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Sony A7R III versus Canon 6D Mark II

The Sony Alpha A7R III and the Canon EOS 6D Mark II are two enthusiast cameras that were announced, respectively, in October 2017 and June 2017. The A7R III is a mirrorless interchangeable lens camera, while the 6D Mark II is a DSLR. Both cameras are equipped with a full frame sensor. The Sony has a resolution of 42.2 megapixel, whereas the Canon provides 26 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A7R III vs Canon 6D Mark II

The side-by-side display below illustrates the physical size and weight of the Sony A7R III and the Canon 6D Mark II. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A7R III – represents 100 percent across all the size and weight measures).

Snapsort Sony A7R III vs Canon 6D Mark II
Compare A7R III versus 6D Mark II top
Compare A7R III and 6D Mark II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 6D Mark II is notably larger (31 percent) than the Sony A7R III. Moreover, the 6D Mark II is markedly heavier (18 percent) than the A7R III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7R III) and the Canon EF Lens Catalog (6D Mark II). Mirrorless cameras, such as the Sony A7R III, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A7R III gets 650 shots out of its NP-FZ100 battery, while the 6D Mark II can take 1200 images on a single charge of its LP-E6N power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A7R III» 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
Canon 6D Mark II« 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995 i i Hasselblad X1D
Nikon D500« » 5.8 in 4.5 in 3.2 in 30.3 oz 1240 Y Jan 2016 1,999 i i Nikon D500
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 i i Sony A99 II
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
Sony A7 II« » 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
Sony A7R« » 5.0 in 3.7 in 1.9 in 16.4 oz 340 Y Oct 2013 2,299- i Sony A7R
Sony A99« » 5.8 in 4.4 in 3.1 in 28.6 oz 500 Y Sep 2012 2,799- i Sony A99

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 6D Mark II was launched at a markedly lower price (by 38 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A7R III vs Canon 6D Mark II

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A7R III and Canon 6D Mark II sensor measures

While the two cameras under review share the same sensor size, the A7R III offers a higher resolution of 42.2 megapixel, compared with 26 MP of the 6D Mark II. This megapixel advantage translates into a 27 percent gain in linear resolution. On the other hand, these sensor specs imply that the A7R III has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.52μm versus 5.76μm for the 6D Mark II). In this context, it should be noted, however, that the A7R III is a somewhat more recent model (by 3 months) than the 6D Mark II, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the 6D Mark II, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

A7R III versus 6D Mark II MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7R III provides substantially higher image quality than the 6D Mark II, with an overall score that is 15 points higher. This advantage is based on 1.6 bits higher color depth, 2.8 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A7R III» Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
Canon 6D Mark II« Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
Nikon D500« » APS-C 20.7 5568 37124K/30p24.014.0132483Nikon D500
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A99 II« » Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II
Sony A7 II« » Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
Sony A7R« » Full Frame 36.2 7360 49121080/60p25.614.1274695Sony A7R
Sony A99« » Full Frame 24.0 6000 40001080/60p25.014.0155589Sony A99

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R III provides a higher video resolution than the 6D Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.

 

Feature comparison: Sony A7R III vs Canon 6D Mark II

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony A7R III, the Canon 6D Mark II, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A7R III»3686 n 3.0 1440 tilting Y 8000 10.0 n Y Sony A7R III
Canon 6D Mark II«optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Hasselblad X1D« »2360 n 3.0 920 fixed Y 2000 2.3 n n Hasselblad X1D
Nikon D500« »optical Y 3.2 2359 tilting Y 8000 10.0 n n Nikon D500
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A99 II« »2400 Y 3.0 1229 full-flex n 8000 12.0 n Y Sony A99 II
Sony A6500« »2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony A7R II« »2400 n 3.0 1229 tilting n 8000 5.0 n Y Sony A7R II
Sony A7S II« »2400 n 3.0 1229 tilting n 8000 5.0 n Y Sony A7S II
Sony A7 II« »2400 n 3.0 1230 tilting n 8000 5.0 n Y Sony A7 II
Sony A7R« »2400 n 3.0 1230 tilting n 8000 4.0 n n Sony A7R
Sony A99« »2359 Y 3.0 1229 full-flex n 8000 6.0 n Y Sony A99

Both the A7R III and the 6D Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 6D Mark II replaced the earlier Canon 6D, while the A7R III followed on from the Sony A7R II.

Review summary: Sony A7R III vs Canon 6D Mark II

So what is the bottom line? Is the Sony A7R III better than the Canon 6D Mark II or vice versa? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Sony Alpha A7R III:

  • More detail: Offers more megapixels (42.2 vs 26MP) with a 27% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (2.8 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (127x96mm vs 144x111mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 115g or 15 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More modern: Is somewhat more recent (announced 3 months after the 6D Mark II).

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Arguments in favor of the Canon EOS 6D Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Longer lasting: Gets more shots (1200 versus 650) out of a single battery charge.
  • More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in June 2017).

If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the match-up (16 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

A7R III 16:07 6D Mark II

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7R III or the 6D Mark II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A7R III»HiRec90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
Canon 6D Mark II«Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Hasselblad X1D« »rev---4/5 Jun 2016 8,995 i i Hasselblad X1D
Nikon D500« »HiRec91/1004.5/55/55/5 Jan 2016 1,999 i i Nikon D500
Sony A7 III« »HiRec89/1005/5-5/5 Feb 2018 1,999 i i Sony A7 III
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A99 II« »-85/1004.5/54.5/54.5/5 Sep 2016 3,199 i i Sony A99 II
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony A7R II« »HiRec90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
Sony A7S II« »Rec-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
Sony A7 II« »Rec82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
Sony A7R« »HiRec82/1004.5/55/55/5 Oct 2013 2,299- i Sony A7R
Sony A99« »-84/1004.5/5rev4.5/5 Sep 2012 2,799- i Sony A99

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please contact me, and I will try to locate and add the respective data to the application.

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