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Sony A7R III versus Fujifilm GFX 50S

The Sony Alpha A7R III and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in October 2017 and September 2016. Both the A7R III and the GFX are mirrorless interchangeable lens cameras that are based on a full frame (A7R III) and a medium format sensor. The Sony has a resolution of 42.2 megapixel, whereas the Fujifilm provides 51.1 MP.

Body comparison

An illustration of the physical size and weight of the Sony A7R III and the Fujifilm GFX 50S is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A7R III – represents the basis for the calculations across all the size and weight measures).

Sony A7R III vs Fujifilm GFX 50S front
A7R III versus GFX top view
A7R III and GFX rear side
Body view (A7R III on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (14 percent) than the Sony A7R III. Moreover, the GFX is markedly heavier (14 percent) than the A7R III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A7R III (⇒ rgt) 127 mm 96 mm 74 mm 650 g 650 YES 2017 3,199 latest check
Fujifilm GFX 50S (⇒ lft) 148 mm 94 mm 91 mm 740 g 400 YES 2016 6,499 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Fujifilm X-Pro2 (⇒ lft | rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Hasselblad X1D (⇒ lft | rgt) 150 mm 98 mm 71 mm 725 g .. YES 2016 8,995 latest check
Pentax K-1 (⇒ lft | rgt) 137 mm 110 mm 86 mm 1010 g 760 YES 2016 1,799 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) 143 mm 104 mm 76 mm 849 g 490 YES 2016 3,199 latest check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) 127 mm 96 mm 60 mm 625 g 290 YES 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) 127 mm 96 mm 60 mm 627 g 370 YES 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999 latest check
Sony A7R (⇒ lft | rgt) 127 mm 94 mm 48 mm 465 g 340 YES 2013 2,299discont. check
Sony A99 (⇒ lft | rgt) 147 mm 111 mm 78 mm 812 g 500 YES 2012 2,799discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7R III was launched at a markedly lower price (by 51 percent) than the GFX, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A7R III features a full frame sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the A7R III has a native 3:2 aspect ratio, while the one in the GFX offers a 4:3 aspect.

Sony A7R III and Fujifilm GFX 50S sensor measures
Sensor size

With 51.1MP, the GFX offers a higher resolution than the A7R III (42.2MP), but the GFX nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.52μm for the A7R III) due to its larger sensor. However, the A7R III is a somewhat more recent model (by 1 year and 1 month) than the GFX, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the GFX, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

A7R III versus GFX MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A7R III (⇒ rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 14.7 3523 100
Fujifilm GFX 50S (⇒ lft) MF 51.1 8256 6192 1080/30p .. .. .. ..
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Canon 5DS R (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.6 12.4 2308 86
Canon 5DS (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.7 12.4 2381 87
Fujifilm X-Pro2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T2 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Hasselblad X1D (⇒ lft | rgt) Medium Format 51.3 8272 6200 1080/25p 26.2 14.8 4489 102
Pentax K-1 (⇒ lft | rgt) Full Frame 36.2 7360 4912 1080/60i 25.4 14.6 3280 96
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A99 II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 25.4 13.4 2317 92
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony A7R II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 13.9 3434 98
Sony A7S II (⇒ lft | rgt) Full Frame 12.0 4240 2832 4K/30p 23.6 13.3 2993 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A7R (⇒ lft | rgt) Full Frame 36.2 7360 4912 1080/60p 25.6 14.1 2746 95
Sony A99 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 25.0 14.0 1555 89

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a higher video resolution than the GFX. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Sony A7R III and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A7R III (⇒ rgt) 3686 no 3.0 1440 tilting YES 8000 10.0 no YES
Fujifilm GFX 50S (⇒ lft) no YES 3.2 2360 tilting YES 4000 3.0 no no
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Canon 5DS R (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5DS (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Fujifilm X-Pro2 (⇒ lft | rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Fujifilm X-T2 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Hasselblad X1D (⇒ lft | rgt) 2360 no 3.0 920 fixed YES 2000 2.3 no no
Pentax K-1 (⇒ lft | rgt) optical YES 3.2 1037 full-flex no 8000 4.4 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A99 II (⇒ lft | rgt) 2400 YES 3.0 1229 tilting no 8000 12.0 no YES
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony A7R II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7S II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A7R (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 4.0 no no
Sony A99 (⇒ lft | rgt) 2359 YES 3.0 1229 full-flex no 8000 6.0 no YES

Both the A7R III and the GFX are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A7R III replaced the earlier Sony A7R II, while the GFX does not have a direct predecessor.

Summary

So what is the bottom line? Is there a clear favorite between the Sony A7R III and the Sony A7R III? The listing below highlights the relative strengths of the two models.


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Advantages of the Sony Alpha A7R III:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (127x96mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 90g or 12 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (650 versus 400) on a single battery charge.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 1 year and 1 month after the GFX).

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 42.2MP), which boosts linear resolution by 8%.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1440k dots).
  • More heavily discounted: Has been on the market for longer (launched in September 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the match-up (11 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

A7R III 11:05 GFX

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A7R III or the GFX handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A7R III (⇒ rgt) HiRec 90/100 Gold .. .. .. 2017 3,199 latest check
Fujifilm GFX 50S (⇒ lft) - 85/100 Gold 5/5 5/5 4.5/5 2016 6,499 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) Rec 83/100 Silver 5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 5/5 4.5/5 2015 3,699 latest check
Fujifilm X-Pro2 (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Hasselblad X1D (⇒ lft | rgt) - - - - 4/5 2016 8,995 latest check
Pentax K-1 (⇒ lft | rgt) - 84/100 Silver 5/5 4.5/5 5/5 2016 1,799 latest check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) - 85/100 Silver 4.5/5 4.5/5 4.5/5 2016 3,199 latest check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony A7R II (⇒ lft | rgt) HiRec 90/100 Gold 5/5 4.5/5 5/5 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) Rec - 4.5/5 5/5 5/5 2015 2,999 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999 latest check
Sony A7R (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 5/5 5/5 2013 2,299discont. check
Sony A99 (⇒ lft | rgt) - 84/100 Gold 4.5/5 reviewed 4.5/5 2012 2,799discont. check

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to locate and add the respective data to the application.

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