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Sony A7R III versus Nikon D4

The Sony Alpha A7R III and the Nikon D4 are two digital cameras that were officially introduced, respectively, in October 2017 and January 2012. The A7R III is a mirrorless interchangeable lens camera, while the D4 is a DSLR. Both cameras are equipped with a full frame sensor. The Sony has a resolution of 42.2 megapixel, whereas the Nikon provides 16.2 MP.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Sony A7R III and the Nikon D4. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A7R III – represents the basis for the calculations across all the size and weight measures).

Sony A7R III vs Nikon D4 front
A7R III versus D4 top view
A7R III and D4 rear side
Body view (A7R III on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D4 is considerably larger (106 percent) than the Sony A7R III. Moreover, the D4 is substantially heavier (106 percent) than the A7R III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7R III) and the Nikon Lens Catalog (D4). Mirrorless cameras, such as the Sony A7R III, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A7R III (⇒ rgt) 127 mm 96 mm 74 mm 650 g 650 YES 2017 3,199 latest check
Nikon D4 (⇒ lft) 160 mm 157 mm 91 mm 1340 g .. YES 2012 5,999discont. check
Hasselblad X1D (⇒ lft | rgt) 150 mm 98 mm 71 mm 725 g .. YES 2016 8,995 latest check
Nikon D5 (⇒ lft | rgt) 160 mm 159 mm 92 mm 1415 g 3780 YES 2016 6,499 latest check
Nikon D4S (⇒ lft | rgt) 160 mm 157 mm 91 mm 1350 g 3020 YES 2014 6,499discont. check
Nikon D610 (⇒ lft | rgt) 141 mm 113 mm 82 mm 850 g 900 YES 2013 1,999 latest check
Nikon Df (⇒ lft | rgt) 144 mm 110 mm 67 mm 760 g 1400 YES 2013 2,749 latest check
Nikon D3S (⇒ lft | rgt) 160 mm 157 mm 88 mm 1240 g 4200 YES 2009 5,199discont. check
Pentax K-1 (⇒ lft | rgt) 137 mm 110 mm 86 mm 1010 g 760 YES 2016 1,799 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) 143 mm 104 mm 76 mm 849 g 490 YES 2016 3,199 latest check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) 127 mm 96 mm 60 mm 625 g 290 YES 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) 127 mm 96 mm 60 mm 627 g 370 YES 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999 latest check
Sony A7R (⇒ lft | rgt) 127 mm 94 mm 48 mm 465 g 340 YES 2013 2,299discont. check
Sony A99 (⇒ lft | rgt) 147 mm 111 mm 78 mm 812 g 500 YES 2012 2,799discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7R III was launched at a markedly lower price (by 47 percent) than the D4, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A7R III and Nikon D4 sensor measures
Sensor size

With 42.2MP, the A7R III offers a higher resolution than the D4 (16.2MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 7.29μm for the D4). However, the A7R III is a somewhat more recent model (by 5 years and 9 months) than the D4, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the D4, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

A7R III versus D4 MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7R III provides substantially higher image quality than the D4, with an overall score that is 11 points higher. This advantage is based on 1.3 bits higher color depth, 1.6 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A7R III (⇒ rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 14.7 3523 100
Nikon D4 (⇒ lft) Full Frame 16.2 4928 3280 1080/30p 24.7 13.1 2965 89
Hasselblad X1D (⇒ lft | rgt) Medium Format 51.3 8272 6200 1080/25p 26.2 14.8 4489 102
Nikon D5 (⇒ lft | rgt) Full Frame 20.7 5588 3712 4K/30p 25.1 12.3 2343 88
Nikon D4S (⇒ lft | rgt) Full Frame 16.2 4928 3280 1080/60p 24.4 13.3 3074 89
Nikon D610 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/30p 25.1 14.4 2925 94
Nikon Df (⇒ lft | rgt) Full Frame 16.2 4928 3280 no 24.6 13.1 3279 89
Nikon D3S (⇒ lft | rgt) Full Frame 12.1 4256 2832 720/24p 23.5 12.0 3253 82
Pentax K-1 (⇒ lft | rgt) Full Frame 36.2 7360 4912 1080/60i 25.4 14.6 3280 96
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A99 II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 25.4 13.4 2317 92
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony A7R II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 13.9 3434 98
Sony A7S II (⇒ lft | rgt) Full Frame 12.0 4240 2832 4K/30p 23.6 13.3 2993 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A7R (⇒ lft | rgt) Full Frame 36.2 7360 4912 1080/60p 25.6 14.1 2746 95
Sony A99 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 25.0 14.0 1555 89

