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Sony A7R III versus Panasonic GX7

The Sony Alpha A7R III and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were announced, respectively, in October 2017 and August 2013. Both the A7R III and the GX7 are mirrorless interchangeable lens cameras that are based on a full frame (A7R III) and a Four Thirds (GX7) sensor. The Sony has a resolution of 42.2 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A7R III vs Panasonic GX7

An illustration of the physical size and weight of the Sony A7R III and the Panasonic GX7 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A7R III – represents the basis or 100 percent across all the size and weight measures).

Compare Sony A7R III vs Panasonic GX7
A7R III versus GX7 top view
A7R III and GX7 rear side

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably smaller (28 percent) than the Sony A7R III. Moreover, the GX7 is substantially lighter (38 percent) than the A7R III. It is worth mentioning in this context that the A7R III is splash and dust resistant, while the GX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7R III) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A7R III gets 650 shots out of its NP-FZ100 battery, while the GX7 can take 350 images on a single charge of its DMW-BLG10 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A7R III (⇒ rgt) 127 mm 96 mm 74 mm 650 g 650 YES 2017 3,199 latest check
Panasonic GX7 (⇒ lft) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Hasselblad X1D (⇒ lft | rgt) 150 mm 98 mm 71 mm 725 g .. YES 2016 8,995 latest check
Olympus E-PL7 (⇒ lft | rgt) 115 mm 67 mm 38 mm 357 g 350 no 2014 599discont. check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Olympus E-P5 (⇒ lft | rgt) 122 mm 69 mm 37 mm 420 g 330 no 2013 999discont. check
Panasonic GX80 (⇒ lft | rgt) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check
Panasonic GX1 (⇒ lft | rgt) 116 mm 68 mm 39 mm 318 g 320 no 2011 949discont. check
Sony A7 III (⇒ lft | rgt) 127 mm 96 mm 74 mm 650 g 610 YES 2018 1,999 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) 143 mm 104 mm 76 mm 849 g 490 YES 2016 3,199 latest check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) 127 mm 96 mm 60 mm 625 g 290 YES 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) 127 mm 96 mm 60 mm 627 g 370 YES 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999discont. check
Sony A7R (⇒ lft | rgt) 127 mm 94 mm 48 mm 465 g 340 YES 2013 2,299discont. check
Sony A99 (⇒ lft | rgt) 147 mm 111 mm 78 mm 812 g 500 YES 2012 2,799discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX7 was launched at a markedly lower price (by 69 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Sony A7R III vs Panasonic GX7

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A7R III features a full frame sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the A7R III has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.

Sony A7R III and Panasonic GX7 sensor measures

With 42.2MP, the A7R III offers a higher resolution than the GX7 (15.8MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.77μm for the GX7) due to its larger sensor. Moreover, the A7R III is a somewhat more recent model (by 4 years and 2 months) than the GX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the GX7, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

A7R III versus GX7 MP

For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A7R III provides substantially higher image quality than the GX7, with an overall score that is 30 points higher. This advantage is based on 3.4 bits higher color depth, 2.5 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A7R III (⇒ rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 14.7 3523 100
Panasonic GX7 (⇒ lft) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Hasselblad X1D (⇒ lft | rgt) Medium Format 51.3 8272 6200 1080/25p 26.2 14.8 4489 102
Olympus E-PL7 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.7 12.4 873 72
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Olympus E-P5 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.4 895 72
Panasonic GX80 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71
Panasonic GX1 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 20.8 10.6 703 55
Sony A7 III (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 25.0 14.7 3730 96
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A99 II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 25.4 13.4 2317 92
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony A7R II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 13.9 3434 98
Sony A7S II (⇒ lft | rgt) Full Frame 12.0 4240 2832 4K/30p 23.6 13.3 2993 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A7R (⇒ lft | rgt) Full Frame 36.2 7360 4912 1080/60p 25.6 14.1 2746 95
Sony A99 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 25.0 14.0 1555 89

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R III provides a higher video resolution than the GX7. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison: Sony A7R III vs Panasonic GX7

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the GX7 (3686k vs 2760k dots). The table below summarizes some of the other core capabilities of the Sony A7R III and Panasonic GX7 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A7R III (⇒ rgt) 3686 no 3.0 1440 tilting YES 8000 10.0 no YES
Panasonic GX7 (⇒ lft) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Hasselblad X1D (⇒ lft | rgt) 2360 no 3.0 920 fixed YES 2000 2.3 no no
Olympus E-PL7 (⇒ lft | rgt) no no 3.0 1037 tilting YES 4000 8.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Olympus E-P5 (⇒ lft | rgt) no no 3.0 1037 tilting YES 8000 9.0 7 YES
Panasonic GX80 (⇒ lft | rgt) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES
Panasonic GX1 (⇒ lft | rgt) no no 3.0 460 fixed YES 4000 4.2 7.6 no
Sony A7 III (⇒ lft | rgt) 2359 no 3.0 922 tilting YES 8000 10 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A99 II (⇒ lft | rgt) 2400 YES 3.0 1229 full-flex no 8000 12.0 no YES
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony A7R II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7S II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A7R (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 4.0 no no
Sony A99 (⇒ lft | rgt) 2359 YES 3.0 1229 full-flex no 8000 6.0 no YES

The A7R III is a current model that online retailers, such as amazon, will have in stock. In contrast, the GX7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX7 was succeeded by the Panasonic GX85.

Review summary: Sony A7R III vs Panasonic GX7

So how do things add up? Is the Sony A7R III better than the Panasonic GX7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.


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Advantages of the Sony Alpha A7R III:

  • More detail: Offers more megapixels (42.2 vs 15.8MP) with a 66% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores substantially higher (30 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (3.4 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (2.5 EV of extra DR).
  • Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2760k dots).
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (650 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • More modern: Reflects 4 years and 2 months of technical progress since the GX7 launch.

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Reasons to prefer the Panasonic Lumix DMC-GX7:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More compact: Is smaller (123x71mm vs 127x96mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 248g or 38 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in August 2013).

If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the match-up (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

A7R III 14:06 GX7

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7R III or the GX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A7R III (⇒ rgt) HiRec 90/100 Gold 4.5/5 5/5 5/5 2017 3,199 latest check
Panasonic GX7 (⇒ lft) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Hasselblad X1D (⇒ lft | rgt) reviewed - - - 4/5 2016 8,995 latest check
Olympus E-PL7 (⇒ lft | rgt) Rec - 5/5 4.5/5 4/5 2014 599discont. check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Olympus E-P5 (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 4.5/5 5/5 2013 999discont. check
Panasonic GX80 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check
Panasonic GX1 (⇒ lft | rgt) 85/100 Rec 77/100 Silver 4.5/5 4.5/5 4.5/5 2011 949discont. check
Sony A7 III (⇒ lft | rgt) HiRec 89/100 Gold 5/5 .. 5/5 2018 1,999 latest check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) - 85/100 Silver 4.5/5 4.5/5 4.5/5 2016 3,199 latest check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) HiRec 90/100 Gold 5/5 4.5/5 5/5 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) Rec - 4.5/5 5/5 5/5 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999discont. check
Sony A7R (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 5/5 5/5 2013 2,299discont. check
Sony A99 (⇒ lft | rgt) - 84/100 Gold 4.5/5 reviewed 4.5/5 2012 2,799discont. check

Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.


Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, kindly get in touch, and I will try to locate and add the respective data to the application.

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