has a touchscreen, while the A7R has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A7R writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the LX15 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7R and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
2.		Panasonic LX15	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Nikon D810	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
6.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Panasonic TZ100	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic TZ200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
10.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
11.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
12.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
13.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony RX1R II	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the A7R has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7R was succeeded by the Sony A7R II. Further information on the features and operation of the A7R and LX15 can be found, respectively, in the Sony A7R Manual (free pdf) or the online Panasonic LX15 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Sony A7R and the Panasonic LX15? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Sony Alpha A7R:

• More detail: Offers more megapixels (36.2 vs 20MP) with a 35% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (340 versus 260) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been available for much longer (launched in October 2013).

Reasons to prefer the Panasonic Lumix DMC-LX15:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has an integrated lens, whereas the A7R necessitates an extra lens.
• More compact: Is smaller (106x60mm vs 127x94mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the A7R).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 2 years and 11 months of technical progress since the A7R launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7R emerges as the winner of the contest (17 : 15 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A7R and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A7R and the LX15 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
2.		Panasonic LX15	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
3.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
4.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
5.		Nikon D810	5/5	..	5/5	86/100	5/5	4.5/5	Jun 2014	3,299	ebay.com
6.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
7.		Panasonic TZ100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
8.		Panasonic TZ200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
9.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
10.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
11.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
12.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
13.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
14.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
15.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
16.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	2,799	ebay.com
17.		Sony RX1R II	5/5	..	..	82/100	..	4.5/5	Oct 2015	3,299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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