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R III provides a higher video resolution than the D4. It can shoot video footage at 4K/30p, while the Nikon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the D4 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony A7R III, the Nikon D4, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A7R III (⇒ rgt) 3686 no 3.0 1440 tilting YES 8000 10.0 no YES
Nikon D4 (⇒ lft) optical YES 3.2 921 fixed no 8000 11.0 no no
Hasselblad X1D (⇒ lft | rgt) 2360 no 3.0 920 fixed YES 2000 2.3 no no
Nikon D5 (⇒ lft | rgt) optical YES 3.2 2359 fixed YES 8000 14.0 no no
Nikon D4S (⇒ lft | rgt) optical YES 3.2 921 fixed no 8000 11.0 no no
Nikon D610 (⇒ lft | rgt) optical YES 3.2 921 fixed no 4000 6.0 12 no
Nikon Df (⇒ lft | rgt) optical YES 3.2 921 fixed no 4000 5.5 no no
Nikon D3S (⇒ lft | rgt) optical YES 3.0 921 fixed no 8000 11.0 no no
Pentax K-1 (⇒ lft | rgt) optical YES 3.2 1037 full-flex no 8000 4.4 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A99 II (⇒ lft | rgt) 2400 YES 3.0 1229 tilting no 8000 12.0 no YES
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony A7R II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7S II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A7R (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 4.0 no no
Sony A99 (⇒ lft | rgt) 2359 YES 3.0 1229 full-flex no 8000 6.0 no YES

The A7R III is a current model that online retailers, such as amazon, will have in stock. In contrast, the D4 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the D4 was succeeded by the Nikon D4S.

Summary

So what conclusions can be drawn? Is there a clear favorite between the Sony A7R III and the Sony A7R III? The listing below highlights the relative strengths of the two models.


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Arguments in favor of the Sony Alpha A7R III:

  • More detail: Offers more megapixels (42.2 vs 16.2MP) with a 61% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More compact: Is smaller (127x96mm vs 160x157mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 690g or 51 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
  • More modern: Reflects 5 years and 9 months of technical progress since the D4 launch.

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Reasons to prefer the Nikon D4:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More heavily discounted: Has been around for much longer (launched in January 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the match-up (17 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.

A7R III 17:05 D4

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A7R III and the D4 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A7R III (⇒ rgt) HiRec 90/100 Gold .. .. .. 2017 3,199 latest check
Nikon D4 (⇒ lft) - - 4.5/5 - 4.5/5 2012 5,999discont. check
Hasselblad X1D (⇒ lft | rgt) - - - - 4/5 2016 8,995 latest check
Nikon D5 (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 5/5 2016 6,499 latest check
Nikon D4S (⇒ lft | rgt) - - 4.5/5 5/5 4.5/5 2014 6,499discont. check
Nikon D610 (⇒ lft | rgt) HiRec 87/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,999 latest check
Nikon Df (⇒ lft | rgt) - 81/100 4/5 4/5 4/5 2013 2,749 latest check
Nikon D3S (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 5/5 2009 5,199discont. check
Pentax K-1 (⇒ lft | rgt) - 84/100 Silver 5/5 4.5/5 5/5 2016 1,799 latest check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) - 85/100 Silver 4.5/5 4.5/5 4.5/5 2016 3,199 latest check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) HiRec 90/100 Gold 5/5 4.5/5 5/5 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) Rec - 4.5/5 5/5 5/5 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999 latest check
Sony A7R (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 5/5 5/5 2013 2,299discont. check
Sony A99 (⇒ lft | rgt) - 84/100 Gold 4.5/5 reviewed 4.5/5 2012 2,799discont. check

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.

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